Senior Interviews: Deep Thoughts Edition!

Today’s the day. University Commencement commences, as does “real” life for the Class of 2012! We’ve spent the last few posts profiling a few of the graduating Cabbies, particularly those that took the time to fill out our patented Cabaret Cuestionnaire! Are there more seniors than are profiled here? Of course, but interviews take time, and time is precious, particularly the time of those Cabbies that are busy being awesome, as all Cabbies are all the time.

So here it is! The final post of Cabbie Cuestionnaires! This one is entitled the “Deep Thoughts Edition,” and you’ll soon see why!

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Sabrina Blackburn is one cool cat. She dazzled audiences last season as a small boy in the Cabbie Award Winning Cloud 9 and as a small girl in the also-Cabbie Award Winning Eleemosynary. Apparently, Sabrina brings the gold with her everywhere she goes. Of course, we don’t actually give away gold statuettes or plaques, but the metaphor still stands.

Also, adorbs. Bringing back backpacks.

– Past Cabaret Credits/Roles/Jobs/Positions

Edward/Lin in Cloud 9, Juror 12 in 12 Angry Men, Echo in Eleemosynary

– Where are you from? Where would you like to live in the future?

 I am from Manalapan, New Jersey, and though I am a Jersey girl, I love a change. I would love to move Rockaway Beach, Queens, or Manhattan, or Paris (Why not? Dream big!).

– Favorite Culinary Establishment in the New Brunswick Area?

I got to say Chipotle. I literally crave a burrito bowl every day of my life. I have a problem.

– Same-color or Mix-match socks?

My little nugget toes prefer not to be confined by socks but neon pink fuzzy socks are truly very comfortable.

– On what TV show would you like to guest star in a 3-episode mini-arc?

The Real Housewives of New Jersey! I can flip tables! I can get in someone’s face calling them a prostitution whore! It would be the highlight of my acting career, and quite a stretch.

Here, we see Sabrina playing a hyper-intellectual chimpanzee (is there any other kind!?) alongside fellow Cabbies Marc and Amanda during the recent Senior Showcase.

– Who do you most want to punch in the eye?

I don’t know if I could ever punch someone, but I would give Adam Sandler, Nicolas Cage, and Ben Stiller the dreaded stink eye if they ever passed me on the street.

– What’s your degree supposed to be in?

Double major in Theater and History

– What was your least favorite class at Rutgers?

Theater Practice: I planted potatoes on the Mason Gross stage. I received 2 credits. YAY!

– What did you want to be when you were growing up?

I always wanted to be an actress, but was too shy ever to express that want.

– What are you probably going to be when you grow up?

I still have the confidence to say that I will be a working actress.

– What would you like to be when you grow up?

I want to be a person who is 100% content with their life; someone who follows their passion and dreams. I want to inspire people through theater. I want to affect people and have them learn via the vehicle of the arts.

– Favorite Cabaret experience as a performer/prostaffer?

My favorite Cabaret experience was performing in the final show of Eleemosynary. It was electrifying on stage. I am my own harshest critic, but there was nothing I wanted to change about the performance after my final bow. To see my family and friends utterly moved by the show, put me in this odd state of contentful shellshock.

Sabrina “acting” alongside Jasia during Eleemosynary.

– Favorite Cabaret experience as an audience member?

Every time I see a Cabaret show, I am blown away by the prestige and caliber of these student run productions. Watching Elegies was one of the best theater experiences I have ever had. I was so moved by the beautiful simplicity of the show. The actors (who were brilliantly casted) never had to push their emotions, it was just there in that moment. Elegies + Sabrina= ugly crying

– If you could change one thing about Cabaret, what would it be?

Of course it would be having more of a budget, but I wish we could bring more college students who don’t normally see theater.

– How has Cabaret changed in your time there?

I have been at Rutgers for two years, so therefore have only seen two seasons worth of Cabaret shows. But what a two seasons they were! From Streetcar to Cloud 9, all of Cabaret shows have challenged the actors and production staff. They challenge the boundaries of Cabaret Theater and prove that there are no constraints to college theater.

– Budget & talent pool aside, what show would you most like to see Cabaret do in the future?

August: Osage County! Who cares about having a 3 story house. Cabaret could totally kick butt doing that show.

– What makes Cabaret special?

The fact that we are a completely student run organization boggles my mind. Cabaret constantly challenges us, and we challenge the theater to push its vision even further. It is a safe environment to challenge yourself artistically. When I was in high school, I never thought I could even attempt to play an 8 year boy and a lesbian in the same show. Yet, Cabaret gave me a gift to explore a new plethora of characters that I never thought were possible to play. The most special thing about Cabaret is the people. The people of Cabaret became some of my closest friends. Every member of Cabaret has impacted my life and made my college experience special.

– What has the college (theatre) experience taught you about yourself?

College theater became my college experience. When I look back to my college years, I will automatically revert to Cabaret and the fun times we have all experienced in that black box. The college theater experience has made me a more confident person. By exploring new characters in every play, I have discovered something new about my own self. Cabaret Theater has made me even more passionate for my love of theater. I am so proud of the amount of work we put into this theater.

As Edward in Cloud 9, which was directed by…

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Danny. Period. The man with the plan, Danny served as Artistic Director for Cabaret between 2009 and 2011. He ran directing workshops, he wrote plays, he co-directed productions of The Goat; Or, Who is Sylvia? and Streamers and Cloud 9 and Elegies, he acted in Lieutenant of Inishmore one time, where he had (stage) blood explode out of his eyeballs (Editor’s note: may be an exaggeration). Ask any director or actor or writer or janitor at Cabaret who they turn to for creative advice and input, and they’ll say Danny. The man is that damn good.

And his hair is absurd 85% of the time.

Danny and the cast of Cloud 9. He’s the one in the middle with the AFRO. Yeah, the one like Justin Guarini.

Past Cabaret Credits/Roles/Jobs/Positions

Webmaster, Directors’ Scenes Coordinator, Artistic Director, General Board Representative, Actor, Director, Playwright.

– Where are you from? Where would you like to live in the future?

I am from an average suburban town in NJ. I would like to go some place beyond the northeast of the US, but I feel like I will be around here for a while.

– Favorite Culinary Establishment in the New Brunswick Area?

Houlihan’s.

[Editor’s Note: F**K HOULIHAN’S]

– Same-color or Mix-match socks?

Same color.

– On what TV show would you like to guest star in a 3-episode mini-arc?

Law and Order: SVU.

Danny with Co-Director and fellow Cabbie Spencer, looking cool on the Streamers set.

– Who do you most want to punch in the eye?

I’ve actually never had the urge to punch someone in the eye. I can sure think of a few people who are in need of a metaphorical punch in the eye, and it’s awesome when theatre does that!

– What’s your degree supposed to be in?

It’s supposed to be in Computer Science or Engineering but that didn’t work out too well. Now, it’s in something called “Humanities”? But seriously, I’m getting a degree in Information Technology and English, with a specialization in Creative Writing.

– What was your least favorite class at Rutgers?

Management of Technical Organizations. Eugh.

– What did you want to be when you were growing up?

When I was growing up I wanted to be a lawyer. These questions are making me realize how much of a cliché I am. Oh, there was a brief time in my life when I wanted to be a virologist. (This was after reading a series of mass-market fiction by Richard Preston on various horrifying infectious outbreaks.)

– What are you probably going to be when you grow up?

I will most likely get a job in the IT industry. I am hoping I can find a career that combines both my passion for technology and the arts.

– What would you like to be when you grow up?

I would like to be happy, financially comfortable! , and involved with some sort of creative field.

Despite not performing in the Senior Showcase, Danny managed to steal all the attention away anyway… @$$****.

– Favorite Cabaret experience as a performer/prostaffer?

Making friends! As much as I value the actual productions we create, I think what really matters are the friendships that are created and incubated through the production.

– Favorite Cabaret experience as an audience member?

It’s impossible to pick one! I have sat through many shows at Cabaret and there have been many times when a particular moment in a production literally sends shivers down my spine. When the body reacts so viscerally, you know the production has reached something, I don’t know, sacred? It becomes something much more than college theatre.

– If you could change one thing about Cabaret, what would it be?

Please, please, air conditioning.

– How has Cabaret changed in your time there?

Cabaret has made enormous improvements in so many different areas during my time at the theatre. It is really amazing! I also believe the theatre will definitely continue to break its own boundaries in terms of what it can achieve, both in its artistic and community endeavors.

– Budget & talent pool aside, what show would you most like to see Cabaret do in the future?

Anything by Brecht, Beckett, Pinter, Albee, Churchill, Kushner… I would also like to see more contemporary things go up, like from the past decade at least.

– What makes Cabaret special?

I think the space is very much a large part of what makes Cabaret such an amazing environment because the people who are drawn to the space, who help transform the black box into the unique world of every production, are very talented and passionate.

– What has the college (theatre) experience taught you about yourself?

So much! But most importantly, probably, is that I need a public and collaborative space where I don’t feel vulnerable for my ideas or looming questions. Cabaret not only offered me this but also showed me that the desire for such an environment is not a personal need, it’s a human one.

Here, we see Danny in his natural habitat, “directing.”

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Marc is one wild and crazy guy. This season, Marc performed in 3 out of the 5 mainstage productions, the R3Vu3, and the Senior Showcase. In other words, Cabaret 2011-2012 was Marc; Marc was Cabaret. As a handsome gentleman with genuine vocal and acting chops, Marc became a pivotal player at Cabaret starting with his performance as Jesus (?) in a re-imagined production of Godspell in the Spring of 2010. Marc’s passion for student-theatre, however, is not restricted to his on-stage prowess; Marc could often be found helping out with builds and clean-ups and pretty much in any way possible, partly because he wants the shows to be damn impressive, and partly because he’s just damn impressive as a person.

Also, he is built like Captain America.

ABS! AND ANGST! Student-theatre at it’s best.

– Past Cabaret Credits/Roles/Jobs/Positions

Spring Awakening, How I Learned to Drive, Elegies, The R3vu3, Cloud Nine, I Love You Because, Godspell.

– Where are you from? Where would you like to live in the future?

I’m from freehold, and would like to live in New York City in the near future.

– Favorite Culinary Establishment in the New Brunswick Area?

Definitely Tumulty’s. Before and after turning 21.

– Same-color or Mix-match socks?

I usually do the same color but always mix-match socks within that color.

Here’s Marc “acting” REAL HARD in Spring Awakening.

On what TV show would like to guest star in a 3-episode mini-arc?

Malcolm in the Middle.

– Who do you most want to punch in the eye?

Genghis Khan.

– What’s your degree supposed to be in?

Supposedly Psychology, Theater minor.

– What was your least favorite class at Rutgers?

Least favorite class was Elements of Electrical Engineering (which is especially ridiculous seeing that I’m no longer and Engineering major – thanks theater). Almost vomited during the final.

What did you want to be when you were growing up?

An Animorph!

What are you probably going to be when you grow up?

A therapist (who helps other animorphs integrate themselves into society)

What would you like to be when you grow up?

An actor in a marvel comic superhero movie.

– Favorite Cabaret experience as a performer/prostaffer?

When I cut off Edward’s doll Vicky’s head with a butter knife like a bad@$$ African man (mostly because I am none of those things….except a man. I’m a man.)

Here, Marc cuts the head off of Sabrina’s doll during Cloud 9.

– Favorite Cabaret experience as an audience member?

When Joel Chokkattu pulled out a gun at the end of Suburbia. FTW

– If you could change one thing about Cabaret, what would it be?

The ticketing system.

– How has Cabaret changed in your time there?

Well, it runs very differently each year but the important things are always the same, like is the sense of community for everyone who works there.

– Budget & talent pool aside, what show would you most like to see Cabaret do in the future?

Comedic plays have been too few and far between recently, so I’d like to see more comedies at Cabaret in the future.

– What makes Cabaret special?

It has what I think a lot of professional theaters work very hard to replicate: a genuine interest in collaboration, creativity, and natural connectivity between the actors in each cast. People who work in Cabaret take their work seriously while enjoying the fact that they are creating something beautiful together and they have fun getting deeper into knowing those they work with.

– What has the college (theatre) experience taught you about yourself?

It has taught me everything I know about performing. On cabaret’s stage I learned how to constantly push the envelope with what my voice, my body, and my mind can do as an actor in both straight plays and musical theater and there have been people to help me actualize that goal every step of the way. Cabaret has been a home to me, I will miss it dearly, and I know performing elsewhere will never be quite the same.

It also taught him how to SPOIL WONDERFUL GROUP PICTURES!!! WTF MARC!!!

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Boris Van Der Ree. We’d write a witty introduction for him, but we wouldn’t be able to match the histrionic profundity that he himself produces every time he speaks or writes or is present. We’ll let him do the talking in his introduction below. We will say that his mainstage directorial debut on Twelve Angry Men revolutionized the use of the Cabaret space, and he constantly schools his fellow actors everytime he graces the stage.

Look at that eyebrow. That’s some method s**t right there.

–  Past Cabaret Credits/Roles/Jobs/Positions

  • Spring 2009: Bradley – The Cocktail Hour
  • Fall 2009: Assistant Director – Shakespeare in Hollywood
  • Spring 2010: Scott – “Welcome to Caffeine World”/2nd Annual Original Play Festival
  • Fall 2010: Doctor – A Streetcar Named Desire
  • Fall 2010: Director – “The Sh!t Play”/3rd Annual Original Play Festival
  • Fall 2010: Host – Rutgers Night Live
  • Spring 2011: Harry/Martin – Cloud 9
  • Fall 2011: Director – Twelve Angry Men
  • Spring 2012: Male Greek Chorus – How I learned to Drive
  • Spring 2012: Adult Male – Spring Awakening

 – Where are you from? Where would you like to live in the future?

I was born in High Wycombe, Buckinghamshire, England. At the age of five our family moved to Chester Springs Pennsylvania. And the year before my senior year of high school we moved again to Pennington New Jersey, where my family still lives today. By the end of this summer I plan to return to England, hopefully London, to try living there for a while and see how involved I can become in the theater culture there.

– Favorite Culinary Establishment in the New Brunswick Area?

Nothing beats MyWay on George Street. Cheap, delicious, abundant food, hilarious wait staff, and the most linguistically confusing menu in New Jersey.

– Same-color or Mix-match socks?

Same Color

Boris “acting” with Amanda and a cookie during How I Learned to Drive.

– On what TV show would you like to guest star in a 3-episode mini-arc?

Easy, HBO’s Game of Thrones. Been a fan of the book series since I was sixteen.

– Who do you most want to punch in the eye?

No one specifically, but anyone who acts pridefully and out of self-interest

 – What’s your degree supposed to be in?

My diploma will say “Graduated with Bachelors of Arts in Communication and Theater Arts”

– What was your least favorite class at Rutgers?

Introduction to Principles of Public Relations. Not that it was a boring topic, or that it was really difficult, it was actually pretty interesting and easy. But our professor never really had a coherent syllabus in mind and the class slowly collapsed into chaos by the end of the semester. She once stopped in the middle of a lecture and said “why are you taking notes? There aren’t any more exams.”

Boris “acting” with fellow graduating cabbies Joey and Nick during Spring Awakening.

– What did you want to be when you were growing up?

I went through many phases. Lawyer, garbage man, aerospace engineer, hotel manager, but ultimately I realized that I needed to be in theatre.

– What are you probably going to be when you grow up?

Homeless, and I’m totally fine with that.

– What would you like to be when you grow up?

I would love to be a grandfather one day. It would also be nice if I had a small cafe on a quiet street in rural france.

– Favorite Cabaret experience as a performer/prostaffer?

When I directed Twelve Angry Men. I truly felt, for the first time, that I was utilizing my whole creative energy and focusing it on one piece. Few things are more gratifying.

Boris with HIS cast of 12 Angry Men.

– Favorite Cabaret experience as an audience member?

Anytime I’ve gone to Rutgers Night Live. If you’ve never gone, you’ve missed out.

– If you could change one thing about Cabaret, what would it be?

The abandoned pool in the basement would be turned into a second performance space. It would be perfect.

– How has Cabaret changed in your time there?

Policies have changed, people have changed, the lobby has been renovated, the floors redone. I’ve seen it all over the past four years. But the spirit has never changed, and that’s why I call it a home.

– Budget & talent pool aside, what show would you most like to see Cabaret do in the future?

Glengarry Glen Ross. I f**king love that s**t.

– What makes Cabaret special?

No one else on earth does exactly what we do. Cabaret has given me and countless others the opportunity to be creatively liberated without the pressures of critics or the professional theatre world. That is enormously valuable. Cabaret is a safe place, and not once have I ever felt alone there, even if I was the only one in the building.

– What has the college (theatre) experience taught you about yourself?

That I both love and hate theatre. Sometimes I would do anything to save the art form and to practice it regularly, but the other half of the time I want nothing more than to see a show close. It is this process of creation and destruction that makes theatre so dynamic and alive, and in turn, makes me feel more alive than anywhere else.

A favorite photo here at Inside Cabaret.

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Check out the other Cabbie Cuestionnaires below!

Three Lovely Ladies

1-4-9

Again!

Backstage Edition

A Letter to the Class of 2012

Otherwise, it’s been a real pleasure working with for you all, true believers. We hope you’ve enjoyed the commentary and interviews and pictures and all the other stuff. We happily bequeath the cabaret blog over to the newly appointed Social Media Director (Abigail!), and… yeah.

So that’s it. Finito. Complete. Done. Adios. Peace out. TTFN. IC OUT DAWG!

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Senior Interviews: Three Lovely Ladies

Over the next few days (weeks?), Inside Cabaret will be posting interviews with the graduating Cabbie class of 2012. We’ve put together a wonderful insightful exit interview of sorts–appropriately named the Cabaret Cuestionnaire (sic)–that gives us access into the personalities and experiences of these wonderful people.

We start today with three of the lovely ladies who recently graced the stage in Spring Awakening: Lauren, Francesca, and Meg.

And this isn’t a ladies-first type of thing. Rather, we tried to group the interviews in a recognizable, sensible manner, and because Spring Awakening was stacked with awesome seniors, it just so happened that our first category featured 3 girls. Don’t judge. We’re equal opportunity/equal access here at Inside Cabaret!

Before we paint ourselves into an ever smaller corner, here’s the first ever Cabaret Cuestionnaire!!!

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Lauren last appeared as Wendla in Spring Awakening. She’s a wonderfully dedicated individual, and her passion for the arts is only matched by her compassion for others. She also once said that Midnight shows are a bad idea because a) people should be asleep at midnight and b) people don’t sing at midnight.

She is also, apparently, the girl from The Ring. So watch out!

– Past Cabaret Credits/Roles/Jobs/Positions:

Back-to-School Revue, Godspell, Director’s Scenes, Spring Awakening

– Where are you from? Where would you like to live in the future?

I’m from Totowa, NJ. I would like to live near the sea.

– Favorite Culinary Establishment in the New Brunswick Area?

The Thai food place on easton.

– Same-color or Mix-match socks?

SAME

– On what TV show would you like to guest star in a 3-episode mini-arc?

TRUE BLOOD

– Who do you most want to punch in the eye?

Kim Kardashian

– What’s your degree supposed to be in?

American Studies and English

– What was your least favorite class at Rutgers?

I had Shakespeare with a terrible teacher. it was so sad.

Lauren "acting" gothic in Godspell.

– What did you want to be when you were growing up?

Actress

– What are you probably going to be when you grow up?

Creative Individual

– What would you like to be when you grow up?

Artist

– Favorite Cabaret experience as a performer/prostaffer?

Being Wendla

– Favorite Cabaret experience as an audience member?

Watching “He Lives in You” at one of the revues. It gave me chills. I think that same revue they did a HAIR medley. it was excellent.

"He Lives In You."

– If you could change one thing about Cabaret, what would it be?

CLEANER BATHROOMS

– How has Cabaret changed in your time there?

People are more focused I find.

– Budget & talent pool aside, what show would you most like to see Cabaret do in the future?

CABARET

[Editor’s Note: META]

– What makes Cabaret special?

The space is extremely intimate.

– What has the college (theatre) experience taught you about yourself?

I have to have patience and focus with every project I am apart of.

More ACTING, via PATIENCE.

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Francesca made her Cabaret debut in Spring Awakening as the adorably innocent Anna. She also designed the set, which included tree branches, a chandelier that was totally vintage, and rose petals. Said rose petals ultimately rained down from the ceiling. Like a Boss. She’s also one of the most creative people we know. And adorable.

Francesca can also be a blonde, as evidenced in this noiresque shot from uptown rival LTC's production of The Wild Party.

– Where are you from? Where would you like to live in the future?

I’m from West Chester, Pennsylvania and I have a lot of places I want to live–Rome, New York City, Canada, Antarctica etc… but I’ll probably end up living somewhere in the New York area.

– Favorite Culinary Establishment in the New Brunswick Area?

Somerset Diner. Coconut pancakes and Belgian waffles with ice cream.

– Same-color or Mix-match socks?

Mix-match. Ask anyone what my room looks like–I wouldn’t be able to find matching socks if I tried.

– On what TV show would you like to guest star in a 3-episode mini-arc?

Law and Order SVU–but only if I get to be partners with detective Lake and my arc ends in arrest.

– Who do you most want to punch in the eye?

Rick Santorum.

He was much cooler in college. Look at that manbeard!

– What’s your degree supposed to be in?

Visual Arts (concentration: painting) and English (concentration: creative writing).

– What was your least favorite class at Rutgers?

Artmaking. It was awful.

– What did you want to be when you were growing up?

A veterinarian, then a teacher, then a writer and illustrator of children’s books, then just a writer, then an artist and a writer…

– What are you probably going to be when you grow up?

I’ll probably teach some kind of art somewhere (hopefully at the college level), show in galleries, and write when I can.

– What would you like to be when you grow up?

A super famous artist and winner of the nobel prize for literature or something like that.

Francesca taking artistic pictures in the Cabaret basement. "Life is like pickle."

– Favorite Cabaret experience as a performer/prostaffer?

Spring Awakening since it was my only experience

– Favorite Cabaret experience as an audience member?

Godspell hands down. That was incredible–I cried like a baby and had some sort of spiritual awakening. Good job, guys.

– If you could change one thing about Cabaret, what would it be?

The temperature. And the budget.

– How has Cabaret changed in your time there?

Well, we’ve played around with the space a lot this year–the alleyway stage seems to be the new trend and I think it works for Cabaret.

– Budget & talent pool aside, what show would you most like to see Cabaret do in the future?

Hmm… that’s tough. I want to see some Beckett… or some Ionesco.

"Acting" with fellow seniors Lauren (see above) and Amanda.

– What makes Cabaret special?

The intimacy of the space and passion of the people involved. No one lacking passion would willing work in a ninety degree theater with no backstage and a creepy basement. There’s definitely something special about this particular black box and how it comes alive during a performance. As a member of LTC, I always wanted to do a show at Cabaret, and I’m glad to say it didn’t disappoint.

– What has the college (theatre) experience taught you about yourself?

That the very best people in the world are the ones you find in theaters (something I always suspected, but now I know for sure)… and that I can’t live without performing.

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Meg Gillan is an all-around bad@$$. Really. She is the music director at WRSU Rutgers Radio, which automatically makes her 13% cooler than most people you know. She’s also hipper than an geriatric ward on “Happy Days Night.”

Meg "acting" ("making eyes?") with Francesca.

– Past Cabaret Credits/Roles/Jobs/Positions

Spring Awakening (Thea), Back to School Revue: Parte Deux (Really really talented and good looking actor)

– Where are you from? Where would you like to live in the future?

I am from the great mountains of New Jersey, a big town called West Milford. Ultimately I would like to live in the Village, like a true hipster.

– Favorite Culinary Establishment in the New Brunswick Area?

Clydz is the best place for a fancy, sexy dinner. If we are talking about more of a casual night with amazing people, go to Harvest Moon.

– Same-color or Mix-match socks?

What?

– On what TV show would you like to guest star in a 3-episode mini-arc?

Saturday Night Live or the Big Bang Theory

– Who do you most want to punch in the eye?

Bono

– What’s your degree supposed to be in?

My degree is in Journalism and Media Studies.

– What was your least favorite class at Rutgers?

Intro to Communication is stupid.

– What did you want to be when you were growing up?

A Rockette

Proof.

– What are you probably going to be when you grow up?

A technical operator for a television network

– What would you like to be when you grow up?

Director of Late Night with Conan O’Brien and SNL

– Favorite Cabaret experience as a performer/prostaffer?

The Somerset Diner with the cast of Spring Awakening and the Rutgers Lacrosse team

[Editor’s Note: Not only did this happen IRL, but it will also be the main plot for an upcoming episode of GLEE]

– Favorite Cabaret experience as an audience member?

Amanda and Dave’s scene right after Stella takes Stanley back in A Streetcar Named Desire:

This scene. SO MUCH ACTING! Also, STELLLLLAAAAAAAAA!

– If you could change one thing about Cabaret, what would it be?

The bathroom situation

– Budget & talent pool aside, what show would you most like to see Cabaret do in the future?

Chicago, always Chicago

– What makes Cabaret special?

The people

Meg with "people" and fellow seniors, Galadriel and Nick.

– What has the college (theatre) experience taught you about yourself?

…that we are all a little freaky inside

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Keep checking Inside Cabaret for more quirky, non-serious, uber-serious, and moderately-serious responses to the Cabaret Cuestionnaire!

Stay tuned!

A Letter To The Class of 2012

We here at Inside Cabaret look forward to our post-show afterglow. Though we’ve only worked through three productions at Cabaret so far, we have consistently and without fail taken an entire week off to rest our weary fingers after closing night of Spring Awakening. Blogging is hard. Especially when you use the same jokes over and over again.

Chocolate Kitty. So February 2012.

But our rest week has passed, and something happened tonight that kick-started my desire to get writing: The Cabaret Ball. Each year, Cabaret poops away all of its leftover cash (and by “poops,” I mean scrounges around for nickles and dimes in the cracks between the floorboards to buy streamers and kazoos) to throw together a wonderful little shindig that involves dancing, Rutgers catering, and the traditional Cabbie awards. I won’t go into who won what and who danced to Ke$ha the hardest and what brand of soft drink was served (click here for a hint!), but I do want to take the time now to write a little something for a certain group of somebodies.

And I say “my” and “I” with the full intention of breaking the decorum we’ve established here at Inside Cabaret so far– I want to speak as myself here, and speak directly to the graduating group of incredible Cabbies.

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Dearest Cabbie Class of 2012,

I admire each and every single one of you more than you will ever know.

Cabaret Theatre, as is predetermined by its very nature and mission, is always in need of something. Whether it’s physical (Please Dear God Fix the Darn Heaters) or artistic, Cabaret has a commitment to progress and to innovation that I have not seen anywhere else on this campus. There is always this need to be better, to push, to fix, to learn, to change. And that’s why I kept coming back; regardless of whatever other projects I chose to take part in, Cabaret was the place where I knew that I would become a better performer, a better leader, a better writer, director, producer, designer, a better member of the community. That’s what this is all about.

Cabaret is a community of creators committed to being better.

And to being adorbz.

And you–all of you super, fantastic, coolness, remarkable people–are the reason why this community works. It’s impossible to want to be better without a standard to serve as your benchmark. And you push each other and impress each other and challenge each other and support each other toward achieving that goal–that goal of progress, of innovation, and of something worthwhile.

I speak from experience here. 5 years ago, when I first auditioned for Cabaret, things were very, very different. This is not the place to go into detail, but I do want to say that what we have achieved in the last few years–a time of upswing and rebirth for Cabaret–has astounded me on a daily basis.

The problem with all of this praise and admiration for Cabaret as a theatre is that it is too easy to ignore the people that have made it such a fantastic place to cry, sweat, and bleed.

So I return to this idea that Cabaret has spent the last 4 years redefining and reestablishing itself as the premiere organization for innovative, creative theatre at Rutgers University. The only way that it could have accomplished this is if a group of students came together and decided that things needed to change, that this was how change will occur, and that we needed to do it together.

And this is the class that made that mission work. This is the class that is stacked to the gills with talent on every side of the curtain, from every major, and from every walk of life. This is the class that, with each and every production, inspired others to work harder, audience members to come back, and producers to say “Let’s go bigger next time.” This is the class that dominated productions of A New Brain, Godspell, The Back-to-School Revue: Parte Deux and R3vu3, A Streetcar Named Desire, I Love You Because, Cloud 9, Spelling Bee, Twelve Angry Men, Elegies, and Spring Awakening. Seriously. Check the cast and staff lists for all of those shows. This graduating class, by the numbers, has defined Cabaret’s public identity for the last 3 years. That’s nuts.

Progress. You, my dear ladies and gentlemen, have pushed Cabaret to evolve into more than just a black-box that is often mistaken for the Jameson Projects; you have turned it into a creative powerhouse, a venue for communal storytelling that is unmatched anywhere else on this campus. You did that, and I am impressed each and every time any of you takes the stage or directs or writes or designs or sells me a damn ticket.

I believe that you cannot truly operate in this world without another person to inspire you, to emulate, to admire, and to respect. The reason why this class is so damn good (and will be missed so damn much) is that they provide that valuable resource for every single member of the Cabaret community.

Whether it’s being astonished by John and Matt and Nicole’s wicked cool technical designs, or being blown away by Marc and Amanda’s ability to turn out FOUR mainstage productions in one season and be incredible in every single one, or admiring some wonderful artwork at the Scott Hall bus-stop designed by Hanna and posted by Allison, or jamming to the musical pre-show stylings of Mike Bond, or being slapped in the face by the immensely talented Meg and Alex and Lauren during Spring Awakening, or smiling gleefully at the adorable special-one-time-only-awesomeness of Francesca, or smiling equally gleefully when buying a ticket from the equally bada$$ Tobi, or weeping at the sound/sight of the angelic Nick, or listening to songstresses Galadriel and Ellie and feeling your heart figuratively fall out of your chest, or figuratively dying from laughter as Jaclyn and Jenna display their damn fine… tuned comedic timing, or being schooled in acting by the uber talented Boris and Sabrina, or sitting in awestruck wonder of the awesomeness of someone as awesome as James C. Phillips III, I can honestly say that this graduating class has consistently inspired audiences and colleagues alike to think bigger, work harder, and, again, to be better.

To other members, like Corey and Sarah and Heather and Gwen and Erik, who were busy being awesome in their own right elsewhere this past year and were sorely missed; you are still part of this larger project, this continuity of excellence that helped define Cabaret’s progress over the last few years, and I extend my thanks to you as well.

There are so many people that have come and gone over the years, and I apologize a million times over if I didn’t write a witty one-liner for you, but know that your influence is felt each and every single day, and if I had all the time in the world, I would write each of you a sonnet expressing my gratitude for your time and effort.

 I extend the utmost appreciation to Katie and Farnaz, whose leadership and forward thinking has helped unite this entire class behind that mission. Which is really hard to do considering actors have huge… personal aspirations… But it was your professionalism and care that helped bring everyone together and push them to some crazy s**t.

And, finally, there is one person who shares my old-timey knowledge of where Cabaret has come from. Mr. Danny Cassidy has consistently been the creative heart and soul of Cabaret through his service as artistic director between 2009 and 2011, his commitment to new and exciting workshops for directing, playwriting, and textual analysis, and his Beckett-ian admiration for waving cigarettes around while making absurd and/or odd remarks about everything.

Samuel Beckett? Or Danny Cassidy? Only the Shadow knows!

So thank you. Thank you, thank you, thank you. I cannot ever say it enough. A few of us once had the idea that Cabaret could be better, and with your tireless dedication, perseverance, creativity, and blood, it has become the best place in the world. A home. A community. A place where anything and everything can happen.

I hope that Cabaret has been a wonderful place where you could learn and work and grow and live. I hope that you take the lessons that you learned here, whether practical or spiritual, and you carry them on as you stumble along. I hope that you keep in touch, or at least check in every once in a while to see how you can support or learn or laugh with one another.

And I hope that this system continues into the future. While this is a letter to the graduating Cabbies, I would like to also remind those rising seniors and everyone down to interested first-years, that Cabaret is not one person; Cabaret is every one of you. You are all vital, you are all creative, you are all responsible for its future. Please remember this, and be as welcoming, as tenacious, as creative, and as passionate as these graduating Cabbies were and are.

Thank you all. I cannot say it enough. You have all redefined what Cabaret means, and you have all defined what Cabaret will be in the future.

Best of luck, and be excellent to each other.

From New Brunswick with love,

Joey

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So that’s that.Inside Cabaret will continue to give the graduating Cabbies the appreciation and recognition they deserve in the next few weeks leading up to graduation, through various interviews and questionnaires.

Be well, true believers, and stay tuned!

Photos, as always, via the fantabulous Rich Kowalski.

And for old time’s sake:

YES.

Meet the 2012-2013 Executive Board!

Hey Cabaret peeps!

With only one more weekend of Spring Awakening, and Cabaret’s Original Play Festival around the corner, there doesn’t seem to be a lot left of the school year!!

And, even worse, WE ARE LOSING OUR ENTIRE EXECUTIVE BOARD!!!! OH NOEZ!

And so, its time for change. It’s time for revolution!

It is time for us all to decide who we are…

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Do you hear it!?

Sorry.

Before I go off on another musical tangent, here is the new Executive Board for the upcoming season:

Producer:

Meg King

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Ain't she attractive?

Meghan is so unbelievably thrilled to be Producer for 2012-2013 season! She was last seen stage managing for Cabaret’s How I Learned to Drive and Cloud Nine and directing in this year’s Directors’ Showcase and also in the upcoming Original Play Festival. You also may have seen her perhaps running around covered in paint and sawdust as the Technical Coordinator at Cabaret this year. Her previous backstage credits include work on A Streetcar Named Desire, Pippin, Barnum, Sweeney Todd, and Children of Eden. Her favorite roles include Mary in It’s a Wonderful Life, Shelby in Steel Magnolias, and Gibbon in Godspell. Meghan is a sophomore History and Women and Gender Studies double major with a minor in Social Justice. In the little time she is not at her second home, Cabaret, she is in organizations through DRC, will be serving as an RA next year, or several other activities and clubs she’s in on campus. Her love for this organization knows no end and she cannot wait to see all the great things we will do next year!

Artistic Director:

Melissa Gabilanes

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This girl directs in her sleep!

Melissa, after two years of being the House Manager of Cabaret Theatre, is more accustomed to reading other people’s bios than writing her own. But here it goes. Melissa enjoys theatre, talking about Douglass Residential College, and stuffed pastas. Her hobbies include making lists of things to do and then staring at them until they do themselves, cleaning Cabaret more than her own room, and working on an art installation she has entitled “I am only a junior and my thesis is taking control of my life, please help”. She is majoring in Women’s and Gender Studies and Theater Arts, and is currently working on an aforementioned honors thesis that makes both departments very, very happy. Her directing work was last seen on the Cabaret stage with her production of Lee Blessing’s Eleemosynary this past March, and David Lindsay-Abaire’s Rabbit Hole last spring semester. She also is responsible for the use of Mario Kart music during the intermission of last fall’s Directors’ Showcase: Showdown. Among other things, she was the Special Events Coordinator for The Livingston Theatre Company for the last two years and made possible that brilliant, awful thing where a musical is rehearsed and produced in 24 hours. It was in the Targum. Melissa currently lives in Bath with her 26 cats, and has sworn to never write another novel again as long as the g-men stop hunting her.

Managing Director:

Mike Moser

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A band kid involved in Cabaret? Impossible!

In the words of Mike:

“I hail from Swedesboro which is somewhere in the ‘a$$ end of New Jersey.’ I was never really involved in theatre until my senior year at high school when we ran the musical Thoroughly Modern Millie, and it was an experience that I kept with me up to today. I traditionally do technical work but as the new managing director, I’ll be doing much more around here. In terms of what I like to do, I really enjoy listening to music (especially classic rock, Beatles FTW!!)) and playing my sax, because, let’s face it, saxophones are sexy. I also like anything that has to do with dinosaurs, planes, trains, or automobiles, cuz they’re awesome. In addition, I am a HUGE Disney buff. I’m a huge movie buff and video game player (I’ve actually won some tournaments) and I really enjoy just chilling with my buddies more than anything. I also like to laugh and am a pretty friendly guy. In addition to that, I have a beard.”

Director of Finance:

G Ian Tomsky

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MARSHMELLOWS OMNOMNOMNOMNOM!

In the words of G:

“Hi my name is G Ian Tomsky, yes just the letter G is my first name. Its a long story. I am going to be a sophmore in the school of arts and sciences studying to transfer over to the business school to major in accounting and minor in finance. I am from Hunterdon Central Regional High School, a nice big school in the middle of nowhere. In the time I don’t spend in Cabaret working on set I am either going to class or doing something with the marching band. I look forward to meeting you all next year and making Cabaret even better known around campus.”

Director of Marketing:

Jordan Gochman

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Here, we see Jordan 'acting' in Director's Showcase!

Jordan is absolutely thrilled to be able to whore out Cabaret via Facebook more than he already does. Jordan has worked with Cabaret since his freshman year, having involved himself in every Original Play Festival and Director’s Showcase since his freshman year. Most recently, Jordan directed How I Learned to Drive on the mainstage. He has acted in Rabbit Hole and Shakespeare in Hollywood and has served as the lighting designer for Twelve Angry Men. He is also a member of Rutgers Night Live which has brought him new friends, loads of fun, and a scarred liver. Jordan is a Scorpio who likes long walks on the beach, chocolate milkshakes, and obsessing over plays, much to the annoyance of everyone around him.

BREAKING: Cabaret Finally Enters the Blogosphere

Related: Producer responds to Critics, “Perfection takes time”

 

The Internet is immediate, unadulterated, non-stop sensory saturation.

Cabaret Theatre is immediate, unadulterated, non-stop sensory saturation.

This is a match made in media heaven.

[Do media-ites have a heaven? Thought we were all bloodsucking harlequins of the vilest order?]

For the last few years, Cabaret Theatre has thrown a lot of stuff at the wall in the Sisyphean effort to reaffirm itself as Rutgers University’s premier student theatre organization. New workshops in directing and playwriting. New showcases and special events, catering to the diverse predilections of the surrounding New Brunz area. New investment in recruiting and cultivating talented and creative student minds. And a brand new look and a new marquis, both now a sleeker Black & White—a dual representation of nothingness and everything, clean, malleable, divergent.

Cabaret's Business Strategy

A lot of it stuck.

Cabaret is in the best shape it’s ever been in throughout its long, 36-year history. A long string of high quality productions and a newfound commitment to developing and fostering a community of progressive, experimental, and innovative student-writers, -directors, and –actors.

And this is the next step in Cabaret’s evolution.

The community within is invested, engaged, and growing.

The community without, however, is often left in the dark.

Think about it.

Other than the occasional show, what do you really know about what goes on inside? What are rehearsals like? Set builds? The production process? What does the basement of Cabaret look like? What is life like for a Cabbie? Nay, what is it like inside the mind of a Cabbie?

TRUTH.

Theatre is as much by the actors as it is for the people. And social media like this blog allow direct access to the people. We’ll let you in, posting original content like interviews with directors and actors, videos and photos of productions just starting out, and in-depth explorations of Cabaret, Life, The Universe, and Everything.

What do we want from you?

Money. Particularly of the Defaced variety.

Just kidding (not really). What we really want from you is to hear your voice. Click on over to SUBMIT! and share a Cabbie story, or make a comment, or send us your experimental neo-noir short film! We’ll (maybe) publish it!

Theatre is an exercise in communal storytelling. You’re part of that community. And this blog is an experiment in that.

So expect consistent updates from us here at Cabaret Theatre. It’s Halftime in America. And Cabaret’s second half is about to begin.

He went in the Cabaret basement...

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Below: How I Learned To Drive by Paula Vogel opens in 4 days! Check out this preview snap shot featuring Marc Mills and Steph Van Huss. Look for an interview with director Jordan Gochman and members of the staff and cast in the coming days!

She's learning how to drive. Get it?