Spring Awakening – The Girls

After that wonderful interview with the Boys of Spring Awakening, are you ready for some more gender segregated hard-hitting journalism fromInside Cabaret?

Too bad, you're getting it anyway.

Inside Cabaret:  Who is your Favorite President of the United States of America?

Nick: franklin pierce

Jenna: Taft OF COURSE

Will: Gotta go with family: JFK. And he got with Marilyn Monroe.

Alex: Anyone who’s not Bush. Well, Daddy Bush was alright.

Jordon: Lincoln

Tyler: Richard Nixon

Amanda: Lincoln

Francesca: Kennedy

Lauren: Alexander Hamilton & Ben Franklin are my favorite people. I know they’re not presidents, but they should have been.

Marc: James Polk.

Meg: TAFT, it’s gotta be Taft

Joey: Millard. Fillmore. Period.

President William Howard Taft riding a Carabao

Enough ridiculosity! Let’s get on with the interviews! Read on, fellow Cabbies, for a revealing expose with the lovely ladies ofSpring Awakening!!!

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Inside Cabaret: According to popular (mis)conception, Spring Awakening is a boys show. Why are the girls such an integral part of the show?

Meg: I remember telling people that guys are much cooler, but the girls bring the truth of the time. We are the naïve ones, we are the ones that are preparing to have babies. The only thing we talk about is dreaming about boys. It’s stripped down to what we were allowed to think about. This is written by a man, so a lot of the girl’s points of views—there’s not a lot of depth. So I think for us, for our cast of girls, we make the female roles important. And rock and roll.

Amanda: The show is not only about sexuality, it’s about the discovery of others. It’s the reciprocity, the give and the take. You can’t do that with just one sex. It happens with a group. By the time it gets to “Song of Purple Summer,” you see how inclusive this show is. To say it’s a boy’s show is to say that it is sexually exclusive; that’s not what this show is about at all.

Alex: You can’t have a love story in this time period if girls aren’t involved. And that’s what makes some of the stories in the show so interesting. I think that the boys bring power to the show, but the girls ground it.

The girls. Adorbs.

IC: This is both your first and last show at Cabaret. What took you so long? And how has it been?

Francesca: I didn’t know about any theatre until Sophomore year. I tried out for two shows (Streetcar & How I learned 2 Drive) here and didn’t get in, but finally I got into Spring Awakening!

IC: And how has the process been?

Francesca: Amazing, I knew I’d love it here! I’ve talked to a lot of people about the Cabaret experience, and it just seemed like a cool place to work.

I love the space; I think it’s beautiful. It has a lot of potential. The people that work here are extremely passionate. The show’s are typically pretty good, too.

IC:  Amanda, what was the hardest part about this show for you? How did you overcome the challenge?

Amanda: Allowing myself to be very free. I almost had to…not necessarily dismiss what I’ve grown up with, but mature during the show. And that was hard because I had to make myself very vulnerable. I had to share myself with people.

Amanda "Mama" Padro letting go.

IC: Meg, speaking as the Music Director at WRSU, why is the music in Spring Awakening so effective?

Meg: I mean, think lyrically. It’s easy to relate to. Especially for our generation.

IC: Why is that?

Meg: Because of the issues at hand. There’s that teen angst in there. When we’re getting ready downstairs, I was like “We need to listen to Green Day.”

IC: What was playing downstairs?

Meg: What the f**k were they playing? Probably some Beyonce or some top 40 thing.

But over all it’s just beautiful. Also, when you hear that rock and roll guy is writing musical theatre music, I personally cringe. However, there are so many legit rock and roll moments in this score, but when it’s not rock and roll, it’s beautiful and genuine.

The girls rehearsing "Mama Who Bore Me." Meg Gillan adding a bit of Grunge flannel to the mix.

IC: Lauren, what’s your favorite moment in the play as an actor? As an audience member?

Lauren: As an actor: “Whispering.” The transition that happens. Wendla completes her journey in that song. So as an actor, I get to build that journey inside of the song. And craft it and layer it very carefully.

As an audience member: I love watching everything. I’m trying to think of something little, because there are so many great moments. This isn’t actually in the show; it’s offstage. Before “Totally F**ked,” Will is behind Jordon, ready to enter, and Will is rocking out headbanging with his huge hair, and only the audience on the one side can see him. It’s this hidden moment that only a few people see.

IC: Alex, you’re like a singer-songwriter IRL; how did you challenge the other components of your performance as Ilse?

Alex: I don’t coin myself as an actress at all. I’ve never felt confident at all in that regard, but I think that through BARE I learned to let go of everything, and I think that this show helped me extend that. I thought of every high as balls hippie that I’ve ever met.

IC: Have you met a lot of hippies?

Alex:Yes. My mom was a hippie at Rutgers in 1977. My first tour of Rutgers I went around with my mom who told me about the apartments she got high and where she did horrible things. And I had a lot of friends in high school who thought that being a hippie meant just getting “high.” So, if you count those kids, too…

HIPPIE!

IC: Jenna, how did you perfect your slapping skills?

Jenna: Lauren’s face looked more supple to me each night and I just got soooo angry. We also share a good cheek to hand ratio. It just fit.

IC: Why are the adult figures so vital to this show?

Jenna:  I was thinking that the other day. (Editor’s note: It’s a good thing I asked.) They’re a mixture between caricature and real, but yet they’re so different from the children. It’s important to have that perspective in the show, the other side of the question about puberty and maturity and growing up.

IC: You really triple threat it out in this show: dancing, singing, acting really hard. What have you learned about yourself as a performer?

Jenna: I’ve gotten a lot more confident in my physicality and dancing. I think this is really due to [choreographer] Sarah Lifson and Farnaz. I’ve never felt so comfortable dancing and in my own body as I have been in this show. I’ve never felt so empowered by it. With the right kind of atmosphere and coaching, I can dance if I want to.

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So that’s it. The boys and girls of Spring Awakeninginterviewed by Inside Cabaret for your reading pleasure.

And for your viewing pleasure: