Important Information for a Very Important Play!!!

Hey there everybody! It’s Allie Kroeper and I’m back to the writer’s chair with some vital information about Cabaret’s first main stage of the year… The Normal Heart!!!

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(I’m also here to talk about other things, but I’ll get to that stuffs later!)

 

Due to the serious nature of The Normal Heart, I will proceed with less humor than usual.

[Director’s Note: You were being humorous in the past?]

 

Here is information from Cabaret’s Sakai site:

The Normal Heart is a play focused on the rise of the HIV-AIDS crisis in New York City between 1981 and 1984, as seen through the eyes of writer/activist Ned Weeks, the gay Jewish-American founder of a prominent HIV advocacy group.

Production Staff:

Tyler Picone – Director

James Duffy – Creative Team

Jamie King – Creative Team

Chris Price – Stage Manager

Cast:
Dan Fisher – Ned Weeks
Donovan Smalls – Bruce Niles
Nikko Espina – Felix Turner
Alyssa Krompier – Dr. Emma Brookner
Dan VG – Michael Marcus
Jason Zomback – Tommy Boatwright
Nick McNamara – Ben Weeks
Alex Vetterlein – Grady/Craig
Michael Maxham – Hiram Keebler/David

Tickets:
$7 for Students/Staff/Faculty
$12 for General Admission

Opening night proceeds will go to Broadway Cares/Equity Fights AIDS, one of the nation’s leading industry-based, nonprofit AIDS fundraising and grant-making organizations. All shows will also sell armbands towards the cause.

Email cabtheatre@gmail.com for advanced reservations. Please specify your name, the number of tickets you wish to purchase and the date/time of the show you wish to attend. Our shows sell out quickly so making a reservation is the smart way to get yourself a seat!*

*Note: Reservations are not guaranteed. Patrons with reservations must arrive at least one half-hour prior to the stated performance time to purchase their tickets. Reservations may be voided at the discretion of the Box Office Management twenty minutes prior to the scheduled performance to accommodate any patrons on the waiting list or any walk-up sales.

This production of The Normal Heart contains Trigger Language. We recommend this show for mature audiences only.

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All that being said, if you want to see some kick-ass acting in action, then reserve your tickets today, ’cause that kick-ass show starts TOMORROW!!!

 

Here is some more hard-hitting information:

If you are interested in raising awareness about domestic violence and sexual assault via Cabaret Theatre, join Marisa Irabli and the Institute of Women’s Leadership for a very important project: ACT (Affective Catharsis through Theatre). ACT is a collaborative effort aimed to raise awareness of domestic violence and sexual assault issues in our community while providing a cathartic and safe space for its participants.

This project also provides opportunities for writing, acting and stage managing!

October 19, 11:59pm – Writing submissions and anyone who is interested in acting must email Marisa Irabli at mirabli@eden.rutgers.edu.

October 21 – Actors will be assigned a piece. (****PLEASE keep in mind that not every piece sent in will be chosen, for length and content purposes, although all submissions are greatly appreciated!****)

Dates TBD – 3 rehearsals (The first half of show is the first rehearsal, the second half of show is the second rehearsal. Everyone together is the third rehearsal.)

November 3-November 7 – Tech week (includes blocking, lighting, clean up, etc.)

November 8, 8pm – SHOW NIGHT!

Email Marisa Irabli or Special Events Coordinator, Courtney King at clk10@eden.rutgers.edu for more information!

And congrats to Marisa for being chosen for the Fall 2013 Special Project Slot!!!

 

Now for the lighter news:

What is our second main stage of the year, you ask? Well, I’ll tell you!

(But only because I’m contractually obligated to do so.)

It is [title of show] and it has been cast, yay!!!

 

The [title of show] cast is as follows:

Jeff: Justin Brown

Hunter: Gabe Marquez

Heidi: Natasha Sydor

Susan: Kristen Ferris

Piano Player, “Mary”: Lauren Burcheri

 

The Production staff is as follows:

Director: Courtney King

Assistant Director: The Best Person Ever (that’s me)

Musical Director: Rachel Horner

Stage Manager: LilyAnn Foster

Piano Player, “Mary”: Lauren Burcheri (This is a cool half-production-staff/half-role type of dealio. She’s got the best of both worlds!)

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That’s right. Forever.

 

In other news…I am coordinating the 2013 Directors Showcase!!!

What, what?!?!?!

This year the Showcase consists of 4 amazing plays, directed by 4 amazing directors!!!

 

Our directors are:

Kayla Votapek

Christen Demnitz

Steph Van Huss

Jasia Ries

 

And I’d like to make a quick shout out to our awesome Stage Manager, Steph van Oppen!! (She’s so on top of things!)

And yet another quick shout out to Kate Barron (Cabaret’s Artistic Director) for being such an incredible help with this production!!!

 

Look out for more information on the Showcase, [title of show], and Marisa’s Special Project in the blog entries to come!!

 

Allie Kroeps over and out!!!

Auditions, Auditions, Auditions!!

Hey there again, faithful Cabaret-ers!

I’m back again so soon with really great audition opportunities!!

First up for all you aspiring actors out there: the Directors’ Showcase auditions!

If you don’t know what the Directors’ Showcase is, then no problem! I’ll just tell you right now! (Actually this is a problem. Get out.)

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Rapidly Approaching Opportunities!!!

Hey, hey, hey! I’ve got a bunch of updates for you about our beloved Cabaret Theatre, as well as some awesome opportunities! So make sure you pay close attention because there will be a quiz at the end!

Not really. They didn’t allow me to put a quiz on here.

Sadness.

Anywho! First thing’s first: The General Interest meeting!

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Yeah, that’s right. Our meeting was rated TV-14.

Continue reading

Cabaret’s First Event: Back to School Coffeehouse!

I’m so excited for three reasons!

Reason 1: This is my first blog post as Cabaret Theatre’s Social Media Chair-person-ager!

Reason 2: An Open Mic Night/Coffeehouse is coming to this Cabaret Theatre near you!

Reason 3: I’m gonna tell you about an awesome audition opportunity that is coming up before the semester even starts!

Continue reading

Senior Interviews: Again!

Does posting twice in one day make up for two weeks of procrastination? Probably not, but here are three (3) more Cabaret Cuestionnaires filled out be three (3) more fantabulous graduating Cabbies!

In case you missed it, check out this morning’s interviews and last week’s interviews as well!

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Joey is f**king old. Okay, maybe not that old, but he’s been around since 2007. That’s, like, forever ago in terms of College Theatre years. He started at Cabaret way back at the tail end of it’s “Community Theatre” years, and served on the executive board as Managing Director while the theatre transitioned back to being a completely student-run and student-doing-things-all-time kind of place. He also recently posted a glowing letter thanking the other seniors for all their hard-work at Cabaret, and it pretty much sums up anything that we’d put down here, so check it out!

Joey’s (Gentleman on the Right) Cabaret debut: a shirtless, down-to-there-haired hippie in HAIR. Also, multiple bandanas.

Past Cabaret Credits/Roles/Jobs/Positions

  • Debuted on the Cabaret stage as Margaret Meade (the transvestite square) in HAIR way back in February 2008.
  • Dog Sees God (Beethoven), Assassins (Ensemble), Eurydice (Father), Spring Awakening (Moritz)
  • Co-director of Back-2-School Revue: Parte Deux
  • Choreographer and Joke Writer for Spelling Bee
  • Directed productions of A New Brain and Songs For A New World,
    and a scene from Les Miserables in Directors’ Scenes.
  • Facilitated the Directors’ Workshop and Coordinated Directors’ Showcase 2011
  • Managing Director from January 2009 through May 2010
  • I’ve also been on the roof a few times.

– Where are you from? Where would you like to live in the future?

North Brunswick, NJ. I’ve grown quite fond of New Brunswick, but I see myself living in the NYC area (probably on the Jersey side of the river). I’d like to live in the African Serengeti at some point in my life. Also, Ireland.

– Favorite Culinary Establishment in the New Brunswick Area

Picken Chicken on George Street.

– Same-color or Mix-match socks?

Same-color. I don’t mess around.

Joey, down in the far left corner, “directing” Songs for A New World (Editor’s Note: Believe it or not, that stage was actually painted Blue. THEATRE!)

– On what TV show would you like to guest star in a 3-episode mini-arc?

WWE Raw. I’m pretty wicked with a steel chair.

– Who do you most want to punch in the eye?

Lady Gaga. And Shia Labeouf.

– What’s your degree supposed to be in?

I have a BA in English (lolz Avenue Q), and I’ll be getting my Ed.M. in English Education (hopefully) this Sunday.

– What was your least favorite class at Rutgers?

18th Century Novel. So… canonical… traditional… old…

“Acting” as Moritz in Spring Awakening. “Channeling” Spider-Man. “Winning” Cabbie Awards for Best Actor in a Musical.

– What did you want to be when you were growing up?

A teacher. And James Bond.

– What are you probably going to be when you grow up?

A teacher. Officially.

– What would you like to be when you grow up?

A teacher. Who moonlights as an acclaimed comics writer for MARVEL.

– Favorite Cabaret experience as a performer/prostaffer?

I’ve had my fingers in so many productions over the last few years that it’s hard to pick just one favorite experience. If I had to pick just one, I’d pick the performance of my senior capstone project last Spring. It was a play called i gotta right. Cabaret, in all of its experimental, artistic wisdom, granted me the Black Box for one performance in early April. So, with good friends and fellow Cabbies Dave Seamon, Amanda Padro, and Danny Cassidy, I put together a staged reading.

– Favorite Cabaret experience as an audience member?

Cabaret used to host semi-regular performances of the improv troupe, Quaint Little Coffee Shop. They were pretty much an in-house group of wonderful actors that got together and did awesome improv. The shows were reckless, irreverent, loose, and absolutely hilarious.

– If you could change one thing about Cabaret, what would it be?

Too freaking hot all the time. And I wish people would stop thinking it’s Jameson Projects Blackbox. So really, I’d just like to change Jameson Project. Let’s move it to Antarctica or something.

– How has Cabaret changed in your time there?

A LOT. But also not really a lot. We’ve become much more… focused. A little bit more professional. Nobody likes to knock the last generation, but it was a little fast and loose way back when. A little too self-satisfying. Not that there’s anything wrong with that. Now, there’s still that artistic, indulgent creativity, but there’s much more of a focus on teaching and training and expanding. A larger emphasis on development and progress. That ensures a future for Cabaret that we didn’t really have locked down just a few years ago.

– Budget & talent pool aside, what show would you most like to see Cabaret do in the future?

I’ve always wanted to direct a production of Les Miserables in Cabaret. I know how. I can make it work. That and West Side Story.

Oh yeah. It’ll fit. (Editor’s Note: That’s what she said.)

– What makes Cabaret special?

Directing has become one of my most favorite things in the world, and I never ever would have thought I had the necessary skillset if Cabaret wasn’t willing to give me the opportunity with Songs For A New World way back when. When I got the opportunity to direct A New Brain in the winter of 2009, a life goal of mine was achieved. A New Brain is my favorite musical of all time, and at Cabaret, they love s**t like that—obscure, interesting shows that mean something to the directors; that’s what they actively seek out. That’s what makes it so special. There’s a deeper connection to the material than just doing theatre. There’s a passion that starts with that one person—the director—and that then extends down into the cast and crew. By the time it gets to the audience, it’s got some heavy boots. It means something.

A New Brain, December 2009.

– What has the college (theatre) experience taught you about yourself?

How important collaboration really is. At Cabaret, because of the limited budget and because of the need for experimentation, every single moment of every single day really is an exercise in creative storytelling. And no one can do that alone. Each cast and crew is this microcosm of brilliance that produces these wonderfully innovative, captivating shows. The most important thing to come out of that collaboration is this sense of mutual peer-to-peer respect that is so vital to the process of creation.

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Alexandra Kelly Hausner (or “powerhausner” as one Cabaret alumnus dubbed her) is one crazy talented singer-songwriter-dancer-actress-all-around-good-person. She debuted on the Rutgers stage in LTC’s TOMMY, and razzle-dazzled audiences in Revue: Parte Deux and R3VU3, but it was her turn as Ilse in Spring Awakening that marked her Main-Stage debut and denouement on the Cabaret stage. And it was a phenomenal turn.

She kicks more @$$ than Angelina Jolie circa 2008.

She also learned the cello for her stellar performance in LTC’s production of BARE. (Editor’s note: learning of the cello may or may not be true. Stellarness of the performance is 100% accurate.)

– Past Cabaret Credits/Roles/Jobs/Positions

Actor in Cabaret’s Back to School Revue 2 and 3 and Ilse in Spring Awakening

– Where are you from? Where would you like to live in the future?

I’m from Fair Lawn, NJ and I would love to live in NYC in the future

– Favorite Culinary Establishment in the New Brunswick Area?

I am obsessed with Mekada on George Street…if you’ve never had Ethiopian food you NEED to try it

– Same-color or Mix-match socks?

Both. It depends on what the dryer eats

– On what TV show would you like to guest star in a 3-episode mini-arc?

I would love to be on Criminal Minds. I have a weird fascination with serial killer shows and I think I could play a decent crazy.

– Who do you most want to punch in the eye?

Joey (see above). Hands Down.

Aly and Joey taking dramatic pictures during Spring Awakening rehearsals. Marc photobombing like a champ.

– What’s your degree supposed to be in?

Communication with a minor in Music

– What was your least favorite class at Rutgers?

Communication Research. The worst class I’ve ever taken in my life and that counts any math class. It was that bad.

– What did you want to be when you were growing up?

I’ve always wanted to be a performer, but when I was like 12 I wanted to be a Spice Girl.

– What are you probably going to be when you grow up?

I’m probably going to be a singer and songwriter, but instead of a Spice Girl, more of a Sarah Bareillis.

“Acting” real hard during R3VU3

– What would you like to be when you grow up?

A Singer/songwriter……these last three questions were very similar.

– Favorite Cabaret experience as a performer/prostaffer?

I LOVED Spring Awakening, but I think my favorite moment was when Joey and Corey let me sing a song from the musical that I was writing in Revue #2. That really meant a lot to me.

– Favorite Cabaret experience as an audience member?

Watching 25th Annual Putnam County Spelling Bee. The show was amazingly funny and I knew the entire cast, which only made it better.

– If you could change one thing about Cabaret, what would it be?

The damn heat. That place gets HOT as anything. I blame Jameson.

– How has Cabaret changed in your time there?

It hasn’t really changed that much. It was always the small, “artistic,” theater to me.

– Budget & talent pool aside, what show would you most like to see Cabaret do in the future?

If I ever finish the musical that I’m writing I would love to see it at Cabaret. I think they could do an amazing job with it.

– What makes Cabaret special?

It really is a family. The space is small, the casts are small, but the love isn’t. It is truly dedicated to the art of acting and creating and it allows the people who work there to grow as people and performers.

– What has the college (theatre) experience taught you about yourself?

It has taught me that I am stronger then I think. I’ve always second guessed myself as an actor and through this experience I know that just need to let go and ACT! I need to stop thinking so much. It also taught me that compared to these people I’m not that weird. LOL. Jk I love you all.

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Tobi might be petite, but she’ll kick your teeth in–figuratively and literally–with her wry wit and spry creativity and her boots (that’s the literal part). Tobi has performed on the Cabaret stage continuously since her transfer to Rutgers, and she also stage managed the College Avenue Players’ production of Uberman, a completely original musical, this past Spring. (Editor’s Note: It was AWESOME!) Much like Joey’s comments up above, Tobi also was able to produce a stage reading of her full-length original play, Imagine Laughter, a few weeks ago.

Did we mention she’s a bad@$$?

Tobi, debuting Imagine Laughter, on the Cabaret stage.

– Past Cabaret Credits/Roles/Jobs/Positions:

  • Box Office Manager
  • Rutgers Night Live Premier- Various Sketches
  • August Osage County– Jean Fordham (Director’s Fest)
  • Amorica– Cheap Foreign Labor (Director’s Fest)

– Where are you from? Where would you like to live in the future?

From- Marlboro, New Jersey
Future- California

– Favorite Culinary Establishment in the New Brunswick Area?

ABP

– Same-color or Mix-match socks?

Definitely Mix-match

– On what TV show would you like to guest star in a 3-episode mini-arc?

Once Upon A Time

Tobi with fellow Cabaret senior, Nick, at the Cabaret Ball!

– Who do you most want to punch in the eye?

YOU

[Editor’s Note: Who me? Couldn’t be! Then who?]

– What’s your degree supposed to be in?

BA Theater Arts, English minor

– What was your least favorite class at Rutgers?

Planet Earth

– What did you want to be when you were growing up?

Always an actress

– What are you probably going to be when you grow up?

Living in a box in Times Square

– What would you like to be when you grow up?

Actress and Writer

– Favorite Cabaret experience as a performer/prostaffer?

Telling people they have to go home cause the show is sold out- bwahaha

– Favorite Cabaret experience as an audience member?

Watching how much talent we have at Cabaret

– If you could change one thing about Cabaret, what would it be?

More opportunities for theater majors

Tobi “acting” alongside fellow Cabbie, Marc, in the BA Theatre major’s production of Our Town. Cabaret has let the BAs use the space for the final project for the last few years. RU pride, baby!

– How has Cabaret changed in your time there?

I’m a transfer student so I haven’t seen much, but I noticed there’s always talented people walking in the door.

– Budget & talent pool aside, what show would you most like to see Cabaret do in the future?

A classy night filled with singing and acting each semester.

– What makes Cabaret special?

It really brings people together through a creative outlet, and I love all the people I’ve met being a part of Cabaret.

– What has the college (theatre) experience taught you about yourself?

I definitely learned a lot about myself through this experience and know that I can’t imagine doing anything else with my life.

DRAMATIC

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Happy graduation to those RU scholars walking today!

Stay tuned for two more posts tomorrow, when the rest of Rutgers graduates!

Excelsior!

Senior Interviews: 1-4-9

Okay. Okay. So… weeks. Our bad! Finals and graduation and Senior-Showcase-Revues-that-we-put-together-in-4-hours take up A LOT of time! Also, typing is hard. We have big heads and little arms…

But enough about us! Three (3) more interviews here, featuring three (3) more grown-up ladies!

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Jackie Spoleti is hardcore. She’ll mess you up real bad, forrealz. With her fists. And her acting skills. Her acting skills are so hXc that she picked up a Cabbie award for her performance as Logainne Schwartzandgrubenierre in last year’s production of The 25th Annual Putnam County Spelling Bee.

She also does voices. Ask her about them some time.

This performance garnered Jackie her Cabbie Award for Best Actress in a Musical.

Past Cabaret Credits/Roles/Jobs/Positions

  • Original Play Festival: Up, Out, and Away – “Focus” (Tracy)
  • …Spelling Bee (Logainne)
  • Director’s Showcase Spring 2011: “Sure Thing” (Director)
  • Director’s Showcase Fall 2011: “Next Door Down” (Susan)
  • Original Play Festival: “Nowhere, Nothing, Fuckups” (Kat) and “The Exorcism of Jakob O’Donnell” (Mrs. O’Donnell)

– Where are you from? Where would you like to live in the future?

I’m from Monroe Township, NJ.  I’d like to live in Manhattan, Los Angeles, Europe, etc. in the future.

– Favorite Culinary Establishment in the New Brunswick Area?

Due Mari

– Same-color or Mix-match socks?

Same color!

– On what TV show would you like to guest star in a 3-episode mini-arc?

“Modern Family”

Jackie also dazzled audiences as Rosie in LTC’s production of The Wedding Singer. She rapped.

– Who do you most want to punch in the eye?

My high school drama director

– What’s your degree supposed to be in?

Communication and Theatre (double major) and Italian Studies (minor)

– What was your least favorite class at Rutgers?

Astronomy

– What did you want to be when you were growing up?

An author

– What are you probably going to be when you grow up?

An actor

– What would you like to be when you grow up?

An actor.

– Favorite Cabaret experience as a performer/prostaffer?

The 25th Annual Putnam County Spelling Bee

Jackie “acting” in T25APCSB with fellow senior and roomie, Galadriel.

– Favorite Cabaret experience as an audience member?

Twelve Angry Men

– If you could change one thing about Cabaret, what would it be?

The facility itself

– How has Cabaret changed in your time there?

It became a little bit condemned

– Budget & talent pool aside, what show would you most like to see Cabaret do in the future?

Neil Simon’s Plaza Suite

– What makes Cabaret special?

It’s very welcoming and takes risks

– What has the college (theatre) experience taught you about yourself?

I’ve learned a great deal about how to work with all different types of people.  I’ve grown as an artist.  I’ve learned to challenge myself.  I have definitely learned some humility as well.

“Acting” as a uber conservative, hyper religious Jersey mom in “The Exorcism of Jakob Donnelly,” an original play by fellow Cabbie, Danny Cassidy.

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Once upon a time, Galadriel auditioned for Songs for a New World when she was just a wee little freshman. The director was so enamored with her audition that he nearly cast an extra four people in the show, reworking how the entire production was going to work, just so that he could get her on the cast. Ultimately, he didn’t do that, but Galadriel persevered and became a hotshot music director on A New Brain, Tommy, and Revue: Parte Deux, the vocal director of RU acappella group Deep Treble, and starred as freaking Joanna in Sweeney Todd and Olive in T25APCSB! She also, quite impressively, put together the first ever Senior Showcase at Cabaret in like 3 days. And it was good.

As her final act of awesomeness, she told everyone to go the f**k home from said Senior Showcase.

– Past Cabaret Credits/Roles/Jobs/Positions

  • Director’s Scenes – Cosette in Les Miz
  • A New Brain – Music Director
  • Revue 1 – Cast
  • Revue 2 – Music Director
  • Spelling Bee – Olive
  • Elegies – Director

– Where are you from? Where would you like to live in the future?

Parsippany – I literally lived in the same 150 year old house since I was born.
I’m moving to NYC in the Fall and hope to live there for many years to come.

– Favorite Culinary Establishment in the New Brunswick Area?

Depends, when sober and my parents are paying, Due Mari or Old Bay. When not sober and paying myself, Sanctuary or Hansel is my favorite non-pizza establishment.

Galadriel and Co. won the Cabbie Award for Best Musical Performance for their rendition of “The I Love You Song.”

– Same-color or Mix-match socks?

Mix-match…anyone who has seen my room would know that .

– On what TV show would you like to guest star in a 3-episode mini-arc?

LOST…oh wait that’s no longer on TV. If it has to still be on TV, then most definitely Community.

– Who do you most want to punch in the eye?

Joey. He’s so annoying. Just Kidding! I don’t really want to punch anyone, sorry.

She will punch you in the ear, though, with her VOICE!

– What’s your degree supposed to be in?

Haha, supposed to be? Psychology and Music.

– What was your least favorite class at Rutgers?

Music History. Most useless thing ever. I really don’t care who Mozart met when he was 10.

– What did you want to be when you were growing up?

A Marine Biologist. I don’t know what I was thinking.

– What are you probably going to be when you grow up?

A Speech Pathologist.

– What would you like to be when you grow up?

A Speech Pathologist and awesome famous youtube singer person.

– Favorite Cabaret experience as a performer/prostaffer?

Definitely Elegies. All of my experiences were awesome, but that was life changing.

Elegies. She directed the s**t out of this s**t. (Editor’s Note: I cried.)

– Favorite Cabaret experience as an audience member?

Cloud Nine. My mind was completely blown.

– If you could change one thing about Cabaret, what would it be?

The thermostat.

– How has Cabaret changed in your time there?

It’s pretty much just gotten more and more organized and talented.

– Budget & talent pool aside, what show would you most like to see Cabaret do in the future?

Les Miz, with a turntable.

– What makes Cabaret special?

The unisex bathroom. But actually the awesome intimate and home-like environment.

– What has the college (theatre) experience taught you about yourself?

That I can handle a million things at once. The perfect preparation for grad school and probably life.

Galadriel singing in Revue 1 with Sarah, who will be profiled… RIGHT… NOW!

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Sarah is/was the artistic director of uptown rival student theatre company, LTC, but we forgive her her trespasses. Just kidding. She started way back when as the choreographer for a little show called The Wedding Singer back when LTC was still doing shows in the Crossroads Theatre in New Brunswick. And she kicked @$$. Since then, she’s been a major artistic player at both companies. Her first main-stage performance ever at Rutgers of all time, however, was as the thin nurse Nancy D in Cabaret’s winter 2009 production of A New Brain. So suck on that LTC, we showcased her first. BOOYAH!

Sarah (far left), once a lowly freshman, choreographed a difficult-to-choreograph-show. And it was good. Also in this picture, Cabaret Alumna Lena!

– Past Cabaret Credits/Roles/Jobs/Positions:

  • Back to School Revue… Performer
  • A New Brain … Nancy D
  • Back to School Revue: Parte Deux… Performer and singer of the “Blue Hair”
  • I Love You Because … NYC Woman

– Where are you from? Where would you like to live in the future?

I am from Nutley, NJ … I am moving to Orlando this Fall to work for Disney, WOO!

– Favorite Culinary Establishment in the New Brunswick Area?

Houli’s!

[Editor’s Note: F**K HOULIHAN’S!]

– Same-color or Mix-match socks?

Mix-matched, all day err day

Here, Sarah leads the “DRAGON” maneuver during “And They’re Off,” a highlight of A New Brain.

– On what TV show would you like to guest star in a 3-episode mini-arc?

This doesn’t really answer the question … but I really want John Pisciotta and myself to team up and be on the Amazing Race. We’d kick @$$.

– Who do you most want to punch in the eye?

Marc Mills or the entire RUSA Allocations Board

– What’s your degree supposed to be in?

Fo Reals — Psychology (Major), Education (Minor) … if I could go back four years and start over? Theater Management (Major) with a double minor in Organizational Leadership and Awesome.

– What was your least favorite class at Rutgers?

Chem 102/Chem Lab

– What did you want to be when you were growing up?

CSI Investigator

– What are you probably going to be when you grow up?

A proud stage mom of a fabulously talented gay son

– What would you like to be when you grow up?

Disney Casting Agent

– Favorite Cabaret experience as a performer/prostaffer?

A New Brain

This A New Brain? Oh yeah.

– Favorite Cabaret experience as an audience member?

I have enjoyed each unique experience I’ve had as an audience member at Cabaret (but to be honest, I really enjoyed watching Godspell, I didn’t want that to be my answer because I did not want to give more satisfaction to the cult-ish cast) (you can write all of that if you want, I don’t care)

– If you could change one thing about Cabaret, what would it be?

More cowbell.

– How has Cabaret changed in your time there?

Looking back over the past four years I am happy to see that LTC and Cab have grown closer together. Each organization grows stronger with support from the other.

– Budget & talent pool aside, what show would you most like to see Cabaret do in the future?

Bloody Bloody Andrew Jackson & Avenue Q

– What makes Cabaret special?

Cabaret is the epitome of college theatre … practicing in a dingy basement into all hours of the night, designing/redesigning the space for each production, creepy garbage filled swimming pool, awkward unisex bathrooms. I have spent many hours here, and I wouldn’t change any of it for the world.

– What has the college (theatre) experience taught you about yourself?

Over four years I have changed my major five times, failed one too many classes and constantly doubted my future … the only “constant” in my life has been college theatre. As an Undergrad I have not only picked up vast amounts of theatrical knowledge but I have learned a lot about myself along the way. Being involved with college theatre has really helped me grow both creatively and as a leader. I can honestly say that my four years participating in this “extracurricular” activity has taught me more than my 128 degree credits I am receiving upon graduating. Suck on that, Rutgers.

Editor’s Note: I don’t even know what this is. Sarah crashing T25APCSB? Yeah. Probz.

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Check out last week’s Cabbie Cuestionnaires!

And stay tuned for THREE (3) more posts containing more Senior Interviews in the coming DAY! That’s right! THREE! (3)! And that’s even more right! DAY! Promise!

Exclamation Point!

Spring Awakening – The Boys

Spring Awakening weekend #2 is upon is! Tonight, the cast endeavors to perform at 8 pmAND at midnight! That’s like 6 straight hours of dancing, singing, and acting really hard!

Meanwhile, Inside Cabaret sat down with the entire cast of Spring Awakening and asked some real hardball questions. Here’s a sample:

Inside Cabaret: What is your least favorite color?

Nick: Yellow

Jenna: Olive

Will: F**K… I like them all!

Alex: Brown

Jordon: Purple

Tyler: Orange

Amanda: Murky Yellow

Francesca: Orange

Lauren: I like all colors! Except pea green.

Marc: Sherbet. Orange Sherbet.

Meg: PINK

Joey: Salmon. Definitely Salmon. And green. I hate green.

The Boys.

Real heavy stuff, right? Just kidding. We here at Inside Cabaret have something called “journalistic integrity.” The actual interview with the cast will be split into two parts. The first part–an interview with the illustrious boy members of the cast–can be found below!

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Inside Cabaret: What drew you to Spring Awakening? What experience with SA before, and how does this compare?

Will: It came out at a time when it really applied to my life. Not in any—not that I related to any of the events, but I did relate to the pressure of the world. That’s like the driving force between the show. This is like, the last stand, the final frontier before being thrust into the world. We’ve been trained to be graded for so long, and we’ll only be graded on what we do now.

Will Carey, pre-amber-waves-of-grain hairstyle. Circa 2009. Still Rock & Roll.

IC:You saw it on Broadway? How has doing the show compared?

Will: Yeah, I saw it sitting next to my mom. This show is so much more than what the original production was. The emotions are raw and easily accessible in any. We could do this outside and it’d be the perfect thing. We’re right there, in the audience’s face, telling them this story.

IC: Nick, you were doing BARE with the Livingston Theatre Company when the process started. How did you make the jump between shows?

Nick: It was very easy for me because of the people I was working with. The cast and the pro staff are full of people that I love—People that I’m already comfortable with. So I had no problems trying things out and jumping into the characters.

IC:I imagine part of that is because of director Farnaz Mansouri. You’ve worked with her before. How has this one compared?

Nick: Yeah, working with Farnaz was a big part of that. Especially the way she conveys her ideas; they’re very complete and full. And because it’s her second show, she’s knocked a lot of the kinds out. It’s been a great experience.

Nick Cartusciello acting.

IC: Marc, this is your 4th show with Cabaret this year. How is this one different?

Marc: Spring Awakening is so different in that it’s such a story – it has such a narrative. It’s the first show that I’ve done in which the large cast has to work together. Working with a legitimate ensemble, it’s such a different dynamic.

IC: How has the process been different?

Marc: This time, I definitely focused on creating a sense of style about how I did everything –singing, crafting, moving, dancing, emotional expression – this show was very stylized in that sense.

"Style."

IC: How have you improved as a performer?

Marc: I’ve gotten worse and worse, because I’ve gotten more and more egotistical.

(::Laughs from the belly::)

No, I think that this season has allowed me to grow so much because of the variety in each show and each process. Each show has allowed me to take something and bring it to the next show. For example, for the Revue, I figured out how to work an audience, with Elegies, it was building a show from the ground up with a cast of actors, which played directly into HIL2D, which was more about crafting and physicality, which in turn plays into that style I was talking about before. Being aware of controlling all of those skills and facets was so different and so powerful. Was that confusing?

(Editor’s note: No.)

IC: Joey, Between directing two musicals and the managing director position in the past, you have done a lot of varied work at Cabaret Theatre. What is it like coming back to be an actor after having spent much of your undergraduate years working off stage?

Joey: It’s been exciting. The last time I performed on-stage in-role for Cabaret was Eurydice, which was September 2009. That’s like almost 3 years ago. I’ve spent most of my time telling people how to act and move, so coming back and trying to do it myself was a nice change of pace.

IC: Given your previous positions and the fact that you’re older than everyone else, do you see yourself as a mentor to the cast in any way?

Joey: First of all, I’m only one year older. The other day, Marc said I was the only person born in the 1980s in the cast, trying to make it seem like I was some dinosaur. I was born in ’89! In June! That’s like almost 1990!

Dramatic s**t.

Second of all, no, I don’t really see myself as a mentor, primarily because the members in this cast are so damn talented, regardless of age or number of shows. I had enough trouble doing the whole singing thing, so I looked to other cast members and prostaff members for help with that. Maybe they looked to me for acting or moving tips, but Farnaz and Co. did a great job of creating an environment in which we all mentored and supported each other, regardless of how old I might (not) be.

IC: Jordon, It’s your first show at Cabaret and at college. What’s in been like? How is it different from your past experiences?

Jordon: It’s been great! It’s different than high school because of the short time to do a show; instead of 3 months, you get 1 month. You’re told to do something, and you just have to work hard to get it done. In a lot of ways, it’s better.

IC: Why’s it better?

Jordon: Well, everyone has talent. Versus like in high school where a select few get showcased all the time. In college, you’re expected to come in knowing your s**t.

Chair Acting.

IC:What have you learned about yourself as a performer?

Jordon: About developing character. The whole show requires it. In high school, the shows are more airy and light-hearted. Here, it’s like “how can you contribute to this,” “what do you bring?” That was a great challenge for me.

IC: Finally, Tyler, why isSpring Awakeningso important and influential?

Tyler: Because it’s important to remember that no one is or can be perfect. And that the best we can be is honest.

IC: Why has this show been an important process for you?

Tyler: Because it requires constant vigilance of character.  As Hanschen, I’m constantly making sure he looks and appears perfect. I have to be on at all times; it’s really challenged me to become a better actor and performer.

Tyler and Nick being Rock Stars and stuff

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So there you have it, True Believers! An interview with the dashing dudes of Spring Awakening! Stay tuned for an interview with the ladies regarding such hot topics as rock and roll, sexuality, stage combat, and curly hair!

Also, you may have noticed that a certain boy–or rather, MAN–was missing from the interviews. His name is Boris Van Der Ree. He plays the Adult Male roles in the show. And he bounced from yesterday’s brush-up rehearsal before Inside Cabaret could ask him any question. Alas, we’ll just have to settle for this lovely picture of him:

Enjoy