Lottery numbers, Polar Bears, and Smoke Monsters–oh my! Time for Murder Ballad.

Since my last couple of blogs have been BOOMING in stats, I’ve officially reached Cabaret Blog celebrity status (no photographs please) (actually please take some I need new headshots).

I can hardly walk around the Rutgers University campus without having my fellow peers stare at me in a star-struck manner. I can sense their jealousy and awe. I receive so many compliments per day, like:

  • Is that smell coming from her?
  • Does she know that she’s talking to a wall?
  • Why is she making frog noises?

I’m swimming in compliments here folks, it’s almost unbearable. I don’t know how NSync did it (#RIP #forevernostringsattached)

nysnc

That being said, I know you all are DYING to hear about my personal life. I am pleased to inform you that I am currently on season 6 of Lost, and every episode makes me cry. Jack is my number #1 again, as Sawyer started to annoy me, and Desmond apparently isn’t in this season. Also, Richard Albert has the best backstory (Izz-ah-bellaaaa). They’re my characters and you can’t have them.

getonwithit

Alright, alright. What other show did I binge watch this summer? Dexter! And what is Dexter about? Murder!

Presenting…

Murder Ballad

Cabaret’s newest main stage and my worst segue.

murderballad

Currently, I am sitting in Cabaret Theatre as the cast, crew, and band prepare for their first tech rehearsal. This set is by far one of my favorites at Cabaret to date. First off, there’s a pool table which also serves as a bed (*wink). Second, there’s a bar (*double wink). Third, you can walk, jump, and do *naughty* things ON the bar (*no more winking). Fourth, the band is center stage on the platform. It is perfect and I love it so.

I personally had never heard of Murder Ballad before Cabaret announced it as one of the mainstages for the 2014-2015 season. Going into this rehearsal, I had no idea what to expect. But, as I walked in to the band warming up to RHCP, I knew the show would not disappoint.

Get it? Get it? *gags*

Get it? Get it? *gags*

Murder Ballad is a steamy exploration of the complications of love, the compromises we make and the betrayals that undo us. This is the dramatic story of a love triangle gone wrong centering on Sara, an uptown girl who seems to have it all, but whose downtown past lingers enticingly and dangerously in front of her. Sex, love, lies, and a murder fill this show with pure entertainment that should not be missed.

Words I like in this description: Steamy. Betrayal. Lingers enticingly. And love triangle (Jack, Kate, and Sawyer anyone?).

"We have to go back"

“We have to go back”

Since this show is a “ballad”, the pit and the actors’ musical abilities are given prime time to shine. Even I was impressed, and I’m usually a tough cookie to please when it comes to musicals. The Narrator has a sexy and electrifying belt; Sara’s sweet looks deceive her fiery persona; Michael’s ever-lovable and huggable character had me awing and gasping in every scene; and Tom exemplifies rock n’ roll with a hot Kansas twist, ever tempting us all to the dark side.

While waiting for the run to begin, I decided to “interview” a few key members of the staff, crew, and performers. Here’s what they had to say:

(Here I take on my Nshady persona. Imagine it. It’s awesome)

A brief interview with Justin Brown (director)

  • Nshady: Hi Justin Brown
  • JB: Hi.
  • Nshady: Describe the show in five words. Go.
  • JB: Wait, does it have to be…five…adjectives?
  • Nshady: Sure, why not. Go!
  • JB: Sexy, malicious, electrifying….rock…and roll.

A surprise interview with Justin Luckenbaugh (actor)

  • Nshady: Hi Justin!
  • JL: Hi Natasha!
  • Nshady: What is the most annoying thing about director Justin?
  • JL: What?! I don’t know…he listens to Beyonce a lot. And he enjoys the sexual parts of this show.

Lauren Burcheri (pianist) tells me about things

  • Nshady: Hi Lauren!
  • LB: ….Hi…
  • Nshady: Five favorite moments of the show…go!
  • LB: Practicing with the pit and creating a dynamic together, the music and the story of the show is very catchy, the fact that I was still able to do this show even though the dates were moved, and I like that there’s not a formal conductor with the music, which allows us to just jam and go with it, and Justin as the director.

Jared Gallegos (tech crew), a.k.a. the only person who asks me how I’m doing

  • Nshady: Hi Jared!
  • JG: Hello! How are you?
  • Nshady: I’m great, how are you?
  • JG: Doing fine.
  • Nshady: How has your experience been doing tech with the show so far?
  • JG: Somewhat rushed, but I’m actually on the same time-frame as I usually am. Yeah…that’s it.

A brief interview of no importance with Steph van Oppen (Managing Director)

  • Nshady: What do you like best about your pink hair, and why is it pink?
  • SvO: Pink matches all of my…blue clothes.

A hot and steamy with Mary Berko (choreographer)

  • Nshady: Hi Mary!
  • MB: Hi!
  • Nshady: What did you do for the show?
  • MB: This show?
  • Nshady: Yes this show.
  • MB: I helped choreograph some great scenes…slash modern dance…but not really.
  • Nshady: I hear there may be a sex scene. Can you confirm the rumors?
  • MB: Yes, I can confirm that. It’s very abstract.
  • Nshady: Is it hot and steamy?
  • MB: It’s pretty hot and steamy.
  • Nshady: You heard it, folks.

I confuse Dalton Zogleman (actor)…a lot…

  • Nshady: Hi Dalton!
  • DZ: Hi Natasha!
  • Nshady: How has being from Kansas inspired your role in this show?
  • DZ: ……..Um……that’s a great question…how has being from Kansas inspired my role in this show………………………………………………….I have no clue……………………..I really don’t know………………(laughter)…………………………….(awkward laughter)………………………………. ……………………..(silence)……………………………..
  • Nshady: Alright, I’ll give you a take two. Hey Dalton.
  • DZ: Hey Natasha…
  • Nshady: What are your thoughts about American Foreign Policy? Go.
  • DZ: I think that there’s much room for improvement and I am a proud citizen of this United States of America.
  • Nshady: Very political of you.
  • DZ: Thank you.

Courtney King (Artistic Director) loves me more than you do!

  • Nshady: Hi hi!
  • CK: Hi! Wassup?
  • Nshady: What is the best thing about my super awesome fun-time blog?
  • CK: Um…Natasha…you write your blog…so that’s the best thing…that you write it. And Natasha is my favorite. She often incorporates poop and that’s exciting for us all…and her…because she loves poop. And she is a beautiful actress. We’ll miss her so much when she leaves us for France.
  • Nshady: Yes I’m wonderful. Let’s segue into Murder Ballad now. What is your favorite thing about the show?
  • CK: My favorite thing about Murder Ballad is that we’re incorporating a new set up; we have a bar and we’re using the band onstage. It’s a whole new environment for Cabaret.

FOR THE RECORD COURTNEY MENTIONED POOP IN THIS BLOG, NOT ME.

Just had to get that out there.

Yeah and I'm proud of it.

Yeah and I’m proud of it.

Here is all the info you need for the show:

Cabaret Theatre presents,

Murder Ballad

*****This production contains adult language and content. We recommend this show for mature audiences only.*****

Dates::

– Thursday, November 20th @ 8pm

– Friday, November 21st @ 8pm

– Saturday, November 22nd @ 8pm and 11:59pm

– Sunday, November 23rd @ 7pm

Performances will be held at Cabaret Theatre. The theatre is located at the corner of Suydam Street and Nichol Avenue on the Douglass Campus.

Tickets::

– $7 Students/Faculty/Staff/Seniors

– $12 General Admission

Please email ticket reservations complete with your name, date of performance, number of tickets needed to cabtheatre@gmail.com***

***Please arrive more than 20 minutes before show time. If later you risk losing your reservation to those on the waiting list.

Meet the Cast:

– Narrator: Erica Nader

– Sara: Stephanie Turci

– Michael: Justin Luckenbaugh

– Tom: Dalton Zogleman

 

Meet the Production Staff:

– Director: Justin Brown

– Assistant Director: Claudia Nunez

– Stage Manager: Nicola Keegan

– Assistant Stage Manager: Sabrina Pellunat

– Musical Director: Steph Mangioglu

– Assistant Musical Director: Jessica Sipe

– Choreographer: Mary Berko

 

Meet the Pit::

– Piano: Lauren Burcheri

– Drums: Evan Tsioni

– Bass Guitar: James Nascimento

– Guitar: Justin DeUmberto


Come see all of these beautiful people and their hard work this weekend! Be prepared for a raucous time. Did I mention Dalton is from Kansas? He’s from Kansas. Apparently there’s a lot of corn there. And tornadoes. And lots of women named Dorothy.

Side note–this is my last theatre review for the blog (insert sad face here), as I am graduating in a little over three weeks. How weird is that? I’ll have a “sign-off” post after the holiday, and introduce you to our new Social Media Chair! (her name may or may not be Kristen and she may or may not be equally as cool as I am)

Until then, I’ll be flying planes from LAX to Australia trying to get back to the Island. See ya in another life, brotha.

Nshady, out.

***ALSO Rutgers Night Live Auditions are this Monday from 8-Midnight, with Callbacks on Tuesday TBD, both at Cabaret. Come out and audition! You’ll get to meet me! Bring your funny bones, and make sure to leave all of the non-funny ones at home.***

Guest Blog: From the Eyes of a Stage Manager

Hey hey hey all of you!!!

I have some exciting news……..so I’m going to need a drumroll….seriously, I can’t post this until I get a drumroll………but not really.

Anywho, Cabaret’s very own Kayla Votapek wrote up a wonderful guest post that I am going to place below!!!! So get ready for the awesomeness that is this post………seriously, I can’t post this until you’re ready. How many times can I say post? Post.

Here it is!!

‘Doubt can be a bond as powerful and sustaining as certainty.  When you are lost, you are not alone.’ 
–Father Flynn
, Sermon 1, Doubt

Hello Everyone!

My name is Kayla Votapek and this is my first time writing a blog post for Cabaret. I am so excited and honored that the lovely Abigail Nutter has asked me to write one! For those of you who don’t know me I am Press Secretary for Cabaret Theatre and currently the Stage Manager of Doubt .

For those of you who don’t know anything about Doubt… It is such a wonderful play that you should come see! (For those of you who do know, you should come see it too!) Check out our official Doubt blog post for more information at https://cabarettheatreblog.wordpress.com/2014/02/06/no-way-no-how-no-doubt/

Doubt

(Shout out to the beautiful Emily Johnson who made this wonderful graphic!)

The cast, crew, and pro-staff have been working so hard on this production. We all got together during winter break and worked on the show for days which gave us a wonderful opportunity to bond with one another. Here is a picture of the cast rehearsing: 

Doubt Rehearsal

We had many doubts about this production being ready in time for the show thanks to the ton of snow we received. DARN YOU GLOBAL WARMING! But we were able to shovel ourselves through to opening night.

Doubt Tech

I am so honored to be a part of this show and it was such a wonderful opportunity! The cast, crew, and pro-staff have worked very hard and this show is Fantastic! I encourage you all to come see it this weekend. I would like to send a shout out to Emily Petrick for being a wonderful first time director as well as the cast and crew of Doubt. You did a wonderful job for the first weekend and I don’t have any doubts that you will do even better this weekend! I also would like to thank my twin, Allie Kroeper, for helping me with sound; the beautiful and talented Abigail Nutter for allowing me to write this blog as well as helping us find such wonderful costumes for Doubt; the hard working Elias Bull for putting so much time into our production and helping us with EVERYTHING. This boy built the set and put up all our lights all by himself with some help from the Cabaret Crew. (Shout out to Kate Thomas, Meg King, Courtney King, and Erik Stratton for helping us paint. Those windows look amazing!)

You do not want to miss this show! Come see it this weekend.

P.S LET IT DOE! 

Frozen

~ Kayla Votapek

Yeah, I know. That was pretty awesome.

Did you count how many times she said “doubt”?

‘Cause I didn’t.

I’m too lazy for that big of a job.

Anywho, thank you Kayla for that lovely contribution to this blog and thank you Abby for requesting it!!

You heard the girl…come see Doubt!

 

A-Kroeps out!!

Important Information for a Very Important Play!!!

Hey there everybody! It’s Allie Kroeper and I’m back to the writer’s chair with some vital information about Cabaret’s first main stage of the year… The Normal Heart!!!

Image

(I’m also here to talk about other things, but I’ll get to that stuffs later!)

 

Due to the serious nature of The Normal Heart, I will proceed with less humor than usual.

[Director’s Note: You were being humorous in the past?]

 

Here is information from Cabaret’s Sakai site:

The Normal Heart is a play focused on the rise of the HIV-AIDS crisis in New York City between 1981 and 1984, as seen through the eyes of writer/activist Ned Weeks, the gay Jewish-American founder of a prominent HIV advocacy group.

Production Staff:

Tyler Picone – Director

James Duffy – Creative Team

Jamie King – Creative Team

Chris Price – Stage Manager

Cast:
Dan Fisher – Ned Weeks
Donovan Smalls – Bruce Niles
Nikko Espina – Felix Turner
Alyssa Krompier – Dr. Emma Brookner
Dan VG – Michael Marcus
Jason Zomback – Tommy Boatwright
Nick McNamara – Ben Weeks
Alex Vetterlein – Grady/Craig
Michael Maxham – Hiram Keebler/David

Tickets:
$7 for Students/Staff/Faculty
$12 for General Admission

Opening night proceeds will go to Broadway Cares/Equity Fights AIDS, one of the nation’s leading industry-based, nonprofit AIDS fundraising and grant-making organizations. All shows will also sell armbands towards the cause.

Email cabtheatre@gmail.com for advanced reservations. Please specify your name, the number of tickets you wish to purchase and the date/time of the show you wish to attend. Our shows sell out quickly so making a reservation is the smart way to get yourself a seat!*

*Note: Reservations are not guaranteed. Patrons with reservations must arrive at least one half-hour prior to the stated performance time to purchase their tickets. Reservations may be voided at the discretion of the Box Office Management twenty minutes prior to the scheduled performance to accommodate any patrons on the waiting list or any walk-up sales.

This production of The Normal Heart contains Trigger Language. We recommend this show for mature audiences only.

Image

All that being said, if you want to see some kick-ass acting in action, then reserve your tickets today, ’cause that kick-ass show starts TOMORROW!!!

 

Here is some more hard-hitting information:

If you are interested in raising awareness about domestic violence and sexual assault via Cabaret Theatre, join Marisa Irabli and the Institute of Women’s Leadership for a very important project: ACT (Affective Catharsis through Theatre). ACT is a collaborative effort aimed to raise awareness of domestic violence and sexual assault issues in our community while providing a cathartic and safe space for its participants.

This project also provides opportunities for writing, acting and stage managing!

October 19, 11:59pm – Writing submissions and anyone who is interested in acting must email Marisa Irabli at mirabli@eden.rutgers.edu.

October 21 – Actors will be assigned a piece. (****PLEASE keep in mind that not every piece sent in will be chosen, for length and content purposes, although all submissions are greatly appreciated!****)

Dates TBD – 3 rehearsals (The first half of show is the first rehearsal, the second half of show is the second rehearsal. Everyone together is the third rehearsal.)

November 3-November 7 – Tech week (includes blocking, lighting, clean up, etc.)

November 8, 8pm – SHOW NIGHT!

Email Marisa Irabli or Special Events Coordinator, Courtney King at clk10@eden.rutgers.edu for more information!

And congrats to Marisa for being chosen for the Fall 2013 Special Project Slot!!!

 

Now for the lighter news:

What is our second main stage of the year, you ask? Well, I’ll tell you!

(But only because I’m contractually obligated to do so.)

It is [title of show] and it has been cast, yay!!!

 

The [title of show] cast is as follows:

Jeff: Justin Brown

Hunter: Gabe Marquez

Heidi: Natasha Sydor

Susan: Kristen Ferris

Piano Player, “Mary”: Lauren Burcheri

 

The Production staff is as follows:

Director: Courtney King

Assistant Director: The Best Person Ever (that’s me)

Musical Director: Rachel Horner

Stage Manager: LilyAnn Foster

Piano Player, “Mary”: Lauren Burcheri (This is a cool half-production-staff/half-role type of dealio. She’s got the best of both worlds!)

Image

That’s right. Forever.

 

In other news…I am coordinating the 2013 Directors Showcase!!!

What, what?!?!?!

This year the Showcase consists of 4 amazing plays, directed by 4 amazing directors!!!

 

Our directors are:

Kayla Votapek

Christen Demnitz

Steph Van Huss

Jasia Ries

 

And I’d like to make a quick shout out to our awesome Stage Manager, Steph van Oppen!! (She’s so on top of things!)

And yet another quick shout out to Kate Barron (Cabaret’s Artistic Director) for being such an incredible help with this production!!!

 

Look out for more information on the Showcase, [title of show], and Marisa’s Special Project in the blog entries to come!!

 

Allie Kroeps over and out!!!

Senior Interviews: Back-Stage Edition!

Almost there, true believers! University Commencement is TODAY, which means that the class of 2012 will officially blow this proverbial popsicle stand. Nevertheless, we here at Inside Cabaret still have work to do up until that bell on Old Queens gets rung incessantly, so away we go with a very special edition of the Cabaret Cuestionnaire!

###

Alex is finishing up his Ed.M. with the Graduate School of Education here at Rutgers. While not teaching math to teenagers, Alex can be found being an all around good guy, helping out in any way he can down at the Cabaret. He was dragged unwittingly to the theatre by former managing director Erik Stratton, fulfilling a shortage we had of able labor. Still, we weren’t able to get him on-stage as a performer, but he sure did love pushing the buttons in the booth during multiple productions over the last two years!

Here we see Alex reppin’ Cabaret in what appears to be a shark fight.

– Past Cabaret Credits/Roles/Jobs/Positions:

  • Helped make a cake with Erik for one performance of rabbit hole (I think after that they bought cakes)
  • Pushed the light button a bunch of times for Cloud 9 and sewed the head back on the doll
  • Assistant lighting designer for Spelling Bee
  • Box Office Manager along with Tobi/Webmaster for 2011-2012
  • Stage Manager/Lighting/Sound for Directors Showcase 2011
  • Technical Stage Manager for Eleemosynary

– Where are you from? Where would you like to live in the future?

Northern New Jersey, but I’ll probably end up living somewhere else

– Favorite Culinary Establishment in the New Brunswick Area?

Definitely Neilson, although Stuff Yer Face is pretty good

– Same-color or Mix-match socks?

I’m not sure I own socks that match

– On what TV show would you like to guest star in a 3-episode mini-arc?

Parks and Recreation

Always prepared, Alex came to Rutgers Day… prepared… with food… (Editor’s Note: It’s late.)

– Who do you most want to punch in the eye?

Well, it would have to be someone with eyes…

– What’s your degree supposed to be in?

Math Education

– What was your least favorite class at Rutgers?

Expos….so far that’s the only question I haven’t had to think about at all

– What did you want to be when you were growing up?

Someone with a job

– What are you probably going to be when you grow up?

I don’t think I’m going to grow up

– What would you like to be when you grow up?

Someone with a job at a college

– Favorite Cabaret experience as a performer/prostaffer?

Eleemosynary

Alex never f**ks up the ratio.


– Favorite Cabaret experience as an audience member?

Streamers, cause it’s when I found out Cabaret existed

– If you could change one thing about Cabaret, what would it be?

Working thermostats. Second question I didn’t have to think about

– How has Cabaret changed in your time there?

Definitely not working thermostats!

– Budget & talent pool aside, what show would you most like to see Cabaret do in the future?

Rent, I think LTC did it a while ago, but I didn’t get to see it

– What makes Cabaret special?

Lots of stuff: The unisex bathroom, leaky roof, the pool, only one working light bulb in the prop/dressing rooms, but mostly the amount of time and work everyone spends on shows without getting anything back for it

– What has the college (theatre) experience taught you about yourself?

It turns out, I like other stuff besides math.

Like being pushed around. In a good way.

###

What can we say about Nicole Reich? Without her, the place literally would not work. Her tenure as Technical Director and constant involvement in lighting and design for the majority of the shows over the last 4 years has made her into a crucial creative entity at Cabaret and at uptown rival LTC. We’d ask her how many sleepless hours she spent at Cabaret, but we don’t want to get punched. And she’ll punch you. She will. Not kidding. We’ve seen it. Seriously. Don’t f**k with her. She’ll annihilate your face with a stare, and then pummel your bare skull until it’s gelatin, which she’ll then scoop up and use to shine the lens on the Source 4s hanging above the stage.

Nicole living dangerously in the Cabaret Sky.

– Past Cabaret Credits/Roles/Jobs/Positions

  • Lighting Designer, Elegies
  • Sound Designer, I Love You Because…
  • Technical Director, 2010-2011 (Streetcar, ILYB, Rabbit Hole, Cloud 9, Spelling Bee)
  • Lighting Designer, Godspell
  • House Manager, 2009-2010
  • Stage Manager, The Cocktail Hour
  • Stage Manager, “Up, Out & Away!” (1st ever original play festival)

– Where are you from? Where would you like to live in the future?

I’m from Piscataway, currently living in Edison, and hope to live in New York at some point in my life. Not forever, but for a while.

– Favorite Culinary Establishment in the New Brunswick Area?

You can never go wrong with Stuff Yer Face.

– Same-color or Mix-match socks?

Same color. And white. I’m boring.

– On what TV show would you like to guest star in a 3-episode mini-arc?

Doctor Who

– Who do you most want to punch in the eye?

No comment. (Editor’s Note: See above)

– What’s your degree supposed to be in?

Some science thing (aka genetics)

– What was your least favorite class at Rutgers?

Orgo. Hands down.

Here we see Nicole doing something important.

– What did you want to be when you were growing up?

A doctor.

– What are you probably going to be when you grow up?

In theater. Somehow.
– What would you like to be when you grow up?

Happy.

– Favorite Cabaret experience as a performer/prostaffer?

Elegies

– Favorite Cabaret experience as an audience member?

Eurydice

– If you could change one thing about Cabaret, what would it be?

The heat!

– How has Cabaret changed in your time there?

Oh man. Well 427 wasn’t black, and the hallway wasn’t blue. The lobby was still red and we had an enormous ticket booth, and a pay phone taking up space. (Why is everything about paint colors?) More importantly, Cabaret is putting up better quality shows and has better people running it.

– Budget & talent pool aside, what show would you most like to see Cabaret do in the future?

I don’t know?

– What makes Cabaret special?

It’s a great community of people, who are willing to let you try new things and experiment. You make lasting friends at Cabaret.

– What has the college (theatre) experience taught you about yourself?

College (theatre) is all well and good, but sometimes my sanity comes first.

What stage of insanity is this?

###

You ever open up a Cabaret playbill or look at a Cabaret set or visit the Cabaret website or walk past the Cabaret marquis or open your eyes ever? Well, odds are that you saw some wonderful artwork and design by the magnificent Ms. Hanna Canfield. As Cabaret’s resident “scenic artist,” Hanna has drawn, painted, stenciled, sponged, and/or stickered some piece of every show since Lieutenant of Inishmore(for those counting, that goes all the way back to Fall 2008!). Everything from set pieces to posters to show logos to a giant scarlet R on the floor forRevue: Parte Deux, Hanna’s the go-to-gal for drawling.

Also, she regularly received college credit for working with bovine and other farm animals.

Hanna “drawing” the logo for Streamers!

Past Cabaret Credits/Roles/Jobs/Positions

Scenic Artist, Logo artist, Ruth in the SH!T PLAY in last year’s Original Play Festival, and a LOT of miscellaneous tech work

– Where are you from? Where would you like to live in the future?

I was from Connecticut…now Florida as of December. Hopefully I will eventually call Colorado or Hawaii home.

– Favorite Culinary Establishment in the New Brunswick Area?

Stuff Yer Face.

– Same-color or Mix-match socks?

Same-color as long as they’re a fun pattern.

Hanna in the Cabaret lockerroom, preparing for the SH!T play with fellow Cabbies Casey and Sir Nick (who exchange-studented back to England).

– On what TV show would you like to guest star in a 3-episode mini-arc?

A cartoon probably. I’d like to see an animated version of myself, and voice acting would be fun.

– Who do you most want to punch in the eye?

George Lucas.

– What’s your degree supposed to be in?

I’m an Animal Science major, Pre-vet option, biology minor.

– What was your least favorite class at Rutgers?

Orgo, hands down.

– What did you want to be when you were growing up?

I wanted to be an archaeologist, paleontologist, or marine biologist. I really like science.

– What are you probably going to be when you grow up?

Definitely going to be a veterinarian! I’m still deciding on which vet school to choose, but I’m 99% sure I’m going to St. George’s University in Grenada this fall.

– What would you like to be when you grow up?

I want to be a veterinarian for shelter animals and for zoo animals. Ideally.

– Favorite Cabaret experience as a performer/prostaffer?

Dog Sees God.

Hanna with the cast of Dog Sees God, which was a cross between Peanuts and Slackers with an Acid cocktail thrown into the blender. And, apparently, mixed metaphors.

– Favorite Cabaret experience as an audience member?

Lieutenant of Inishmore.

– If you could change one thing about Cabaret, what would it be?

More fake blood. We had so much of that freshman year. Where did it go?

– How has Cabaret changed in your time there?

I could probably write an essay on that, but for the sake of time, it got cleaner and more professional. But I’ve always loved it in any condition!

– Budget & talent pool aside, what show would you most like to see Cabaret do in the future?

Honestly, I really don’t know a whole lot of shows. I just like painting and things.

– What makes Cabaret special?

It’s such a unique place. I love black box theatres, and I love that the space is so versatile.

– What has the college (theatre) experience taught you about yourself?

I need to draw or paint something once in a while. It makes me a much happier person.

Especially rodents. They’re the best to draw. Always.

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Click below for more interviews!

Three Lovely Ladies

1-4-9

Again!

A Letter to the class of 2012

One more post is coming, ladies and gentlemen, and it’s going to be a doozy! Stay tuned!

And happy graduation!

Senior Interviews: Again!

Does posting twice in one day make up for two weeks of procrastination? Probably not, but here are three (3) more Cabaret Cuestionnaires filled out be three (3) more fantabulous graduating Cabbies!

In case you missed it, check out this morning’s interviews and last week’s interviews as well!

###

Joey is f**king old. Okay, maybe not that old, but he’s been around since 2007. That’s, like, forever ago in terms of College Theatre years. He started at Cabaret way back at the tail end of it’s “Community Theatre” years, and served on the executive board as Managing Director while the theatre transitioned back to being a completely student-run and student-doing-things-all-time kind of place. He also recently posted a glowing letter thanking the other seniors for all their hard-work at Cabaret, and it pretty much sums up anything that we’d put down here, so check it out!

Joey’s (Gentleman on the Right) Cabaret debut: a shirtless, down-to-there-haired hippie in HAIR. Also, multiple bandanas.

Past Cabaret Credits/Roles/Jobs/Positions

  • Debuted on the Cabaret stage as Margaret Meade (the transvestite square) in HAIR way back in February 2008.
  • Dog Sees God (Beethoven), Assassins (Ensemble), Eurydice (Father), Spring Awakening (Moritz)
  • Co-director of Back-2-School Revue: Parte Deux
  • Choreographer and Joke Writer for Spelling Bee
  • Directed productions of A New Brain and Songs For A New World,
    and a scene from Les Miserables in Directors’ Scenes.
  • Facilitated the Directors’ Workshop and Coordinated Directors’ Showcase 2011
  • Managing Director from January 2009 through May 2010
  • I’ve also been on the roof a few times.

– Where are you from? Where would you like to live in the future?

North Brunswick, NJ. I’ve grown quite fond of New Brunswick, but I see myself living in the NYC area (probably on the Jersey side of the river). I’d like to live in the African Serengeti at some point in my life. Also, Ireland.

– Favorite Culinary Establishment in the New Brunswick Area

Picken Chicken on George Street.

– Same-color or Mix-match socks?

Same-color. I don’t mess around.

Joey, down in the far left corner, “directing” Songs for A New World (Editor’s Note: Believe it or not, that stage was actually painted Blue. THEATRE!)

– On what TV show would you like to guest star in a 3-episode mini-arc?

WWE Raw. I’m pretty wicked with a steel chair.

– Who do you most want to punch in the eye?

Lady Gaga. And Shia Labeouf.

– What’s your degree supposed to be in?

I have a BA in English (lolz Avenue Q), and I’ll be getting my Ed.M. in English Education (hopefully) this Sunday.

– What was your least favorite class at Rutgers?

18th Century Novel. So… canonical… traditional… old…

“Acting” as Moritz in Spring Awakening. “Channeling” Spider-Man. “Winning” Cabbie Awards for Best Actor in a Musical.

– What did you want to be when you were growing up?

A teacher. And James Bond.

– What are you probably going to be when you grow up?

A teacher. Officially.

– What would you like to be when you grow up?

A teacher. Who moonlights as an acclaimed comics writer for MARVEL.

– Favorite Cabaret experience as a performer/prostaffer?

I’ve had my fingers in so many productions over the last few years that it’s hard to pick just one favorite experience. If I had to pick just one, I’d pick the performance of my senior capstone project last Spring. It was a play called i gotta right. Cabaret, in all of its experimental, artistic wisdom, granted me the Black Box for one performance in early April. So, with good friends and fellow Cabbies Dave Seamon, Amanda Padro, and Danny Cassidy, I put together a staged reading.

– Favorite Cabaret experience as an audience member?

Cabaret used to host semi-regular performances of the improv troupe, Quaint Little Coffee Shop. They were pretty much an in-house group of wonderful actors that got together and did awesome improv. The shows were reckless, irreverent, loose, and absolutely hilarious.

– If you could change one thing about Cabaret, what would it be?

Too freaking hot all the time. And I wish people would stop thinking it’s Jameson Projects Blackbox. So really, I’d just like to change Jameson Project. Let’s move it to Antarctica or something.

– How has Cabaret changed in your time there?

A LOT. But also not really a lot. We’ve become much more… focused. A little bit more professional. Nobody likes to knock the last generation, but it was a little fast and loose way back when. A little too self-satisfying. Not that there’s anything wrong with that. Now, there’s still that artistic, indulgent creativity, but there’s much more of a focus on teaching and training and expanding. A larger emphasis on development and progress. That ensures a future for Cabaret that we didn’t really have locked down just a few years ago.

– Budget & talent pool aside, what show would you most like to see Cabaret do in the future?

I’ve always wanted to direct a production of Les Miserables in Cabaret. I know how. I can make it work. That and West Side Story.

Oh yeah. It’ll fit. (Editor’s Note: That’s what she said.)

– What makes Cabaret special?

Directing has become one of my most favorite things in the world, and I never ever would have thought I had the necessary skillset if Cabaret wasn’t willing to give me the opportunity with Songs For A New World way back when. When I got the opportunity to direct A New Brain in the winter of 2009, a life goal of mine was achieved. A New Brain is my favorite musical of all time, and at Cabaret, they love s**t like that—obscure, interesting shows that mean something to the directors; that’s what they actively seek out. That’s what makes it so special. There’s a deeper connection to the material than just doing theatre. There’s a passion that starts with that one person—the director—and that then extends down into the cast and crew. By the time it gets to the audience, it’s got some heavy boots. It means something.

A New Brain, December 2009.

– What has the college (theatre) experience taught you about yourself?

How important collaboration really is. At Cabaret, because of the limited budget and because of the need for experimentation, every single moment of every single day really is an exercise in creative storytelling. And no one can do that alone. Each cast and crew is this microcosm of brilliance that produces these wonderfully innovative, captivating shows. The most important thing to come out of that collaboration is this sense of mutual peer-to-peer respect that is so vital to the process of creation.

###

Alexandra Kelly Hausner (or “powerhausner” as one Cabaret alumnus dubbed her) is one crazy talented singer-songwriter-dancer-actress-all-around-good-person. She debuted on the Rutgers stage in LTC’s TOMMY, and razzle-dazzled audiences in Revue: Parte Deux and R3VU3, but it was her turn as Ilse in Spring Awakening that marked her Main-Stage debut and denouement on the Cabaret stage. And it was a phenomenal turn.

She kicks more @$$ than Angelina Jolie circa 2008.

She also learned the cello for her stellar performance in LTC’s production of BARE. (Editor’s note: learning of the cello may or may not be true. Stellarness of the performance is 100% accurate.)

– Past Cabaret Credits/Roles/Jobs/Positions

Actor in Cabaret’s Back to School Revue 2 and 3 and Ilse in Spring Awakening

– Where are you from? Where would you like to live in the future?

I’m from Fair Lawn, NJ and I would love to live in NYC in the future

– Favorite Culinary Establishment in the New Brunswick Area?

I am obsessed with Mekada on George Street…if you’ve never had Ethiopian food you NEED to try it

– Same-color or Mix-match socks?

Both. It depends on what the dryer eats

– On what TV show would you like to guest star in a 3-episode mini-arc?

I would love to be on Criminal Minds. I have a weird fascination with serial killer shows and I think I could play a decent crazy.

– Who do you most want to punch in the eye?

Joey (see above). Hands Down.

Aly and Joey taking dramatic pictures during Spring Awakening rehearsals. Marc photobombing like a champ.

– What’s your degree supposed to be in?

Communication with a minor in Music

– What was your least favorite class at Rutgers?

Communication Research. The worst class I’ve ever taken in my life and that counts any math class. It was that bad.

– What did you want to be when you were growing up?

I’ve always wanted to be a performer, but when I was like 12 I wanted to be a Spice Girl.

– What are you probably going to be when you grow up?

I’m probably going to be a singer and songwriter, but instead of a Spice Girl, more of a Sarah Bareillis.

“Acting” real hard during R3VU3

– What would you like to be when you grow up?

A Singer/songwriter……these last three questions were very similar.

– Favorite Cabaret experience as a performer/prostaffer?

I LOVED Spring Awakening, but I think my favorite moment was when Joey and Corey let me sing a song from the musical that I was writing in Revue #2. That really meant a lot to me.

– Favorite Cabaret experience as an audience member?

Watching 25th Annual Putnam County Spelling Bee. The show was amazingly funny and I knew the entire cast, which only made it better.

– If you could change one thing about Cabaret, what would it be?

The damn heat. That place gets HOT as anything. I blame Jameson.

– How has Cabaret changed in your time there?

It hasn’t really changed that much. It was always the small, “artistic,” theater to me.

– Budget & talent pool aside, what show would you most like to see Cabaret do in the future?

If I ever finish the musical that I’m writing I would love to see it at Cabaret. I think they could do an amazing job with it.

– What makes Cabaret special?

It really is a family. The space is small, the casts are small, but the love isn’t. It is truly dedicated to the art of acting and creating and it allows the people who work there to grow as people and performers.

– What has the college (theatre) experience taught you about yourself?

It has taught me that I am stronger then I think. I’ve always second guessed myself as an actor and through this experience I know that just need to let go and ACT! I need to stop thinking so much. It also taught me that compared to these people I’m not that weird. LOL. Jk I love you all.

 ###

Tobi might be petite, but she’ll kick your teeth in–figuratively and literally–with her wry wit and spry creativity and her boots (that’s the literal part). Tobi has performed on the Cabaret stage continuously since her transfer to Rutgers, and she also stage managed the College Avenue Players’ production of Uberman, a completely original musical, this past Spring. (Editor’s Note: It was AWESOME!) Much like Joey’s comments up above, Tobi also was able to produce a stage reading of her full-length original play, Imagine Laughter, a few weeks ago.

Did we mention she’s a bad@$$?

Tobi, debuting Imagine Laughter, on the Cabaret stage.

– Past Cabaret Credits/Roles/Jobs/Positions:

  • Box Office Manager
  • Rutgers Night Live Premier- Various Sketches
  • August Osage County– Jean Fordham (Director’s Fest)
  • Amorica– Cheap Foreign Labor (Director’s Fest)

– Where are you from? Where would you like to live in the future?

From- Marlboro, New Jersey
Future- California

– Favorite Culinary Establishment in the New Brunswick Area?

ABP

– Same-color or Mix-match socks?

Definitely Mix-match

– On what TV show would you like to guest star in a 3-episode mini-arc?

Once Upon A Time

Tobi with fellow Cabaret senior, Nick, at the Cabaret Ball!

– Who do you most want to punch in the eye?

YOU

[Editor’s Note: Who me? Couldn’t be! Then who?]

– What’s your degree supposed to be in?

BA Theater Arts, English minor

– What was your least favorite class at Rutgers?

Planet Earth

– What did you want to be when you were growing up?

Always an actress

– What are you probably going to be when you grow up?

Living in a box in Times Square

– What would you like to be when you grow up?

Actress and Writer

– Favorite Cabaret experience as a performer/prostaffer?

Telling people they have to go home cause the show is sold out- bwahaha

– Favorite Cabaret experience as an audience member?

Watching how much talent we have at Cabaret

– If you could change one thing about Cabaret, what would it be?

More opportunities for theater majors

Tobi “acting” alongside fellow Cabbie, Marc, in the BA Theatre major’s production of Our Town. Cabaret has let the BAs use the space for the final project for the last few years. RU pride, baby!

– How has Cabaret changed in your time there?

I’m a transfer student so I haven’t seen much, but I noticed there’s always talented people walking in the door.

– Budget & talent pool aside, what show would you most like to see Cabaret do in the future?

A classy night filled with singing and acting each semester.

– What makes Cabaret special?

It really brings people together through a creative outlet, and I love all the people I’ve met being a part of Cabaret.

– What has the college (theatre) experience taught you about yourself?

I definitely learned a lot about myself through this experience and know that I can’t imagine doing anything else with my life.

DRAMATIC

###

Happy graduation to those RU scholars walking today!

Stay tuned for two more posts tomorrow, when the rest of Rutgers graduates!

Excelsior!

Senior Interviews: 1-4-9

Okay. Okay. So… weeks. Our bad! Finals and graduation and Senior-Showcase-Revues-that-we-put-together-in-4-hours take up A LOT of time! Also, typing is hard. We have big heads and little arms…

But enough about us! Three (3) more interviews here, featuring three (3) more grown-up ladies!

###

Jackie Spoleti is hardcore. She’ll mess you up real bad, forrealz. With her fists. And her acting skills. Her acting skills are so hXc that she picked up a Cabbie award for her performance as Logainne Schwartzandgrubenierre in last year’s production of The 25th Annual Putnam County Spelling Bee.

She also does voices. Ask her about them some time.

This performance garnered Jackie her Cabbie Award for Best Actress in a Musical.

Past Cabaret Credits/Roles/Jobs/Positions

  • Original Play Festival: Up, Out, and Away – “Focus” (Tracy)
  • …Spelling Bee (Logainne)
  • Director’s Showcase Spring 2011: “Sure Thing” (Director)
  • Director’s Showcase Fall 2011: “Next Door Down” (Susan)
  • Original Play Festival: “Nowhere, Nothing, Fuckups” (Kat) and “The Exorcism of Jakob O’Donnell” (Mrs. O’Donnell)

– Where are you from? Where would you like to live in the future?

I’m from Monroe Township, NJ.  I’d like to live in Manhattan, Los Angeles, Europe, etc. in the future.

– Favorite Culinary Establishment in the New Brunswick Area?

Due Mari

– Same-color or Mix-match socks?

Same color!

– On what TV show would you like to guest star in a 3-episode mini-arc?

“Modern Family”

Jackie also dazzled audiences as Rosie in LTC’s production of The Wedding Singer. She rapped.

– Who do you most want to punch in the eye?

My high school drama director

– What’s your degree supposed to be in?

Communication and Theatre (double major) and Italian Studies (minor)

– What was your least favorite class at Rutgers?

Astronomy

– What did you want to be when you were growing up?

An author

– What are you probably going to be when you grow up?

An actor

– What would you like to be when you grow up?

An actor.

– Favorite Cabaret experience as a performer/prostaffer?

The 25th Annual Putnam County Spelling Bee

Jackie “acting” in T25APCSB with fellow senior and roomie, Galadriel.

– Favorite Cabaret experience as an audience member?

Twelve Angry Men

– If you could change one thing about Cabaret, what would it be?

The facility itself

– How has Cabaret changed in your time there?

It became a little bit condemned

– Budget & talent pool aside, what show would you most like to see Cabaret do in the future?

Neil Simon’s Plaza Suite

– What makes Cabaret special?

It’s very welcoming and takes risks

– What has the college (theatre) experience taught you about yourself?

I’ve learned a great deal about how to work with all different types of people.  I’ve grown as an artist.  I’ve learned to challenge myself.  I have definitely learned some humility as well.

“Acting” as a uber conservative, hyper religious Jersey mom in “The Exorcism of Jakob Donnelly,” an original play by fellow Cabbie, Danny Cassidy.

 ###

Once upon a time, Galadriel auditioned for Songs for a New World when she was just a wee little freshman. The director was so enamored with her audition that he nearly cast an extra four people in the show, reworking how the entire production was going to work, just so that he could get her on the cast. Ultimately, he didn’t do that, but Galadriel persevered and became a hotshot music director on A New Brain, Tommy, and Revue: Parte Deux, the vocal director of RU acappella group Deep Treble, and starred as freaking Joanna in Sweeney Todd and Olive in T25APCSB! She also, quite impressively, put together the first ever Senior Showcase at Cabaret in like 3 days. And it was good.

As her final act of awesomeness, she told everyone to go the f**k home from said Senior Showcase.

– Past Cabaret Credits/Roles/Jobs/Positions

  • Director’s Scenes – Cosette in Les Miz
  • A New Brain – Music Director
  • Revue 1 – Cast
  • Revue 2 – Music Director
  • Spelling Bee – Olive
  • Elegies – Director

– Where are you from? Where would you like to live in the future?

Parsippany – I literally lived in the same 150 year old house since I was born.
I’m moving to NYC in the Fall and hope to live there for many years to come.

– Favorite Culinary Establishment in the New Brunswick Area?

Depends, when sober and my parents are paying, Due Mari or Old Bay. When not sober and paying myself, Sanctuary or Hansel is my favorite non-pizza establishment.

Galadriel and Co. won the Cabbie Award for Best Musical Performance for their rendition of “The I Love You Song.”

– Same-color or Mix-match socks?

Mix-match…anyone who has seen my room would know that .

– On what TV show would you like to guest star in a 3-episode mini-arc?

LOST…oh wait that’s no longer on TV. If it has to still be on TV, then most definitely Community.

– Who do you most want to punch in the eye?

Joey. He’s so annoying. Just Kidding! I don’t really want to punch anyone, sorry.

She will punch you in the ear, though, with her VOICE!

– What’s your degree supposed to be in?

Haha, supposed to be? Psychology and Music.

– What was your least favorite class at Rutgers?

Music History. Most useless thing ever. I really don’t care who Mozart met when he was 10.

– What did you want to be when you were growing up?

A Marine Biologist. I don’t know what I was thinking.

– What are you probably going to be when you grow up?

A Speech Pathologist.

– What would you like to be when you grow up?

A Speech Pathologist and awesome famous youtube singer person.

– Favorite Cabaret experience as a performer/prostaffer?

Definitely Elegies. All of my experiences were awesome, but that was life changing.

Elegies. She directed the s**t out of this s**t. (Editor’s Note: I cried.)

– Favorite Cabaret experience as an audience member?

Cloud Nine. My mind was completely blown.

– If you could change one thing about Cabaret, what would it be?

The thermostat.

– How has Cabaret changed in your time there?

It’s pretty much just gotten more and more organized and talented.

– Budget & talent pool aside, what show would you most like to see Cabaret do in the future?

Les Miz, with a turntable.

– What makes Cabaret special?

The unisex bathroom. But actually the awesome intimate and home-like environment.

– What has the college (theatre) experience taught you about yourself?

That I can handle a million things at once. The perfect preparation for grad school and probably life.

Galadriel singing in Revue 1 with Sarah, who will be profiled… RIGHT… NOW!

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Sarah is/was the artistic director of uptown rival student theatre company, LTC, but we forgive her her trespasses. Just kidding. She started way back when as the choreographer for a little show called The Wedding Singer back when LTC was still doing shows in the Crossroads Theatre in New Brunswick. And she kicked @$$. Since then, she’s been a major artistic player at both companies. Her first main-stage performance ever at Rutgers of all time, however, was as the thin nurse Nancy D in Cabaret’s winter 2009 production of A New Brain. So suck on that LTC, we showcased her first. BOOYAH!

Sarah (far left), once a lowly freshman, choreographed a difficult-to-choreograph-show. And it was good. Also in this picture, Cabaret Alumna Lena!

– Past Cabaret Credits/Roles/Jobs/Positions:

  • Back to School Revue… Performer
  • A New Brain … Nancy D
  • Back to School Revue: Parte Deux… Performer and singer of the “Blue Hair”
  • I Love You Because … NYC Woman

– Where are you from? Where would you like to live in the future?

I am from Nutley, NJ … I am moving to Orlando this Fall to work for Disney, WOO!

– Favorite Culinary Establishment in the New Brunswick Area?

Houli’s!

[Editor’s Note: F**K HOULIHAN’S!]

– Same-color or Mix-match socks?

Mix-matched, all day err day

Here, Sarah leads the “DRAGON” maneuver during “And They’re Off,” a highlight of A New Brain.

– On what TV show would you like to guest star in a 3-episode mini-arc?

This doesn’t really answer the question … but I really want John Pisciotta and myself to team up and be on the Amazing Race. We’d kick @$$.

– Who do you most want to punch in the eye?

Marc Mills or the entire RUSA Allocations Board

– What’s your degree supposed to be in?

Fo Reals — Psychology (Major), Education (Minor) … if I could go back four years and start over? Theater Management (Major) with a double minor in Organizational Leadership and Awesome.

– What was your least favorite class at Rutgers?

Chem 102/Chem Lab

– What did you want to be when you were growing up?

CSI Investigator

– What are you probably going to be when you grow up?

A proud stage mom of a fabulously talented gay son

– What would you like to be when you grow up?

Disney Casting Agent

– Favorite Cabaret experience as a performer/prostaffer?

A New Brain

This A New Brain? Oh yeah.

– Favorite Cabaret experience as an audience member?

I have enjoyed each unique experience I’ve had as an audience member at Cabaret (but to be honest, I really enjoyed watching Godspell, I didn’t want that to be my answer because I did not want to give more satisfaction to the cult-ish cast) (you can write all of that if you want, I don’t care)

– If you could change one thing about Cabaret, what would it be?

More cowbell.

– How has Cabaret changed in your time there?

Looking back over the past four years I am happy to see that LTC and Cab have grown closer together. Each organization grows stronger with support from the other.

– Budget & talent pool aside, what show would you most like to see Cabaret do in the future?

Bloody Bloody Andrew Jackson & Avenue Q

– What makes Cabaret special?

Cabaret is the epitome of college theatre … practicing in a dingy basement into all hours of the night, designing/redesigning the space for each production, creepy garbage filled swimming pool, awkward unisex bathrooms. I have spent many hours here, and I wouldn’t change any of it for the world.

– What has the college (theatre) experience taught you about yourself?

Over four years I have changed my major five times, failed one too many classes and constantly doubted my future … the only “constant” in my life has been college theatre. As an Undergrad I have not only picked up vast amounts of theatrical knowledge but I have learned a lot about myself along the way. Being involved with college theatre has really helped me grow both creatively and as a leader. I can honestly say that my four years participating in this “extracurricular” activity has taught me more than my 128 degree credits I am receiving upon graduating. Suck on that, Rutgers.

Editor’s Note: I don’t even know what this is. Sarah crashing T25APCSB? Yeah. Probz.

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Check out last week’s Cabbie Cuestionnaires!

And stay tuned for THREE (3) more posts containing more Senior Interviews in the coming DAY! That’s right! THREE! (3)! And that’s even more right! DAY! Promise!

Exclamation Point!