Don’t cry for me Cabaret Theatre…

Well, folks, it looks like we have reached the end of an era. *cue imperial death march music*

Today is my last blog post EVER…for Cabaret Theatre.

Dad?

Dad?

Now, I know it may be difficult for you to contain your tears and sadness about my departure, but do not fret my ducklings; my spirit will exist on through the internet for years and years to come. If you ever feel lonely, and are missing your Tashie, read my past posts and feel my essence. That is where I will exist and thrive.

*throws up*

Oh boo hoo Natasha, cry us a river.

crying

I must say, there is something uniquely cleansing about talking to the internet void–a familiar yet unknown “other”. I talk to no-one and everyone at the same time…it’s such a weird paradox.

Why am I leaving, you ask?

  1. I am graduating early (hard work pays off, folks)
  2. Nothing lasts forever
  3. I am going to France for a few months (I’ll be working in a French Theatre!)

Thank you to all of my fans for continuing to read my internet ramblings; especially my two number one girls, Kate Thomas and Heather Tedesco! You two win the award for “Best Natasha Supporter of the Year”. Please put this accolade on your resumes and brag about it at social gatherings. It will lead you to success, love, and chocolate.

What I’ll miss most about Rutgers is the theatre community I’ve made for myself here. I’ve been a part of Cabaret for years, and it is going to be an odd adjustment having it out of my life. Because of this, you all better send me videos of rehearsals and performances while I’m abroad so I can get my Cabaret-fixin’ in over-seas!

Also, next semester will be the 10th show for Rutgers Night Live! Even though I won’t be here to see it’s beautiful (yet horrifying) fruition, I have an alumni digital short in production (cough in my mind cough) that will be an exciting addition to the show.

 

Without further adieu, I would like to introduce you to your new best friend, my replacement, and also my saucy lover, KRISTEN FERRIS!

Kristen Ferris, also known as "Sharkey"

Kristen Ferris, also known as “Sharkey”

KFer will be Cabaret Theatre’s new Social Media Chair for the Spring 2015 semester. I expect you all to treat her with the utmost respect, as you have treated me, or else I will unleash my fury in another blog post (contain your excitement). I met Kristen my freshman year during LTC Rocky Horror Picture Show Auditions. We didn’t talk much, but she seemed like a cool gal. Then, we reconnected last year in Cabaret’s [title of show]. That’s when we became best friends that cross every friend boundary and have a freaky yet sexy relationship with each other. Also her boyfriend is a red head–what’s up with that?

We're best friends.

We’re best friends.

No seriously. She's mine and you can't have her.

No seriously. She’s mine and you can’t have her.

Good luck, Kristen! The internet audience can be overwhelming at times, but I’m sure Kate and Heather will guide you along the path to victory.

freedom

What’s next at Cabaret Theatre? Auditions for Proof, by David Auburn.

proof

Proof by David Auburn is a poignant and haunting exploration of a woman’s struggle to define herself in the face of her father’s legacy of mathematical genius and his devastating mental illness. She fears she has inherited more than one aspect of his mind. The play premiered in 2000 and went on to win the 2001 Tony Award for best play and the 2001 Pulitzer Prize for drama. It brilliantly portrays extraordinary characters coping with, perhaps, very ordinary problems. How do these characters settle family affairs? How do they raise their children? How do they make themselves distinct from their parents? How do they grieve? The play strikes home because although they are remarkable minds, they are just like us.

 

Auditions will be held at Cabaret Theatre *** on

— Monday, December 8th from 8pm to Midnight

— Tuesday, December 9th from 8pm to Midnight

— Callbacks will be held over winter break in January

 

Meet the Production Staff::

Director: Jasia Ries

Assistant Director: Eddie Norgard

Co-Stage Manager: Chris Price

Co-Stage Manager: Irene Martinez

Show Dates::

— Friday, February 6th at 8pm

— Saturday, February 7th at 8pm

— Sunday, February 8th at 7pm

— Friday, February 13th at 8pm

— Saturday, February 14th at 8pm

— Sunday, February 15th at 7pm

 

Character Breakdowns:

— Catherine: 25, brilliant, sensitive, afraid that she has inherited her father’s tendency towards instability. She takes care of her father for years and has made many sacrifices.

— Robert: 50s, father to Catherine and Claire, an absolute genius who revolutionized mathematical theory. Though mentally unstable, he really tries to be a father to Catherine.

— Claire: 29, Catherine’s sister. She is very put together, very exact. Her attempt to organize her family’s affairs is well-meaning but ultimately ill-timed. Lives in New York since she escaped there from Chicago years ago.

— Hal: 28, Robert’s former student, funny, sweet, loyal. He idolizes Robert and determinedly searches through his Professor’s scribbles (even from the most unstable period of his life) to find something useful. Falls for Catherine.

 

Please come prepared with….

— a head shot (if you have one)

— theater resume (if you have one)

— class schedule for Spring 2015

— all conflicts from December, through Winter Break, until the end of February. (work, appointments, meetings, events, etc.)

 

You MUST….

…be available for all show dates

…be able to rehearse at Cabaret Theatre in January

…be a full time undergraduate Rutgers student

 

Questions? Please email producer.cabarettheatre@gmail.com

***Cabaret Theatre is located at the corner of Suydam Street and Nichol Avenue on the Douglass campus

RUSA allocations paid for by student fees.

 

Audition for this show because I physically can’t and it breaks my heart wahhhh. Also send me videos.

Goodbye my friends! I’ll talk to you again soon, but not on this blog. You know where to find me, internet.

ALSO

Shameless Plug. I’m participating in a “25 Days of Christmas Songs” Challenge for the first 25 days of Christmas. I record and upload a different Christmas song everyday! Check it out

 

Merry Christmas, Happy Hanukkah and Kwanzaa, and stay classy New Brunswick (and the one person who reads this in Cuba?).

 

N-Shady,

OUT.

Seasonal Confusion and Lots of Interviews…it must be Directors’ Showcase time!

It’s the most wonderful time of the year…

Silver bells…silver bells…

La da da da da daaaa, it’s time for Hanukkah

November=December=Winter holidays for me. I’m not sorry. But I am currently listening to Mariah Carey’s fantastic rendition of “All I Want for Christmas is You”.

Happy Thanksgiving?

Happy Thanksgiving?

BUT, segueing to the point, it is the most wonderful time of the year, because it is time for Directors’ Showcase!

For those of you who don’t know (most of you) Directors’ Showcase was my very first show at Cabaret Theatre, let alone at Rutgers. As an underclassman, being cast in my first show was amazing, and the DS environment was (and still is) the perfect introduction into college theatre. My show was about two waiters, who had ambitions, and one of them ended with an interpretative dance. You don’t need to know any more than that.

#myfirstshow #nostalgia

#myfirstshow #nostalgia

Because DS is so near and dear to me, and many other actors at Cabaret, this week’s blog post consists of interviews with the directors themselves (woooooo)!

What is Directors’ Showcase, you ask? I’ll tell ya! Directors’ Showcase is a collection of 15 to 20 minute plays directed by first time directors.

I talked to the lovely Kayla Votapek (and by talk I mean Facebook messaged–yay technology), coordinator extraordinaire, and asked her to describe Directors’ Showcase to me in her own words. Here’s what she said:

  • “Directors’ showcase is one of the few special events that allows students who never directed, never stage managed, and never acted, to have a chance to try something new. It allows new and old members to be part of an amazing theatrical experience.”

Kayla also added:

  • “The reason why it means so much to me is because of the fact that it was the first show I did as a freshman at Cabaret. DS gave me the chance to show everyone what I can do and allowed me to get to where I am today. This year is my 3rd year doing the showcase and i am so proud to see all my babies grow throughout the entire process and so glad that we have brand new faces at Cabaret Theatre.”
Here's us on Halloween. Ten points for Gryffindor if you know who I am.

Here’s us on Halloween. Ten points for Gryffindor if you know who I am.

Before we begin with the Director interviews, here is all of the information you need about the performances:

The 2014 Directors’ Showcase at Cabaret Theatre

Coordinated by Kayla Votapek and Stage Managed by Jacqueline Malzone

Dates:

– Friday, November 14 @ 8pm**

– Saturday, November 15 @ 8pm

– Sunday, November 16 @ 7pm

**Proceeds from the Friday performance will be donated to the Holt International Adoption Agency.

Performances will be held at Cabaret Theatre, which is located on the corner of Suydam Street and Nichol Avenue on the Douglass Campus

Tickets:

$7 Students/Faculty/Staff/Seniors

$12 General Admission

To reserve tickets please send an email including your name, dates you would like to attend, and number of tickets to cabtheatre@gmail.com.(please arrive at least 20 minutes early to keep your reservation)

THE SHOWS:

Interview with Loneliness, by Ann Wuehler

  • Directed by Chris Price
  • Featuring: Toni Pollitt, Megan Cavanagh and Kim Bollard

Waiting for the Matinee by Eric Coble

  • Directed by Constantina Scoullis
  • Featuring: Kajoree Bhattacharya and Justice Hehir

For Anne by Peter Gruen

  • Directed by Laura Pomykala
  • Featuring: Kelly Lozo and Matt Apploff

Blind Date by Laurie Allen

  • Directed by Eddie Norgard
  • Featuring: Chris Wilson, Kim Bollard, LaJuan Miller, Thalia Peck, Matt Apploff and Kajoree Bhattacharya

Ties that Bind by Eric Coble

  • Directed by Hantz Jean-Francois
  • Featuring: Luke Basile, Alex Esposito, Lajuan Miller, Thalia Peck, Toni Pollitt and Steve Rengifo

That being said, can I get a drumroll please

drumroll

Let us begin!

*cue Who Wants to be a Millionaire Music*

An Interview with Chris Price

Facebook means that no one is safe. Let the pictures begin.

Facebook means that no one is safe. Let the pictures begin.

Tell us a little about your show:

  • “Interviews with Loneliness” is a 3-woman piece that portrays how these women struggle with independence, dark pasts, self-worth, and love. Fearful of being single, but tired of destructive companionship, Annarae, Janet, and Queela have individual stories that have no escape from loneliness. Ultimately, they are in the hot spot to make a choice: be in love, yet feel lonely, or dread the solitude of having never truly loved.

Why did you pick this show?

  • I selected this show because I wanted a show that offered deeper substance and was a bit of a challenge. On paper, there are three stories, simple. However, bringing it to life for 15 minutes was a great journey. Also, I think the overall story is relatable to what we all go through. We know what is good for us, but there is an underlying layer of bad or consequences to every good choice we think we are making for ourselves. That’s life, and life is full of difficult decisions.

What is different about this experience than your other directing experiences?

  • I was blessed with being able to direct this year’s musical revue at Cabaret, Unsung Chapters. However, Director’s Showcase provided me with something different because I have not worked creatively on a straight play since acting in high school. Since coming to Rutgers, I have stage managed one play and performed and been on production staffs for a number of musicals, but I avoided creatively being involved with plays for a long time. This experience gave me the chance to get back into straight plays!

Favorite moment of the show?

  • All of it, simple as that. I really enjoy this show, and I think others will too.

Favorite moment during rehearsal?

  • Chilling with my actresses and have them do weird things like talk to themselves in corners of rooms.

How has your vision come to life through Cabaret Theatre?

  • Cabaret really gave me free reigns with this show, and I was able to change up the script and setting and all that jazz. #thankscabaret

And lastly, why should we come see your show?

  • Because I said so.

The last answer is simple and sweet. I like your style Chris. Let’s be friends.

Next!

An Interview with Constantina Scoullis

connie

Tell us a little about your show:

  • A tribute to Samuel Beckett’s Waiting for Godot, two middle-aged women are waiting for the matinee to start. They try and kill time, and amidst hilarious discussion, fall back into the absurdist motif.

Why did you pick this show?

  • I feel like I need some deep answer to this…but I just read the play and thought it would be fun to do. Yeah, that’s basically it.

Are you a first time director? How’s the experience?

  • It has been really great! I was pretty nervous and worried about a lot of things going into showcase—especially since directing is something that you need to figure out, because there is really no one way to direct. As rehearsals went by though, I realized that the things that I was worried about were things that you can (and have to) easily pick up on the spot. Not to say that directing is easy—it’s not. I was just more worried about it than I should have been.
  • Plus, I love my actors, and they were very instrumental in this whole learning experience for me.

What is your favorite moment of the show?

  • The part where Justice and Kajoree show that they are a good audience!

Favorite moment during rehearsal?

  • We went on some pretty…interesting tangents during rehearsal. Also, when Justice and Kajoree would do a little bit of improv in between runs, I basically got a week’s worth of ab workouts done within 2 minutes. They are so funny together. I can’t even.

How has your vision come to life through Cabaret Theatre?

  • Generally—just the fact that Cabaret Theatre offers a chance for people to get a taste of directing a show. In regards to my show specifically—the fact that Cabaret Theatre is a very intimate space, and I want the audience to feel like there’s minimal distance between them and the things happening on stage.

Why should we come see your show??

  • Because Justice and Kajoree. Enough said.

Shout out to my ladies, woot woot!

Also, last year I performed in the Original Play Festival, with one of Connie’s original plays. She’s a very talented lady, and I can’t wait to see her directorial debut.

Next next next…

 

An interview with Eddie Norgard

Yo. This is a pretty cool pic. Very James Dean-esque

Yo. This is a pretty cool pic. Very James Dean-esque

Tell us a little about your show:

  • My show is called “The Blind Date”. It’s a short comedy about two completely different people being forced to find reasons to date just to please their friends. As if the date couldn’t be any more terrible, their friends who set them up on this blind date decide to visit the restaurant they are at to very obnoxiously intrude on their already dysfunctional relationship.

Why did you choose to work on Blind Date?

  • I picked this show for a couple reasons. I had previously been an actor in the short at my high school. I thought it would be nice to direct it with my own vision rather than my old director’s vision. I also picked the show because I wanted to remind people that we can find reasons to love one another despite the most obvious differences that come at face value. If we dig a little deeper we can connect with anyone.

Are you a first time director? If so, how was the new experience?

  • I am a first time director! I found it to be extremely eye opening. I have been acting since I was in 1st grade but I have never sat in the director’s chair and it feels good to finally be on this side of the table. I loved every aspect of it and my cast was extremely supportive and cooperative.

Favorite moment of the show?

  • I think the best moment in my show is when Kayla has simply had enough of the shenanigans being thrown at her and just mentally breaks down. Its funny to see her completely go insane because of how badly her date is going.

Favorite moment during rehearsal?

  • Its hard to pick a favorite moment. My cast was super fun to work with and we were all laughing at every rehearsal. Working on a comedy with naturally hilarious people is just the best time!

How has your vision come to life through Cabaret Theatre?

  • I am so grateful to Courtney, Allie, and Kayla for giving me the opportunity to gain directing experience through this special Cabaret event!! I absolutely have had the best time and have learned so much. Cabaret is really good about allowing artists to express themselves and they give equal opportunity to all despite lack of knowledge or experience. The entire E-Board is willing to help you learn and to guide you. I could not be more happy to call Cabaret my home.

And lastly, why should we come see your show?

  • You should come see my show if you want to laugh but also if you want to think. The comedic atmosphere of my show shouldn’t cover up the deeper meanings found within the script. It’s important to look at any piece of art as multidimensional and that is so true for theatre arts as well. If you wanna laugh and have a good time come to director’s showcase but remember to take away something from each show! Enjoy!

An Interview with Laura Pomykala

laura

Can you give us a little summary of the show, “For Anne” ?

  • While cleaning out their attic, Anne and Peter accidentally find pieces of their past that they have kept from one another. However, the result of true love causing the secrecy can prove if love can conquer all.

Why did you decide to direct this show?

  • When I read the script, the story resonated with me for the rest of the day. I read other scripts but “For Anne” was the first script I read and the one I was thinking about when reading all of the other scripts. I had to share Anne and Peter’s story and to show that chivalry isn’t really lost. You just have to find the right person who understands and respects you.

Are you a first time director? If so, how was the new experience?

  • I am a first time director and it’s been a blast! Because I’m an actor, I definitely approached directing with a very understanding but precise image of how to act. I wanted to make sure I had genuine emotions coming from my actors so that the audience would feel like they were watching their reality. With this said, I wanted my actors to make their own choices about how they felt when being their character and to make choices for their actions. I simply directed the talent and helped bring it out.

Favorite moment of the show?

  • If I do I’ll spoil the ending, but I’ll give you a hint. It’s all about the poem from 1937.

Favorite moment during rehearsal?

  • Seeing my cast during our last rehearsal before tech week and everyone realizing how much the play has grown.

How has your vision come to life through Cabaret Theatre?

  • Being able to bring a story to life from scratch has been an amazing experience! I would have never directed if it wasn’t for the fact that Cabaret had the Director’s Showcase. Through the love people have for theater at Cabaret, I was able to contribute with my passion and now share this story through my favorite art form.

And lastly, why should we come see your show??

  • Because don’t you want to know what my favorite part of the play is?! Remember “the poem from 1937”!

 

An interview with Hantz Jean-Francois

Favorite picture by far. YES

Favorite picture by far. YES

Can you give us a small summary of “Ties That Bind” ?

  • The play focuses on the Amazing Krispinsky, an escape artist, and his escape from life. By using the metaphor of escaping chains, Coble is able to touch upon both positive and negative facets of life and its many phases we endure.

What made you choose to direct this particular show?

  • I just think being in my twenties and going to college gives way to so many challenges that often come about at this point in life. We, as a people and a generation, are dealing with sadness, depression, and doubt but we also experience joy, rejuvenation, and growth. Once I read the play, I knew that it encompassed all of these aspects in a creative way. The fact that it can relate to the lives of every in attendance, as well as, performing really solidified my choice.

Are you a first time director? If so, how was the new experience?

  • I perform spoken word and make hip hop music but I wanted to further expand my artistic prowess and I knew Cabaret would be a great outlet to do that. Directing has been such an amazing experience allowing me to make the play my own, which is really exciting to me.

Favorite moment of the show?

  • One of my favorite parts of the show is when Steve and Espo (Alex) first come out and start selling their food in a very comical way.

Favorite moment during rehearsal?

  • Definitely being able to see different personalities and levels of experience come together to create something cohesive, funny and meaningful.

How has your vision come to life through Cabaret Theatre?

  • After reading the play, I knew that Coble wanted there to be a hint of comedy but to also bring to light the beautiful struggle that is life. What I needed to understand was how to make the play my own so I wanted to be able to balance both comedy and morals with underlying themes. With amazing actors such as the ones I was blessed to work with, I was able to make that happen.

And lastly, why should we come see your show?

  • You should come see my show because it will relieve some of the stress life brings by bringing you some laughs and enlightenment.

 

You heard ‘em, folks. Directors’ Showcase is going to be fantastic, and you should come! I’ll be at the Sunday show if you want to print out a version of my blog…maybe I’ll sign it or something…if I’m in a good mood.

Before I sign-off for the day, I would like to give a shout-out to my number one fan, Kate Thomas! I promised her a place of special honor in my next blog, and this is it. We miss you Kate. Come back. Let’s battle demons in supermarkets again.

One of the most disturbing moments of our young lives. Thanks Dan Conroy.

One of the most disturbing moments of our young lives. Thanks Dan Conroy.

 

N-Shady, out.

 

ALSO Murder Ballad is NEXT WEEK. Expect another blog post soon. Very soon. Super soon. I have to start writing it now.

Smells like teen spirit…I mean, Dog Sees God

Welcome to Palindrome Land! Population, tire.

Featuring…

  • He won snow, eh?
  • Racecar
  • DOG SEES GOD (SHOW TITLE SHOW TITLE ALERT ALERT)
  • No lemons, no melon.
  • Was it a bar or a bat I saw?
  • Egad! No bondage?

And my favorite:

  • Ah, Satan sees Natasha.

Hey look my name is in a palindrome! Hey look it’s pretty creepy! Hey look now Annabelle is going to attack me!

Disregard the creepiness of my own name in a palindrome, and focus on the show DOG SEES GOD.

INTENSE.

INTENSE.

This show has teenage angst written all over it…and sex, death, love, gossip, confusion and anger. DSG encompasses every emotion a young person can experience in finding himself. In an intricate journey of exploration, provoked by the death of a beloved pooch (RIP), the characters question and challenge their relationships with one another, and ultimately embody what it means to be human.

Dog Sees God provoked a lot of emotions and memories within my own self. First of all, my high school experience was in NO way like this show. I enjoyed my nap time and study time. These teenagers party, set people on fire, challenge social norms, and have threesomes. Yeah. Not my high school experience.

Look how cool I was.

Look how cool I was.

One aspect that really struck me was the dog’s death (this is not a spoiler alert, because the first scene opens with the funeral. Don’t be hatin’). This is an event that not only affects the main character of CB, but it forces the other characters to come to terms with their own limited existence. CB’s dog’s surprising passing somehow makes the teenagers lives more real. It propels all of their actions, and makes them face the fact that “we handle grief in different ways”. All of these characters experience a different aspect and meaning of grief. I’ll leave it up to you to discover what it means to each one.

Dog owners can certainly relate to CB’s grief. I know I can…it completely depressed me. Thinking about what would happen if my puppy-wup somehow wasn’t here anymore. ..CB’s friends just don’t understand what it is like to have a life-long companion taken from you! Here’s a picture of my pup. Think of her as CB’s dog, and then you too will cry.

Aw she's got little angel wings on....this is making everything worse.

Aw she’s got little angel wings on….this is making everything worse.

And now the explanation of the title, given by the character of Beethoven:

A dog sees god in his master

(I’m trying to hold back the tears right now)

 

Let’s get to some details of the production:

LOVE THIS

LOVE THIS

Cabaret’s first Main Stage Production of the year:

DOG SEES GOD

(information graciously stolen taken from the Facebook event)

Simultaneously hysterical and haunting, DOG SEES GOD by Bert V. Royal tells the twisted tale of a group of reckless teenagers who come face-to-face with some of life’s darkest and most daunting challenges. With a brilliant combination of humor, cruelty, and endearing honesty, the characters are forced to confront their demons head-on in this story of truth and transformation.

 

This production will run for TWO weekends:

– Friday, October 17th at 8pm

– Saturday, October 18th at 8pm

– Sunday, October 19th at 7pm

– Friday, October 24th at 8pm

– Saturday, October 25th at 8pm

– Sunday, October 26th at 7pm

 

Where? You should know by now…

Cabaret Theatre, located at the corner of Suydam Street and Nichol Avenue on the Douglass Campus.

 

Tickets*

$7 — students/faculty/staff

$12– general admission

*Please reserve tickets by emailing cabtheatre@gmail.com

You know you want to

You know you want to.

Who’s who in the Cast:

Andy Martinez

Dan English

Julia Barnett

Sam Vargas

Shachar May

Alex Albanese

Tyler Conroy

Kelly McCarthy

 

And the Production Staff:

– Director: Alyssa Krompier

– Assistant Director: Kat Beliavski

– Stage Manager: Eddie Norgard

– Assistant Stage Manager: Ja’mie King

Preach it boys!

Preach it boys!

****This production of DOG SEES GOD contains Trigger Language and adult content. We recommend this show for mature audiences only.****

 

Moments I love in the production:

  • Alex’s rendition of one of Chopin’s etudes (beautiful and haunting, I love you Alex)
  • The party scene
  • Andy Martinez. Always Andy Martinez.
  • Julia’s platypus/butterfly interpretive dance.
  • Sam’s hot bod.
  • All of the Romance scenes wink wink
Sassy Sam Yum Yum

Sassy Sam Yum Yum

Alright, I’m going to stop myself there before I give up any key moments in the production. You’ll have to see it for yourself! Dog Sees God is the essence of a Cabaret Theatre production, and it works perfectly in the black box theatre environment.

That’s all for now, folks. I’ll leave you with another picture of Izzy. Look at her cuteness!

We're in love

We’re in love.

N-Shady, out.

Audition for an Amazing Production!!!

Hey hey there!

 

Want a great theatrical experience that won’t take up an enormous amount of your time??

Then audition for the 6th Annual Original Play Festival!!!

Rehearsal schedules will fit around YOUR schedule, so DO IT UP!!!

 

Here is the audition information pulled from the Facebook event:

“The Sixth Annual Original Play Festival Auditions:
Monday, March 10th – 9:00pm-12am
Tuesday, March 11th – 8pm-12am
Callbacks: Wednesday, March 12th – TBD

Sides will be provided.

Show Dates:
Friday, April 25th at 8 pm
Saturday, April 26th at 8 pm
Sunday, April 27th at 7 pm

The plays selected for the 6th Annual OPF are as follows:

Snow
Written By Johnny Dellaluna
Directed by Courtney King

Peter
Written By Courtney King
Directed by Kate Thomas

Coffee Cups
Written By Megan Cherry
Directed by Thalia Peck

The Cosmo Diner
Written By Justice Hehir
Directed by Johnny Dellaluna

Ugly
Written By Constantina Scoullis
Directed by Kayla Votepek

You’re Mistaken, Love
Written By Allie Kroeper
Directed by Christen Demnitz

When attending auditions, please remember to bring your RUID# and a schedule of conflicts, including class, work, and miscellaneous commitments.

You must be a full-time undergraduate student at Rutgers University to audition for this production.

If you have any questions, contact OPF Coordinator Justice Hehir at justicehehir@gmail.com or Producer Meg King at producer.cabarettheatre@gmail.com.

RUSA Allocations, Paid for by student fees.

Cabaret Theatre is located at 7 Suydam St. on Douglass Campus”

 

Well, there ya have it!! You must, must, MUST audition for this lovely Cabaret Theatre tradition!!

And, just in case you didn’t notice…I’m one of the playwrights…so…yeah.

No.

I don’t sign autographs.

But like. I might.

If you ask.

nic-cage

 

…So!

In other news, our second main stage of the semester (and final main stage of the season) is Bloody Bloody Andrew Jackson!!!

The cast list for this hilarious show is as follows:

Eddie Norgard –John Quincy Adams and other parts
Ryan Gentek –Andrew Jackson
Michael Maxham — Martin Van Buren and other parts
Patrick Wu — Chief Black Fox and other parts
Gabe Marquez — John Calhoun and other parts
Dan English — Henry Clay and other parts
Jake McDonnell — James Monroe and other parts
Emily Johnson — Storyteller and other parts
Sam Vargas –Lyncoya and other parts
Shachar May –Rachel Jackson
Jillian Hanna — Various parts
Alyssa Krompier –Various parts
Na-Lee Ha — Various parts
Kristen Ferris –Various parts

Congratulations to this wonderful cast and to the wonderful Leah Christians, the show’s director!!!

Come see the show on April 4th-6th and/or April 11th-13th!!!

You don’t want to miss it!!

215px-Bloodybloody

 

 

A-Kroeps out!!

 

Guest Blog: From the Eyes of a Stage Manager

Hey hey hey all of you!!!

I have some exciting news……..so I’m going to need a drumroll….seriously, I can’t post this until I get a drumroll………but not really.

Anywho, Cabaret’s very own Kayla Votapek wrote up a wonderful guest post that I am going to place below!!!! So get ready for the awesomeness that is this post………seriously, I can’t post this until you’re ready. How many times can I say post? Post.

Here it is!!

‘Doubt can be a bond as powerful and sustaining as certainty.  When you are lost, you are not alone.’ 
–Father Flynn
, Sermon 1, Doubt

Hello Everyone!

My name is Kayla Votapek and this is my first time writing a blog post for Cabaret. I am so excited and honored that the lovely Abigail Nutter has asked me to write one! For those of you who don’t know me I am Press Secretary for Cabaret Theatre and currently the Stage Manager of Doubt .

For those of you who don’t know anything about Doubt… It is such a wonderful play that you should come see! (For those of you who do know, you should come see it too!) Check out our official Doubt blog post for more information at https://cabarettheatreblog.wordpress.com/2014/02/06/no-way-no-how-no-doubt/

Doubt

(Shout out to the beautiful Emily Johnson who made this wonderful graphic!)

The cast, crew, and pro-staff have been working so hard on this production. We all got together during winter break and worked on the show for days which gave us a wonderful opportunity to bond with one another. Here is a picture of the cast rehearsing: 

Doubt Rehearsal

We had many doubts about this production being ready in time for the show thanks to the ton of snow we received. DARN YOU GLOBAL WARMING! But we were able to shovel ourselves through to opening night.

Doubt Tech

I am so honored to be a part of this show and it was such a wonderful opportunity! The cast, crew, and pro-staff have worked very hard and this show is Fantastic! I encourage you all to come see it this weekend. I would like to send a shout out to Emily Petrick for being a wonderful first time director as well as the cast and crew of Doubt. You did a wonderful job for the first weekend and I don’t have any doubts that you will do even better this weekend! I also would like to thank my twin, Allie Kroeper, for helping me with sound; the beautiful and talented Abigail Nutter for allowing me to write this blog as well as helping us find such wonderful costumes for Doubt; the hard working Elias Bull for putting so much time into our production and helping us with EVERYTHING. This boy built the set and put up all our lights all by himself with some help from the Cabaret Crew. (Shout out to Kate Thomas, Meg King, Courtney King, and Erik Stratton for helping us paint. Those windows look amazing!)

You do not want to miss this show! Come see it this weekend.

P.S LET IT DOE! 

Frozen

~ Kayla Votapek

Yeah, I know. That was pretty awesome.

Did you count how many times she said “doubt”?

‘Cause I didn’t.

I’m too lazy for that big of a job.

Anywho, thank you Kayla for that lovely contribution to this blog and thank you Abby for requesting it!!

You heard the girl…come see Doubt!

 

A-Kroeps out!!

ACT! Or You’ll Wish You Had!!

Hello, hello, hello there friend-peoples!!

I have some very important information about this week’s show: ACT (Affective Catharsis through Theater)!!!

Image

[Logo creds to Emily Johnson. Also known as “The Princess of Logos.”]

 

First thing’s first, here is some background information right from the Facebook Page:

“Cabaret Theatre and the Institute for Women’s Leadership Proudly Present:
ACT (Affective Catharsis through Theatre) is a collaborative showcase of student-written theatre pieces with regards to raising awareness about domestic violence and sexual assault. Some issues that are portrayed are domestic violence in the home, intimate partner violence, sexual assault, violent crimes on campus, and the effects on the self. Please be advised that this show contains a trigger warning.

ACT is an IWL Social Action Project created by student Marisa Irabli and coordinated by Cabaret Theatre’s Special Events Coordinator Courtney King.

It will be held November 8, 2013 at 8pm in Cabaret Theatre.

Each person who comes will be given a personal, private folder of resources, referrals, and hotline numbers including such places as: CAPS; Sex, Etc.; Scarlet Listeners; Contact We Care; and the health centers.

There is no charge for this performance. Any donation goes to Women Aware, whose mission is to end domestic violence in the lives of women, children, and men, and to change societal attitudes and institutions that promote and condone violence, through public policy, advocacy, education, and programs and services that promote lives free of violence.”

 

Now that you know the basics, let’s dig down a little deeper, shall we?

 

I had the pleasure of constructing a brief interview with Marisa and this is what she had to say:

Me: What inspired you to put this project together?

Marisa: I am a firm believer in catharsis. And I think that college goers in particular need an outlet to voice their feelings and I wanted to give that to them — in a scary way, but also a very inspiring way to everyone involved.

Me: What do you hope to get out of it?

Marisa: This isn’t really for me. I’m just getting a grade out of this, which is trivial. I want to give the opportunity for these things to be portrayed on stage. For something to be done about them.

Me: What do you hope the people involved with the production will get out of it?

Marisa: The writers have gotten the chance to write cathartically. And that is what I originally sent out to do. If the rest of this were to crash and burn, at least that much was done. The original goal had been met. The actors are given the chance to develop a character and run with it. And the writers are given the chance to see it all happen.

Me: What do you hope the audience will take away from the performance?

Marisa: They’re not alone. And there are resources, referrals, and places they can reach out to. It’s all for them.

 

What an interview!! Oh, that Marisa! Being all selfless and what not! Do this amazing young woman a favor and check out her wonderfully put together show!!

I have seen only a small fraction of it, but it is very powerful and well done. It is a show that demands people to listen. To learn. And to act.

 

Here are the great people you will see performing in it:

Kate Thomas
Abigail Nutter
Hantz Jean-Francois
Kayla Votapek
Hana Hamdi
Nathalie Peck
Gabriella Estevez
Malik Davis Bey
Oscar Gantuah

Here are the wonderful writers of the show:

Kate Thomas
Hantz Jean-Francois
Jennifer Osolinski
Nathalie Peck
Meghan King
Malik Davis Bey
Courtney King

 

Email cabtheatre@gmail.com for advanced reservations. Please specify your name, the number of tickets you wish to purchase and the date/time of the show you wish to attend. Our shows sell out quickly so making a reservation is the smart way to get yourself a seat!*

*Note: Reservations are not guaranteed. Patrons with reservations must arrive at least one half-hour prior to the stated performance time to purchase their tickets. Reservations may be voided at the discretion of the Box Office Management twenty minutes prior to the scheduled performance to accommodate any patrons on the waiting list or any walk-up sales.

 

Brought to Rutgers University by the Cabaret Theatre and the Institute for Women’s Leadership.

Join us on Facebook here: https://www.facebook.com/events/500978093332812/?previousaction=join&source=1

 

Look out for upcoming posts about next week’s 6th Annual Directors’ Showcase and next month’s [title of show]!!

 

A. Kroeps over and out!!!

Auditions, Auditions, Auditions!!

Hey there again, faithful Cabaret-ers!

I’m back again so soon with really great audition opportunities!!

First up for all you aspiring actors out there: the Directors’ Showcase auditions!

If you don’t know what the Directors’ Showcase is, then no problem! I’ll just tell you right now! (Actually this is a problem. Get out.)

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