Lottery numbers, Polar Bears, and Smoke Monsters–oh my! Time for Murder Ballad.

Since my last couple of blogs have been BOOMING in stats, I’ve officially reached Cabaret Blog celebrity status (no photographs please) (actually please take some I need new headshots).

I can hardly walk around the Rutgers University campus without having my fellow peers stare at me in a star-struck manner. I can sense their jealousy and awe. I receive so many compliments per day, like:

  • Is that smell coming from her?
  • Does she know that she’s talking to a wall?
  • Why is she making frog noises?

I’m swimming in compliments here folks, it’s almost unbearable. I don’t know how NSync did it (#RIP #forevernostringsattached)

nysnc

That being said, I know you all are DYING to hear about my personal life. I am pleased to inform you that I am currently on season 6 of Lost, and every episode makes me cry. Jack is my number #1 again, as Sawyer started to annoy me, and Desmond apparently isn’t in this season. Also, Richard Albert has the best backstory (Izz-ah-bellaaaa). They’re my characters and you can’t have them.

getonwithit

Alright, alright. What other show did I binge watch this summer? Dexter! And what is Dexter about? Murder!

Presenting…

Murder Ballad

Cabaret’s newest main stage and my worst segue.

murderballad

Currently, I am sitting in Cabaret Theatre as the cast, crew, and band prepare for their first tech rehearsal. This set is by far one of my favorites at Cabaret to date. First off, there’s a pool table which also serves as a bed (*wink). Second, there’s a bar (*double wink). Third, you can walk, jump, and do *naughty* things ON the bar (*no more winking). Fourth, the band is center stage on the platform. It is perfect and I love it so.

I personally had never heard of Murder Ballad before Cabaret announced it as one of the mainstages for the 2014-2015 season. Going into this rehearsal, I had no idea what to expect. But, as I walked in to the band warming up to RHCP, I knew the show would not disappoint.

Get it? Get it? *gags*

Get it? Get it? *gags*

Murder Ballad is a steamy exploration of the complications of love, the compromises we make and the betrayals that undo us. This is the dramatic story of a love triangle gone wrong centering on Sara, an uptown girl who seems to have it all, but whose downtown past lingers enticingly and dangerously in front of her. Sex, love, lies, and a murder fill this show with pure entertainment that should not be missed.

Words I like in this description: Steamy. Betrayal. Lingers enticingly. And love triangle (Jack, Kate, and Sawyer anyone?).

"We have to go back"

“We have to go back”

Since this show is a “ballad”, the pit and the actors’ musical abilities are given prime time to shine. Even I was impressed, and I’m usually a tough cookie to please when it comes to musicals. The Narrator has a sexy and electrifying belt; Sara’s sweet looks deceive her fiery persona; Michael’s ever-lovable and huggable character had me awing and gasping in every scene; and Tom exemplifies rock n’ roll with a hot Kansas twist, ever tempting us all to the dark side.

While waiting for the run to begin, I decided to “interview” a few key members of the staff, crew, and performers. Here’s what they had to say:

(Here I take on my Nshady persona. Imagine it. It’s awesome)

A brief interview with Justin Brown (director)

  • Nshady: Hi Justin Brown
  • JB: Hi.
  • Nshady: Describe the show in five words. Go.
  • JB: Wait, does it have to be…five…adjectives?
  • Nshady: Sure, why not. Go!
  • JB: Sexy, malicious, electrifying….rock…and roll.

A surprise interview with Justin Luckenbaugh (actor)

  • Nshady: Hi Justin!
  • JL: Hi Natasha!
  • Nshady: What is the most annoying thing about director Justin?
  • JL: What?! I don’t know…he listens to Beyonce a lot. And he enjoys the sexual parts of this show.

Lauren Burcheri (pianist) tells me about things

  • Nshady: Hi Lauren!
  • LB: ….Hi…
  • Nshady: Five favorite moments of the show…go!
  • LB: Practicing with the pit and creating a dynamic together, the music and the story of the show is very catchy, the fact that I was still able to do this show even though the dates were moved, and I like that there’s not a formal conductor with the music, which allows us to just jam and go with it, and Justin as the director.

Jared Gallegos (tech crew), a.k.a. the only person who asks me how I’m doing

  • Nshady: Hi Jared!
  • JG: Hello! How are you?
  • Nshady: I’m great, how are you?
  • JG: Doing fine.
  • Nshady: How has your experience been doing tech with the show so far?
  • JG: Somewhat rushed, but I’m actually on the same time-frame as I usually am. Yeah…that’s it.

A brief interview of no importance with Steph van Oppen (Managing Director)

  • Nshady: What do you like best about your pink hair, and why is it pink?
  • SvO: Pink matches all of my…blue clothes.

A hot and steamy with Mary Berko (choreographer)

  • Nshady: Hi Mary!
  • MB: Hi!
  • Nshady: What did you do for the show?
  • MB: This show?
  • Nshady: Yes this show.
  • MB: I helped choreograph some great scenes…slash modern dance…but not really.
  • Nshady: I hear there may be a sex scene. Can you confirm the rumors?
  • MB: Yes, I can confirm that. It’s very abstract.
  • Nshady: Is it hot and steamy?
  • MB: It’s pretty hot and steamy.
  • Nshady: You heard it, folks.

I confuse Dalton Zogleman (actor)…a lot…

  • Nshady: Hi Dalton!
  • DZ: Hi Natasha!
  • Nshady: How has being from Kansas inspired your role in this show?
  • DZ: ……..Um……that’s a great question…how has being from Kansas inspired my role in this show………………………………………………….I have no clue……………………..I really don’t know………………(laughter)…………………………….(awkward laughter)………………………………. ……………………..(silence)……………………………..
  • Nshady: Alright, I’ll give you a take two. Hey Dalton.
  • DZ: Hey Natasha…
  • Nshady: What are your thoughts about American Foreign Policy? Go.
  • DZ: I think that there’s much room for improvement and I am a proud citizen of this United States of America.
  • Nshady: Very political of you.
  • DZ: Thank you.

Courtney King (Artistic Director) loves me more than you do!

  • Nshady: Hi hi!
  • CK: Hi! Wassup?
  • Nshady: What is the best thing about my super awesome fun-time blog?
  • CK: Um…Natasha…you write your blog…so that’s the best thing…that you write it. And Natasha is my favorite. She often incorporates poop and that’s exciting for us all…and her…because she loves poop. And she is a beautiful actress. We’ll miss her so much when she leaves us for France.
  • Nshady: Yes I’m wonderful. Let’s segue into Murder Ballad now. What is your favorite thing about the show?
  • CK: My favorite thing about Murder Ballad is that we’re incorporating a new set up; we have a bar and we’re using the band onstage. It’s a whole new environment for Cabaret.

FOR THE RECORD COURTNEY MENTIONED POOP IN THIS BLOG, NOT ME.

Just had to get that out there.

Yeah and I'm proud of it.

Yeah and I’m proud of it.

Here is all the info you need for the show:

Cabaret Theatre presents,

Murder Ballad

*****This production contains adult language and content. We recommend this show for mature audiences only.*****

Dates::

– Thursday, November 20th @ 8pm

– Friday, November 21st @ 8pm

– Saturday, November 22nd @ 8pm and 11:59pm

– Sunday, November 23rd @ 7pm

Performances will be held at Cabaret Theatre. The theatre is located at the corner of Suydam Street and Nichol Avenue on the Douglass Campus.

Tickets::

– $7 Students/Faculty/Staff/Seniors

– $12 General Admission

Please email ticket reservations complete with your name, date of performance, number of tickets needed to cabtheatre@gmail.com***

***Please arrive more than 20 minutes before show time. If later you risk losing your reservation to those on the waiting list.

Meet the Cast:

– Narrator: Erica Nader

– Sara: Stephanie Turci

– Michael: Justin Luckenbaugh

– Tom: Dalton Zogleman

 

Meet the Production Staff:

– Director: Justin Brown

– Assistant Director: Claudia Nunez

– Stage Manager: Nicola Keegan

– Assistant Stage Manager: Sabrina Pellunat

– Musical Director: Steph Mangioglu

– Assistant Musical Director: Jessica Sipe

– Choreographer: Mary Berko

 

Meet the Pit::

– Piano: Lauren Burcheri

– Drums: Evan Tsioni

– Bass Guitar: James Nascimento

– Guitar: Justin DeUmberto


Come see all of these beautiful people and their hard work this weekend! Be prepared for a raucous time. Did I mention Dalton is from Kansas? He’s from Kansas. Apparently there’s a lot of corn there. And tornadoes. And lots of women named Dorothy.

Side note–this is my last theatre review for the blog (insert sad face here), as I am graduating in a little over three weeks. How weird is that? I’ll have a “sign-off” post after the holiday, and introduce you to our new Social Media Chair! (her name may or may not be Kristen and she may or may not be equally as cool as I am)

Until then, I’ll be flying planes from LAX to Australia trying to get back to the Island. See ya in another life, brotha.

Nshady, out.

***ALSO Rutgers Night Live Auditions are this Monday from 8-Midnight, with Callbacks on Tuesday TBD, both at Cabaret. Come out and audition! You’ll get to meet me! Bring your funny bones, and make sure to leave all of the non-funny ones at home.***

Seasonal Confusion and Lots of Interviews…it must be Directors’ Showcase time!

It’s the most wonderful time of the year…

Silver bells…silver bells…

La da da da da daaaa, it’s time for Hanukkah

November=December=Winter holidays for me. I’m not sorry. But I am currently listening to Mariah Carey’s fantastic rendition of “All I Want for Christmas is You”.

Happy Thanksgiving?

Happy Thanksgiving?

BUT, segueing to the point, it is the most wonderful time of the year, because it is time for Directors’ Showcase!

For those of you who don’t know (most of you) Directors’ Showcase was my very first show at Cabaret Theatre, let alone at Rutgers. As an underclassman, being cast in my first show was amazing, and the DS environment was (and still is) the perfect introduction into college theatre. My show was about two waiters, who had ambitions, and one of them ended with an interpretative dance. You don’t need to know any more than that.

#myfirstshow #nostalgia

#myfirstshow #nostalgia

Because DS is so near and dear to me, and many other actors at Cabaret, this week’s blog post consists of interviews with the directors themselves (woooooo)!

What is Directors’ Showcase, you ask? I’ll tell ya! Directors’ Showcase is a collection of 15 to 20 minute plays directed by first time directors.

I talked to the lovely Kayla Votapek (and by talk I mean Facebook messaged–yay technology), coordinator extraordinaire, and asked her to describe Directors’ Showcase to me in her own words. Here’s what she said:

  • “Directors’ showcase is one of the few special events that allows students who never directed, never stage managed, and never acted, to have a chance to try something new. It allows new and old members to be part of an amazing theatrical experience.”

Kayla also added:

  • “The reason why it means so much to me is because of the fact that it was the first show I did as a freshman at Cabaret. DS gave me the chance to show everyone what I can do and allowed me to get to where I am today. This year is my 3rd year doing the showcase and i am so proud to see all my babies grow throughout the entire process and so glad that we have brand new faces at Cabaret Theatre.”
Here's us on Halloween. Ten points for Gryffindor if you know who I am.

Here’s us on Halloween. Ten points for Gryffindor if you know who I am.

Before we begin with the Director interviews, here is all of the information you need about the performances:

The 2014 Directors’ Showcase at Cabaret Theatre

Coordinated by Kayla Votapek and Stage Managed by Jacqueline Malzone

Dates:

– Friday, November 14 @ 8pm**

– Saturday, November 15 @ 8pm

– Sunday, November 16 @ 7pm

**Proceeds from the Friday performance will be donated to the Holt International Adoption Agency.

Performances will be held at Cabaret Theatre, which is located on the corner of Suydam Street and Nichol Avenue on the Douglass Campus

Tickets:

$7 Students/Faculty/Staff/Seniors

$12 General Admission

To reserve tickets please send an email including your name, dates you would like to attend, and number of tickets to cabtheatre@gmail.com.(please arrive at least 20 minutes early to keep your reservation)

THE SHOWS:

Interview with Loneliness, by Ann Wuehler

  • Directed by Chris Price
  • Featuring: Toni Pollitt, Megan Cavanagh and Kim Bollard

Waiting for the Matinee by Eric Coble

  • Directed by Constantina Scoullis
  • Featuring: Kajoree Bhattacharya and Justice Hehir

For Anne by Peter Gruen

  • Directed by Laura Pomykala
  • Featuring: Kelly Lozo and Matt Apploff

Blind Date by Laurie Allen

  • Directed by Eddie Norgard
  • Featuring: Chris Wilson, Kim Bollard, LaJuan Miller, Thalia Peck, Matt Apploff and Kajoree Bhattacharya

Ties that Bind by Eric Coble

  • Directed by Hantz Jean-Francois
  • Featuring: Luke Basile, Alex Esposito, Lajuan Miller, Thalia Peck, Toni Pollitt and Steve Rengifo

That being said, can I get a drumroll please

drumroll

Let us begin!

*cue Who Wants to be a Millionaire Music*

An Interview with Chris Price

Facebook means that no one is safe. Let the pictures begin.

Facebook means that no one is safe. Let the pictures begin.

Tell us a little about your show:

  • “Interviews with Loneliness” is a 3-woman piece that portrays how these women struggle with independence, dark pasts, self-worth, and love. Fearful of being single, but tired of destructive companionship, Annarae, Janet, and Queela have individual stories that have no escape from loneliness. Ultimately, they are in the hot spot to make a choice: be in love, yet feel lonely, or dread the solitude of having never truly loved.

Why did you pick this show?

  • I selected this show because I wanted a show that offered deeper substance and was a bit of a challenge. On paper, there are three stories, simple. However, bringing it to life for 15 minutes was a great journey. Also, I think the overall story is relatable to what we all go through. We know what is good for us, but there is an underlying layer of bad or consequences to every good choice we think we are making for ourselves. That’s life, and life is full of difficult decisions.

What is different about this experience than your other directing experiences?

  • I was blessed with being able to direct this year’s musical revue at Cabaret, Unsung Chapters. However, Director’s Showcase provided me with something different because I have not worked creatively on a straight play since acting in high school. Since coming to Rutgers, I have stage managed one play and performed and been on production staffs for a number of musicals, but I avoided creatively being involved with plays for a long time. This experience gave me the chance to get back into straight plays!

Favorite moment of the show?

  • All of it, simple as that. I really enjoy this show, and I think others will too.

Favorite moment during rehearsal?

  • Chilling with my actresses and have them do weird things like talk to themselves in corners of rooms.

How has your vision come to life through Cabaret Theatre?

  • Cabaret really gave me free reigns with this show, and I was able to change up the script and setting and all that jazz. #thankscabaret

And lastly, why should we come see your show?

  • Because I said so.

The last answer is simple and sweet. I like your style Chris. Let’s be friends.

Next!

An Interview with Constantina Scoullis

connie

Tell us a little about your show:

  • A tribute to Samuel Beckett’s Waiting for Godot, two middle-aged women are waiting for the matinee to start. They try and kill time, and amidst hilarious discussion, fall back into the absurdist motif.

Why did you pick this show?

  • I feel like I need some deep answer to this…but I just read the play and thought it would be fun to do. Yeah, that’s basically it.

Are you a first time director? How’s the experience?

  • It has been really great! I was pretty nervous and worried about a lot of things going into showcase—especially since directing is something that you need to figure out, because there is really no one way to direct. As rehearsals went by though, I realized that the things that I was worried about were things that you can (and have to) easily pick up on the spot. Not to say that directing is easy—it’s not. I was just more worried about it than I should have been.
  • Plus, I love my actors, and they were very instrumental in this whole learning experience for me.

What is your favorite moment of the show?

  • The part where Justice and Kajoree show that they are a good audience!

Favorite moment during rehearsal?

  • We went on some pretty…interesting tangents during rehearsal. Also, when Justice and Kajoree would do a little bit of improv in between runs, I basically got a week’s worth of ab workouts done within 2 minutes. They are so funny together. I can’t even.

How has your vision come to life through Cabaret Theatre?

  • Generally—just the fact that Cabaret Theatre offers a chance for people to get a taste of directing a show. In regards to my show specifically—the fact that Cabaret Theatre is a very intimate space, and I want the audience to feel like there’s minimal distance between them and the things happening on stage.

Why should we come see your show??

  • Because Justice and Kajoree. Enough said.

Shout out to my ladies, woot woot!

Also, last year I performed in the Original Play Festival, with one of Connie’s original plays. She’s a very talented lady, and I can’t wait to see her directorial debut.

Next next next…

 

An interview with Eddie Norgard

Yo. This is a pretty cool pic. Very James Dean-esque

Yo. This is a pretty cool pic. Very James Dean-esque

Tell us a little about your show:

  • My show is called “The Blind Date”. It’s a short comedy about two completely different people being forced to find reasons to date just to please their friends. As if the date couldn’t be any more terrible, their friends who set them up on this blind date decide to visit the restaurant they are at to very obnoxiously intrude on their already dysfunctional relationship.

Why did you choose to work on Blind Date?

  • I picked this show for a couple reasons. I had previously been an actor in the short at my high school. I thought it would be nice to direct it with my own vision rather than my old director’s vision. I also picked the show because I wanted to remind people that we can find reasons to love one another despite the most obvious differences that come at face value. If we dig a little deeper we can connect with anyone.

Are you a first time director? If so, how was the new experience?

  • I am a first time director! I found it to be extremely eye opening. I have been acting since I was in 1st grade but I have never sat in the director’s chair and it feels good to finally be on this side of the table. I loved every aspect of it and my cast was extremely supportive and cooperative.

Favorite moment of the show?

  • I think the best moment in my show is when Kayla has simply had enough of the shenanigans being thrown at her and just mentally breaks down. Its funny to see her completely go insane because of how badly her date is going.

Favorite moment during rehearsal?

  • Its hard to pick a favorite moment. My cast was super fun to work with and we were all laughing at every rehearsal. Working on a comedy with naturally hilarious people is just the best time!

How has your vision come to life through Cabaret Theatre?

  • I am so grateful to Courtney, Allie, and Kayla for giving me the opportunity to gain directing experience through this special Cabaret event!! I absolutely have had the best time and have learned so much. Cabaret is really good about allowing artists to express themselves and they give equal opportunity to all despite lack of knowledge or experience. The entire E-Board is willing to help you learn and to guide you. I could not be more happy to call Cabaret my home.

And lastly, why should we come see your show?

  • You should come see my show if you want to laugh but also if you want to think. The comedic atmosphere of my show shouldn’t cover up the deeper meanings found within the script. It’s important to look at any piece of art as multidimensional and that is so true for theatre arts as well. If you wanna laugh and have a good time come to director’s showcase but remember to take away something from each show! Enjoy!

An Interview with Laura Pomykala

laura

Can you give us a little summary of the show, “For Anne” ?

  • While cleaning out their attic, Anne and Peter accidentally find pieces of their past that they have kept from one another. However, the result of true love causing the secrecy can prove if love can conquer all.

Why did you decide to direct this show?

  • When I read the script, the story resonated with me for the rest of the day. I read other scripts but “For Anne” was the first script I read and the one I was thinking about when reading all of the other scripts. I had to share Anne and Peter’s story and to show that chivalry isn’t really lost. You just have to find the right person who understands and respects you.

Are you a first time director? If so, how was the new experience?

  • I am a first time director and it’s been a blast! Because I’m an actor, I definitely approached directing with a very understanding but precise image of how to act. I wanted to make sure I had genuine emotions coming from my actors so that the audience would feel like they were watching their reality. With this said, I wanted my actors to make their own choices about how they felt when being their character and to make choices for their actions. I simply directed the talent and helped bring it out.

Favorite moment of the show?

  • If I do I’ll spoil the ending, but I’ll give you a hint. It’s all about the poem from 1937.

Favorite moment during rehearsal?

  • Seeing my cast during our last rehearsal before tech week and everyone realizing how much the play has grown.

How has your vision come to life through Cabaret Theatre?

  • Being able to bring a story to life from scratch has been an amazing experience! I would have never directed if it wasn’t for the fact that Cabaret had the Director’s Showcase. Through the love people have for theater at Cabaret, I was able to contribute with my passion and now share this story through my favorite art form.

And lastly, why should we come see your show??

  • Because don’t you want to know what my favorite part of the play is?! Remember “the poem from 1937”!

 

An interview with Hantz Jean-Francois

Favorite picture by far. YES

Favorite picture by far. YES

Can you give us a small summary of “Ties That Bind” ?

  • The play focuses on the Amazing Krispinsky, an escape artist, and his escape from life. By using the metaphor of escaping chains, Coble is able to touch upon both positive and negative facets of life and its many phases we endure.

What made you choose to direct this particular show?

  • I just think being in my twenties and going to college gives way to so many challenges that often come about at this point in life. We, as a people and a generation, are dealing with sadness, depression, and doubt but we also experience joy, rejuvenation, and growth. Once I read the play, I knew that it encompassed all of these aspects in a creative way. The fact that it can relate to the lives of every in attendance, as well as, performing really solidified my choice.

Are you a first time director? If so, how was the new experience?

  • I perform spoken word and make hip hop music but I wanted to further expand my artistic prowess and I knew Cabaret would be a great outlet to do that. Directing has been such an amazing experience allowing me to make the play my own, which is really exciting to me.

Favorite moment of the show?

  • One of my favorite parts of the show is when Steve and Espo (Alex) first come out and start selling their food in a very comical way.

Favorite moment during rehearsal?

  • Definitely being able to see different personalities and levels of experience come together to create something cohesive, funny and meaningful.

How has your vision come to life through Cabaret Theatre?

  • After reading the play, I knew that Coble wanted there to be a hint of comedy but to also bring to light the beautiful struggle that is life. What I needed to understand was how to make the play my own so I wanted to be able to balance both comedy and morals with underlying themes. With amazing actors such as the ones I was blessed to work with, I was able to make that happen.

And lastly, why should we come see your show?

  • You should come see my show because it will relieve some of the stress life brings by bringing you some laughs and enlightenment.

 

You heard ‘em, folks. Directors’ Showcase is going to be fantastic, and you should come! I’ll be at the Sunday show if you want to print out a version of my blog…maybe I’ll sign it or something…if I’m in a good mood.

Before I sign-off for the day, I would like to give a shout-out to my number one fan, Kate Thomas! I promised her a place of special honor in my next blog, and this is it. We miss you Kate. Come back. Let’s battle demons in supermarkets again.

One of the most disturbing moments of our young lives. Thanks Dan Conroy.

One of the most disturbing moments of our young lives. Thanks Dan Conroy.

 

N-Shady, out.

 

ALSO Murder Ballad is NEXT WEEK. Expect another blog post soon. Very soon. Super soon. I have to start writing it now.

Smells like teen spirit…I mean, Dog Sees God

Welcome to Palindrome Land! Population, tire.

Featuring…

  • He won snow, eh?
  • Racecar
  • DOG SEES GOD (SHOW TITLE SHOW TITLE ALERT ALERT)
  • No lemons, no melon.
  • Was it a bar or a bat I saw?
  • Egad! No bondage?

And my favorite:

  • Ah, Satan sees Natasha.

Hey look my name is in a palindrome! Hey look it’s pretty creepy! Hey look now Annabelle is going to attack me!

Disregard the creepiness of my own name in a palindrome, and focus on the show DOG SEES GOD.

INTENSE.

INTENSE.

This show has teenage angst written all over it…and sex, death, love, gossip, confusion and anger. DSG encompasses every emotion a young person can experience in finding himself. In an intricate journey of exploration, provoked by the death of a beloved pooch (RIP), the characters question and challenge their relationships with one another, and ultimately embody what it means to be human.

Dog Sees God provoked a lot of emotions and memories within my own self. First of all, my high school experience was in NO way like this show. I enjoyed my nap time and study time. These teenagers party, set people on fire, challenge social norms, and have threesomes. Yeah. Not my high school experience.

Look how cool I was.

Look how cool I was.

One aspect that really struck me was the dog’s death (this is not a spoiler alert, because the first scene opens with the funeral. Don’t be hatin’). This is an event that not only affects the main character of CB, but it forces the other characters to come to terms with their own limited existence. CB’s dog’s surprising passing somehow makes the teenagers lives more real. It propels all of their actions, and makes them face the fact that “we handle grief in different ways”. All of these characters experience a different aspect and meaning of grief. I’ll leave it up to you to discover what it means to each one.

Dog owners can certainly relate to CB’s grief. I know I can…it completely depressed me. Thinking about what would happen if my puppy-wup somehow wasn’t here anymore. ..CB’s friends just don’t understand what it is like to have a life-long companion taken from you! Here’s a picture of my pup. Think of her as CB’s dog, and then you too will cry.

Aw she's got little angel wings on....this is making everything worse.

Aw she’s got little angel wings on….this is making everything worse.

And now the explanation of the title, given by the character of Beethoven:

A dog sees god in his master

(I’m trying to hold back the tears right now)

 

Let’s get to some details of the production:

LOVE THIS

LOVE THIS

Cabaret’s first Main Stage Production of the year:

DOG SEES GOD

(information graciously stolen taken from the Facebook event)

Simultaneously hysterical and haunting, DOG SEES GOD by Bert V. Royal tells the twisted tale of a group of reckless teenagers who come face-to-face with some of life’s darkest and most daunting challenges. With a brilliant combination of humor, cruelty, and endearing honesty, the characters are forced to confront their demons head-on in this story of truth and transformation.

 

This production will run for TWO weekends:

– Friday, October 17th at 8pm

– Saturday, October 18th at 8pm

– Sunday, October 19th at 7pm

– Friday, October 24th at 8pm

– Saturday, October 25th at 8pm

– Sunday, October 26th at 7pm

 

Where? You should know by now…

Cabaret Theatre, located at the corner of Suydam Street and Nichol Avenue on the Douglass Campus.

 

Tickets*

$7 — students/faculty/staff

$12– general admission

*Please reserve tickets by emailing cabtheatre@gmail.com

You know you want to

You know you want to.

Who’s who in the Cast:

Andy Martinez

Dan English

Julia Barnett

Sam Vargas

Shachar May

Alex Albanese

Tyler Conroy

Kelly McCarthy

 

And the Production Staff:

– Director: Alyssa Krompier

– Assistant Director: Kat Beliavski

– Stage Manager: Eddie Norgard

– Assistant Stage Manager: Ja’mie King

Preach it boys!

Preach it boys!

****This production of DOG SEES GOD contains Trigger Language and adult content. We recommend this show for mature audiences only.****

 

Moments I love in the production:

  • Alex’s rendition of one of Chopin’s etudes (beautiful and haunting, I love you Alex)
  • The party scene
  • Andy Martinez. Always Andy Martinez.
  • Julia’s platypus/butterfly interpretive dance.
  • Sam’s hot bod.
  • All of the Romance scenes wink wink
Sassy Sam Yum Yum

Sassy Sam Yum Yum

Alright, I’m going to stop myself there before I give up any key moments in the production. You’ll have to see it for yourself! Dog Sees God is the essence of a Cabaret Theatre production, and it works perfectly in the black box theatre environment.

That’s all for now, folks. I’ll leave you with another picture of Izzy. Look at her cuteness!

We're in love

We’re in love.

N-Shady, out.

Rutgers Night Live: The Nightmare Returns

RNL RNL RNL RNL

Did somebody say RNL?

(Besides me)

There you have it folks. Rutgers Night Live is back for its 9th show EVER. *woooo*

One away from ten. The fan fair is almost here. But alas, it must be saved for next semester.

A clearly excited shark eating chips.

Shark-Kristen is THIS EXCITED for RNL.

What is Rutgers Night Live, you ask?

Only Rutgers University’s PREMIER sketch comedy group.

And by premier, we mean only.

Founded by Demon Dom Nero and Stephen “say-my-name” Hilger, RNL is a completely student written, produced, and directed comedy event. Based out of our very own Cabaret Theatre in New Brunswick, RNL performs one weekend per semester, every semester, for the rest of existence (because it will live on in the Rutgers community forever).

The founds on stage for RNL

The founders on stage. INTENSE.

Sorry, Dom, I just had to.

Sorry, Dom, I had to.

If my calculations are correct, this is the first show without any original members. However sad that may make me feel, it is also a very exciting thought. RNL has evolved over the past 5 years, and will continue to evolve in the coming years to become a staple towards the Rutgers Comedy Tradition.

Wow. Saying that put me in a nostalgic mood. Here is episode one on Youtube:

Daww aren’t they all so cute and young?

Since I have an insider scoop about the show (cough I’m coordinating it cough), let me give you some insider-deats:

There will be:

  • Nine awesome cast members
  • One talented host
  • One very Rutgers band named Crime Alert
  • One very hot theatre (wear light clothing)
  • Nine insanely funny sketches
  • One even more insanely funny digital short
  • And sold out tickets!

Rutgers Night Live IX: Attack of the Hunter Spiders: On Ice? will be at Cabaret Theatre on:

Friday October 3rd at 8:00pm

Saturday October 4th at 8:00pm and a special midnight show at 11:59pm

Tickets are $5 for students and faculty, $7 for ya’ll who don’t go here.

Since RNL sells out so quickly, please reserve your tickets ASAP by emailing cabtheatre@gmail.com with your name, which date and time you would like to attend, and the number of tickets you desire.

The Cast Members and Host of RNL 9, taking a better selfie than the Oscar Selfie.

The Cast Members and Host of RNL 9, taking a better selfie than the Oscar Selfie.

Here are the names to the faces you will spend 1.5 intimate hours with:

Cody “Cute-Face” Beltis:  Bringing RNL’s sex appeal up by 1000, Cody is a delectable new addition to the group. He loves twerking, rubbing pregnant bellies, and making fun of the news.

Kristen “Crunchy” Ferris- my personal female crush, Kristen is in love with me and only me so don’t even think about it.  You can find her eating goldfish or…eating goldfish.

Abid “The Pipe” Hassan—You won’t understand this reference until you see the show, but Abid stars in one of my favorite sketches and he has a pipe. He also screams the word “MOTHER” a lot. You’ll know it when you see it.

Justice “Douglass” Hehir- Justice is an awesome chick who follows in the footsteps of Tina Fey and Amy Poehler.  You can find her at literally every event on Douglass.

Raynee “Wolf Queen” Morris-She is actually a Wolf Queen. I’m not even joking. She was raised by wolves and lived life on the edges of society. Now she likes to study bugs. I don’t get it either.

Katie “Scissorhands” Scheidt-Miss Scissorhands over here decided to make a lot of our costumes/props. Keep an eye out for her signature style. In her spare time, Katie likes to believe she lives in an Anime world and owns many wigs.

Zach “The Frosh” Sinkiewicz—although he is no longer a freshman, Zach is the youngest member of our group. He is our baby and we love him so. Changing his diaper?…not so much.

Natasha “THIS IS ME” Sydor—I can’t write about myself. That’s weird. But I do like poop jokes. Ha ha.

Bob “Omg Date Me” Tarino—Women and men know him by many names. But to us, he is the essence of the Hunter Spider. He is poisonous, and he will strike. Ladies, beware.

And the RNL IX host, Kajoree “Who me?” Bhattacharya—Our fearless navigator during the night of comedy nightmares. She challenges the next host to try and do a better job then she has done. We’ll see, RNL X.

Attempting to dance...

Attempting to dance…

****Interested in being a cast member of RNL? We’ll be having auditions on November 24-26. Bring your funny bone and do your best Jagger! We look forward to meeting everyone (…one of us, one of us…). I’ll make another announcement about this when we approach auditions.****

What’s next at Cabaret Theatre?

  • Auditions for the 2014 Directors’ Showcase: Auditions will take place on September 29th and 30th from 7-11 at Cabaret Theatre, with callbacks on October 1st.
  • Auditions for Murder Ballad: Auditions will take place on October 6th and 7th from 8pm to Midnight, with Callbacks on October 9th.
  • And Dog Sees God! This show goes up in just two weeks, so stay tuned for more information.

I love you all. Come out to RNL. And to auditions. I’ll be giving out lots of hugs (and maybe some kisses)

Did I just unintentionally rhyme? Ew.

N-Shady, out.

Original Play Festival and Original Pointers!

Hello hello hello all!

I am here to remind you of important updates for the Original Play Festival (OPF)!!

 

Now let’s get right down to it:

Play submissions are due at 11:59pm on Monday, February 17th. They should be emailed to the fest’s coordinator, Justice Hehir, at  justicehehir@gmail.com and cc’d to producer.cabarettheatre@gmail.com and artistic.cabarettheatre@gmail.com. Please keep your submissions at around 10 minutes (about ten pages), but it’s all right if you go over that a bit.

 

Interested in directing a piece? The director applications are due on the 24th, and are available on the Cabaret Theatre Sakai site.

I directed an original play in last year’s festival. It’s called The Loser and it was written by JJ Focarracio.

Here’s a picture of me and the cast.

The Loser Cast (and Me)

(Minus Leah Christians. Where were you, Leah Christians?!)

 

Directing was a TON of fun!! And it is a lot of hard work, mind you. Directing is more than just telling people what to do when. You gotta read the play over and over until you know it better than your own face.

And when you can’t recognize yourself in the mirror anymore, that’s when you know that you’ve truly made it as a director.

 

Auditions for this kick-patootey production (OPF) will be on March 10th and 11th, times to be announced. Callbacks will be March 12th, times to be announced.

 

Nervous about writing and submitting a play?

No need to worry, because the Playwrights Collective is here!!

The Cabaret Theatre Playwrights Collective meets every Sunday at noon on the second floor of the DCC. We read an article about the current theatrical climate, watch videos about/by current playwrights, and do some writing of our own! (We even have tea.) It doesn’t matter if you’re a first-time meeting-attender, or a fifty-fifth time meeting-attender; you are certainly welcome to come on over and write with us!!!

 

One of the coolest parts about the Collective is that Justice Hehir, the OPF Coordinator and Collective Founder, comes up with really cool prompts to get people’s brain-juices flowing, and she puts them on Facebook.

Some said prompts are:

“OPF Countdown Prompt #3:
Write a play that is made up entirely of questions.
Have fun!”

Having fun — always important to do.

“OPF Countdown Prompt #9:
Write a play with no words. Just movement and sound.”

I call this prompt the “Nic Cage Prompt.” I call it that because that’s the only way I’d tolerate Nicolas Cage in a play — not speaking at all.

Nic Cage Eyes

He is always watching you with his many eyes and angry expressions.

 

“OPF Countdown Prompt #11:
Write a play with no assumptions.”

Because you know what happens when you assume…?…(nudge, nudge)

“OPF Countdown Prompt #12:
Write a play that’s all poetry–lyric at its core, strong where it counts.”

Such good writing advice, yah?

Yah!

Here’s a picture of me and Kate Thomas thinking deep thoughts during a meeting:

Von Thun's FarmCTPC Meeting 023

Look at that paper!

And here’s some advice from Justice Hehir herself:

“The Cabaret Theatre Playwrights Collective is helpful and makes OPF seem less scary because then you’ll be getting feedback and help throughout the writing process. It helps us to be more creative thinkers by coming together and working in the same space. We all have our own visions and stories to tell.”

She also gave me really beautiful and brilliant advice when I was unsure of what to write. She said, “Write what only you can write. What story can you tell that no one else can? Write that.”

If you would like some more updates and lovely writing prompts, then add CabaretTheatre PlaywrightsCollective as a friend on Facebook.

CabaretTheatre PlaywrightsCollective

“He’s” a really schnazzy “guy”! And a writing wizard, I might add.

Which I did.

 

Anywho!

I wrote a play once in my day. It is called, The Cookie-Crumb-Complex and it starred so many talented people it was hard to keep track of how many there were.

Cookie-Crumb Cast

Editor’s Note: There were seven. There were seven of them.

This experience was one of the most fun and rewarding experiences of my life. I learned which dialogue worked and which didn’t work. I also learned how to clear up plot points.

And, most importantly, I learned that something only I could write had touched a lot of people.

I cannot recommend it enough to at least try to have your work produced at Cabaret.

Seriously, though. Do yourself a favor and submit to this play festival!!

When you do, I’m sure you’ll feel like this.

 

A-Kroeps out!!

Guest Blog: From the Eyes of a Stage Manager

Hey hey hey all of you!!!

I have some exciting news……..so I’m going to need a drumroll….seriously, I can’t post this until I get a drumroll………but not really.

Anywho, Cabaret’s very own Kayla Votapek wrote up a wonderful guest post that I am going to place below!!!! So get ready for the awesomeness that is this post………seriously, I can’t post this until you’re ready. How many times can I say post? Post.

Here it is!!

‘Doubt can be a bond as powerful and sustaining as certainty.  When you are lost, you are not alone.’ 
–Father Flynn
, Sermon 1, Doubt

Hello Everyone!

My name is Kayla Votapek and this is my first time writing a blog post for Cabaret. I am so excited and honored that the lovely Abigail Nutter has asked me to write one! For those of you who don’t know me I am Press Secretary for Cabaret Theatre and currently the Stage Manager of Doubt .

For those of you who don’t know anything about Doubt… It is such a wonderful play that you should come see! (For those of you who do know, you should come see it too!) Check out our official Doubt blog post for more information at https://cabarettheatreblog.wordpress.com/2014/02/06/no-way-no-how-no-doubt/

Doubt

(Shout out to the beautiful Emily Johnson who made this wonderful graphic!)

The cast, crew, and pro-staff have been working so hard on this production. We all got together during winter break and worked on the show for days which gave us a wonderful opportunity to bond with one another. Here is a picture of the cast rehearsing: 

Doubt Rehearsal

We had many doubts about this production being ready in time for the show thanks to the ton of snow we received. DARN YOU GLOBAL WARMING! But we were able to shovel ourselves through to opening night.

Doubt Tech

I am so honored to be a part of this show and it was such a wonderful opportunity! The cast, crew, and pro-staff have worked very hard and this show is Fantastic! I encourage you all to come see it this weekend. I would like to send a shout out to Emily Petrick for being a wonderful first time director as well as the cast and crew of Doubt. You did a wonderful job for the first weekend and I don’t have any doubts that you will do even better this weekend! I also would like to thank my twin, Allie Kroeper, for helping me with sound; the beautiful and talented Abigail Nutter for allowing me to write this blog as well as helping us find such wonderful costumes for Doubt; the hard working Elias Bull for putting so much time into our production and helping us with EVERYTHING. This boy built the set and put up all our lights all by himself with some help from the Cabaret Crew. (Shout out to Kate Thomas, Meg King, Courtney King, and Erik Stratton for helping us paint. Those windows look amazing!)

You do not want to miss this show! Come see it this weekend.

P.S LET IT DOE! 

Frozen

~ Kayla Votapek

Yeah, I know. That was pretty awesome.

Did you count how many times she said “doubt”?

‘Cause I didn’t.

I’m too lazy for that big of a job.

Anywho, thank you Kayla for that lovely contribution to this blog and thank you Abby for requesting it!!

You heard the girl…come see Doubt!

 

A-Kroeps out!!

Important Information for a Very Important Play!!!

Hey there everybody! It’s Allie Kroeper and I’m back to the writer’s chair with some vital information about Cabaret’s first main stage of the year… The Normal Heart!!!

Image

(I’m also here to talk about other things, but I’ll get to that stuffs later!)

 

Due to the serious nature of The Normal Heart, I will proceed with less humor than usual.

[Director’s Note: You were being humorous in the past?]

 

Here is information from Cabaret’s Sakai site:

The Normal Heart is a play focused on the rise of the HIV-AIDS crisis in New York City between 1981 and 1984, as seen through the eyes of writer/activist Ned Weeks, the gay Jewish-American founder of a prominent HIV advocacy group.

Production Staff:

Tyler Picone – Director

James Duffy – Creative Team

Jamie King – Creative Team

Chris Price – Stage Manager

Cast:
Dan Fisher – Ned Weeks
Donovan Smalls – Bruce Niles
Nikko Espina – Felix Turner
Alyssa Krompier – Dr. Emma Brookner
Dan VG – Michael Marcus
Jason Zomback – Tommy Boatwright
Nick McNamara – Ben Weeks
Alex Vetterlein – Grady/Craig
Michael Maxham – Hiram Keebler/David

Tickets:
$7 for Students/Staff/Faculty
$12 for General Admission

Opening night proceeds will go to Broadway Cares/Equity Fights AIDS, one of the nation’s leading industry-based, nonprofit AIDS fundraising and grant-making organizations. All shows will also sell armbands towards the cause.

Email cabtheatre@gmail.com for advanced reservations. Please specify your name, the number of tickets you wish to purchase and the date/time of the show you wish to attend. Our shows sell out quickly so making a reservation is the smart way to get yourself a seat!*

*Note: Reservations are not guaranteed. Patrons with reservations must arrive at least one half-hour prior to the stated performance time to purchase their tickets. Reservations may be voided at the discretion of the Box Office Management twenty minutes prior to the scheduled performance to accommodate any patrons on the waiting list or any walk-up sales.

This production of The Normal Heart contains Trigger Language. We recommend this show for mature audiences only.

Image

All that being said, if you want to see some kick-ass acting in action, then reserve your tickets today, ’cause that kick-ass show starts TOMORROW!!!

 

Here is some more hard-hitting information:

If you are interested in raising awareness about domestic violence and sexual assault via Cabaret Theatre, join Marisa Irabli and the Institute of Women’s Leadership for a very important project: ACT (Affective Catharsis through Theatre). ACT is a collaborative effort aimed to raise awareness of domestic violence and sexual assault issues in our community while providing a cathartic and safe space for its participants.

This project also provides opportunities for writing, acting and stage managing!

October 19, 11:59pm – Writing submissions and anyone who is interested in acting must email Marisa Irabli at mirabli@eden.rutgers.edu.

October 21 – Actors will be assigned a piece. (****PLEASE keep in mind that not every piece sent in will be chosen, for length and content purposes, although all submissions are greatly appreciated!****)

Dates TBD – 3 rehearsals (The first half of show is the first rehearsal, the second half of show is the second rehearsal. Everyone together is the third rehearsal.)

November 3-November 7 – Tech week (includes blocking, lighting, clean up, etc.)

November 8, 8pm – SHOW NIGHT!

Email Marisa Irabli or Special Events Coordinator, Courtney King at clk10@eden.rutgers.edu for more information!

And congrats to Marisa for being chosen for the Fall 2013 Special Project Slot!!!

 

Now for the lighter news:

What is our second main stage of the year, you ask? Well, I’ll tell you!

(But only because I’m contractually obligated to do so.)

It is [title of show] and it has been cast, yay!!!

 

The [title of show] cast is as follows:

Jeff: Justin Brown

Hunter: Gabe Marquez

Heidi: Natasha Sydor

Susan: Kristen Ferris

Piano Player, “Mary”: Lauren Burcheri

 

The Production staff is as follows:

Director: Courtney King

Assistant Director: The Best Person Ever (that’s me)

Musical Director: Rachel Horner

Stage Manager: LilyAnn Foster

Piano Player, “Mary”: Lauren Burcheri (This is a cool half-production-staff/half-role type of dealio. She’s got the best of both worlds!)

Image

That’s right. Forever.

 

In other news…I am coordinating the 2013 Directors Showcase!!!

What, what?!?!?!

This year the Showcase consists of 4 amazing plays, directed by 4 amazing directors!!!

 

Our directors are:

Kayla Votapek

Christen Demnitz

Steph Van Huss

Jasia Ries

 

And I’d like to make a quick shout out to our awesome Stage Manager, Steph van Oppen!! (She’s so on top of things!)

And yet another quick shout out to Kate Barron (Cabaret’s Artistic Director) for being such an incredible help with this production!!!

 

Look out for more information on the Showcase, [title of show], and Marisa’s Special Project in the blog entries to come!!

 

Allie Kroeps over and out!!!