Finally! Inside Cabaret does something that it promised it was going to do! We’ve done it! We interviewed Cabbie-award winning Farnaz Mansouri about her experience directing Spring Awakening at Cabaret! Like we said we would!
Somewhere between finishing her senior year at Rutgers and serving as Cabaret Theatre’s Artistic Director and being a bad b**ch, Farnaz “Yeah Daddy” Mansouri found the time to direct a critically-acclaimed-so-far production of Duncan Sheik & Steven Sater’s Tony-Award winning musical. Really: people love it! So reserve your spot on the waiting list for tickets, because all them hotcakes be gone!!!
So check out the interview below, in which we discuss sad things, fun things, boys, girls, cats, musicals, and puberty! And be sure to check out Spring Awakening at Cabaret Theatre this weekend! Last three (3) performances!
Inside Cabaret: What was the best comment an audience member made last weekend?
Farnaz: I was overwhelmed by all the lovely things people said this weekend. [Cabaret Administrative Advisor] Matt Ferguson said some really lovely things about the production, which was amazing to hear.
The most touching comment hands down came from Dave Seamon, who said that watching the show felt like he was “watching a passion project movie”, and further continued saying not only how the show was injected with passion, but how alive each character was on stage. Those who know me know that I’m passionate about everything I do; the fact that this passion was able to resonate on stage, through each character, through the entire production, is something truly magical.
[Editor’s note: Check out Dave’s full review by clicking HERE!]
IC: And your parents? What did they say about the show?
Farnaz: My parents actually both really loved the show. They said they thought it was really beautiful, and my mom had really nice things to say about every person in the cast.
IC: Did she talk to them after the show?
Farnaz: My dad did! My mom is a little shy.
IC: Your last directing position was on Streetcar Named Desire; how has this experience compared?
Farnaz: I went into Streetcar with no experience directing, so it was very much a learning experience for me. This time around, I went straight from being Artistic Director to director; and still, I found that it was just as much of a learning process. I had never worked on a musical before, so it was definitely challenging. In a great way.
IC: Why Spring Awakening? What was the thought process that went into proposing it and developing it?
Farnaz: To be completely honest, I wanted to direct Who’s Afraid of Virginia Woolf? at first. There were many reasons I changed my mine. First off, Cabaret Theatre always ends the year with a big name musical, and I have always been intrigued by musicals. I thought, “why the f**k not?” Musicals allows for a certain amount of freedom, a boundless amount of creativity, which is liberating yet terrifying at the same time.
I chose Spring Awakening because I thought it would be extremely challenging for two reasons. One, it’s so extremely popular and everyone has a preconceived notion about the show already. I wanted to break this idea of what the show should be. Second, the transition period from adolescence to adulthood that the characters face is something that we [as college students] are facing as well.
IC: What’s the most important thing you as a director try to focus on when putting together a show?
Farnaz: As a director, I make sure to keep the big picture in mind, while attending to all the small details at the same time. Keeping the end product in mind takes a indescribable amount of clarity and focus, while attention to every single detail takes an indescribable amount of patience, understanding, and willingness to collaborate. Finding the balance between these two different roles is the primary focus of the director.
IC: How has your vision evolved since first proposing this show? What role does your pro staff and the actors play in that evolution?
Farnaz: Without my staff and actors, my vision would remain just that: a vision. I was really lucky to have the best production staff and cast a director could ask for. Before I met with each member of the production staff, I had a few months to myself to really think through every aspect of the show, to figure out what I wanted from each scene, each character, and ultimately what I wanted from the entire show. I had specific visuals meticulously planned out.
In terms of bringing these visuals, emotions, and this story to life, it was collaboration with my staff that really allowed my vision to evolve into something clear, lifelike, and beautiful. After talking through my vision with each staff member, their input helped bring the show to a new level. Carl’s musical direction, Sarah’s choreography, John’s lighting, Matt and Francesca’s set design/execution, Abby’s costumes, Allison’s perspectives, and all of Mike Bond’s help truly strengthened and amplified my original vision, and to them I am extremely grateful and appreciative.
And then we added the actors. No matter how many times I direct, actors will ALWAYS surprise me. I was fascinated and inspired by the depths each actor was willing to go with his/her character. They each gave such life to each role; it turned the production into something electrifying.
IC: What was one of those surprising moments?
Farnaz: I mean there are a lot. One is definitely the moment when the actors have epiphanies about their characters and say things that you’ve been waiting to hear since day one. That’s pretty awesome. Another would be that rehearsal when everything unexpectedly falls into place and out of nowhere you have an amazing show 1.5 weeks before opening night. Is that too specific?
[Editor’s note: No.]
IC: Why should college audiences come see this show?
Farnaz: For the same reason they tune into their favorite show every week, or go see a movie; it’s the escape into another world, where our minds easily follow another story line focused around others. Our bodies are at rest, while our minds are entertained. Theatre happens to be all the more electrifying, because it’s live. And this show is just f**king amazing, lets be real.
So there it is. An interview with the legendary Farnaz Mansouri. Check back in tomorrow for an interview with members of the cast!!!
Also, here’s a gem of a picture of young Farnaz from her Cabbie-award winning performance as Mimi Schwinn in A New Brain:
Get to Cabaret! See Spring Awakening! Do it! WOOOOO!